Various Artists
Apocalypse Now Redux [Soundtrack]

Apocalypse Now Redux [Soundtrack] cover art

79644

Track Listing

Click tracks with speaker icon to listen

1	Opening: The End (The Doors)	6:29
2	The Delta	2:41
3	Dossier	2:09
4	Orange Light	1:16
5	Ride of the Valkyries (R. Wagner)	1:50
6	Suzie Q (The Rhythm Devils)	3:23
7	Nung River	2:44
8	Do Lung	4:06
9	Letters from Home	1:14
10	Clean's Death	1:58
11	Clean's Funeral	2:56
12	Love Theme	3:06
13	Chief's Death	1:50
14	Voyage	3:08
15	Chef's Head	1:54
16	Kurtz Chorale	1:29
17	Finale	6:05

About this Album

In 2001, 22 years after the original release of Apocalypse Now, Miramax Films presented a new version of the groundbreaking masterpiece with Apocalypse Now Redux, accompanied by a revised and re-mastered soundtrack on Nonesuch.

Apocalypse Now Redux contains 53 minutes of never-before-seen footage including a new scene with Marlon Brando, an expanded Playboy Playmates sequence, and the French Plantation scene, newly assembled from raw footage. Vittorio Storaro's Oscar-winning cinematography and Walter Murch's Oscar-winning sound are enhanced by a Technicolor dye transfer print and 6-channel soundtrack.

"This version of the film is sexier, funnier, more bizarre, more romantic, and more politically intriguing," Francis Ford Coppola says. "The new version doesn't say anything differently than the old one. It just says it better and with more complexity and the themes emerge more clearly. It is a richer, fuller and more textured film experience that lets audiences feel the immediacy, the insanity, the exhilaration, the horror, the sensuousness and the moral dilemma of America's most surreal and nightmarish war."

The new soundtrack—available for the first time on a single CD—includes music from the original release, fully re-mastered, plus two new tracks. In addition to the score by Carmine Coppola, artists featured are The Doors (“The End”), Mickey Hart, The Rhythm Devils (“Suzie Q”), and the George Solti/Vienna Opera Orchestra version of Wagner’s “Ride of the Valkyries.”

Credits

MUSICIANS
Synthesizer: Patrick Gleeson, master synthesist; Richard Beggs, Bernard L. Krause (assisted by Andy Narell), Ed Goldfarb (11, 12), Don Preston, Shirley Walker, Nyle Steiner, EVI Soloist
Randy Hansen, guitar
The Rhythm Devils: Jordan Amarantha, Greg Erricso, Zakir Hussain, Billy Kreutzmann, Phil Lesh, Jim Loveless
Carmine Coppola, flute solo (2)
Choir: Carmine Coppola, conductor; Ron Hicklin, contractor
Gospel Singers: Henrietta Davis, Sheila Ellis, Jeannie Tracy; Doug Kibble, contractor

The Doors (1)
The Vienna Philharmonic Orchestra, Sir George Stoli conducting (5)
Flash Cadillac (6)

PRODUCTION CREDITS
Music for the Film Produced by David Rubinson
Music for this Album Produced by Richard Beggs
Music Recorded at The Automatt, San Francisco
Recording Engineers: Leslie Ann Jones, Bill Steele, Ken Kessie
Omni Zoetrope Studios, San Francisco
Recording Engineers: Richard Beggs, Katharine Morton, Jim Austin
Studio Assistant: Shelley Higgins
Different Fur Music, San Francisco
Recording Engineers: Steve Mantoani, Stacy Baird, Emil Flock
Club Front, San Rafael
Recording Engineers: Dan Healy, Bob Matthews, Brett Cohen, Betty Cantor-Jackson
Additional Recording at CBS Studio Center, Los Angeles
Recording Engineers: Phil Yeend, Charles Garsha
Album Mixed and Mastered at Omni Zoetrope Studios, San Francisco
Mixing Engineer: Richard Beggs
Mastering Engineer: Paul Stubblebine
Additional Mastering: Brian Sarvis
Special Mixing Assistance: Shirley Walker
Technical Source Work for previously unreleased tracks: Pete Horner
Music Production Co-ordinator: Teresa Zaleska
Music Copyists: Chris Poehler, George Annis
Percussion Recording: Airto Moreira and Michael Hinton
Production Assistant on Percussion Recording: Gian-Carlo Coppola
Production and post production facilities furnished through Omni Zoetrope Studios, San Francisco/Los Angeles, California

Music by Carmine Coppola and Francis Coppola, except track 1 by The Doors; 5 by Richard Wagner; 6 by D. Hawkins, S.J. Lewis, E Broadwater; 7, 10 by C. Coppola / F. Coppola / M. Hart; 8 by C. Coppola / F. Coppola / R. Hansen; 11, 12 by C. Coppola
Percussion Based Score: Mickey Hart