Skip to Navigation

Alma Brasileira

Alma Brasileira cover art
79179

Track Listing

Click tracks with speaker icon to listen
1Cantiga de Cego (from Ciclo Nordestino No. 3) (Marlos Nobre)1:14
2Baião Malandro (Egberto Gismonti)4:33
3A lenda do caboclo (Heitor Villa-Lobos)3:23
4Jobiniana No. 1 (Sérgio Assad)5:07
5Capoeria (from Ciclo Nordestino No. 3) (Marlos Nobre)0:41
6Chôro de mãe (Wagner Tiso)5:58
7Série de arco (Hermeto Pascoal)3:48
8Toccata em ritmo de samba (Radamés Gnattali)3:15
9Alma Brasileira (Heitor Villa-Lobos)4:40
10Martelo (from Ciclo Nordestino No. 1) (Marlos Nobre)0:37
11Pixinguinha (from suite Retratos) (Radamés Gnattali)5:04
12Baião (from Suite Brasileira) (Sérgio Assad)3:48
13Praiana (from Ciclo Nordestino No. 2) (Marlos Nobre)1:39
14Frevo (Egberto Gismonti)2:49
15Cancão (from Suite Brasileira) (Sérgio Assad)3:50

News & Reviews

  • Cal Performances 2011–12 Season to Include Dawn Upshaw, Kronos Quartet, Rokia Traoré, Sérgio & Odair Assad, Richard Goode

    Cal Performances at the University of California, Berkeley, has announced its 2011–12 season, which will feature performances from a number of performers familiar to readers of the Nonesuch Journal: Dawn Upshaw and Rokia Traoré, each in a collaboration with director Peter Sellars, the latter also with novelist Toni Morrison; Kronos Quartet in the Bay Area premiere of Steve Reich's WTC 9/11; Sérgio and Odair Assad; and Richard Goode.

  • Brazilian-Born Guitar Duo Sérgio and Odair Assad Explore Their Lebanese Roots on Concert Tour

    Brazilian-born guitar duo Sérgio and Odair Assad are delving deeper into their roots in a series of live performances titled De Volta as Raizes (Back to our Roots). The concerts examine the brothers' ancestral roots in Lebanon, following the success of Sérgio's Latin Grammy-winning composition "Tahhiyya li ossoulina," off their most recent Nonesuch release, Jardim abandonado. They'll be joined by pianist/singer/composer Clarice Assad, percussionist Jamey Haddad, and Lebanese singer Christiane Karam in an exploration of the ties between the musics of the Middle East and Brazil.

About this Album

Sérgio and Odair Assad perform wide-ranging work from their native Brazil, which the Los Angeles Times calls “a fertile fusion nexus for guitarists.” Says Sérgio, “Some people call this jazz, some call it avant-garde, but the Brazilians just call it popular music.” Included are works by Villa-Lobos, Pascoal, and works by Sérgio himself.

Credits

MUSICIANS
Sérgio Assad, Odair Assad, guitars

PRODUCTION CREDITS
Produced by Robert Hurwitz and Arthur Moorhead
Recorded November 1987 at Kruiskerk, Bergum, The Netherlands
Recording engineer: John Newton
Assistant engineer: Henk Jansen
Digital editing: E. Amelia Rogers and Henk Kooistra

Art direction and design: Steven Byram
Photographs by Michel Delsol
Photo treatment: Mark Malabrigo

Please install the Adobe Flash player in order to see this content.