Richard Goode
Beethoven: Piano Sonatas Nos. 21, 22, & 23

Beethoven: Piano Sonatas Nos. 21, 22, & 23 cover art

79391

Track Listing

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1	Sonata No. 21 in C Major, Op. 53, "Waldstein": Allegro con brio	9:58
2	Sonata No. 21 in C Major, Op. 53, "Waldstein": Introduzione: Adagio molto	4:03
3	Sonata No. 21 in C Major, Op. 53, "Waldstein": Rondo: Allegretto moderato	9:26
4	Sonata No. 22 in F Major, Op. 54: In tempo d'un Menuetto	5:17
5	Sonata No. 22 in F Major, Op. 54: Allegretto	5:36
6	Sonata No. 23 in F Minor, Op. 57, "Appassionata": Allegro assai	9:01
7	Sonata No. 23 in F Minor, Op. 57, "Appassionata": Andante con moto	6:22
8	Sonata No. 23 in F Minor, Op. 57, "Appassionata": Allegro non troppo	7:40

News & Reviews

Wednesday, April 24, 2013

Cal Performances 2013–14 Season to Include Kronos Quartet, Joshua Redman, Richard Goode; Jeremy Denk to Curate Ojai North!

Cal Performances at the University of California, Berkeley, has announced its 2013–14 concert season, which will feature performances from a number of Nonesuch artists: Kronos Quartet, which celebrates its 40th anniversary with two concerts at Zellerbach Hall; Joshua Redman, whose Quartet performs songs from his new album, Walking Shadows; and Richard Goode, performing music by Janáček, Schubert, and Debussy. Additionally, Cal Performances and the Ojai Music Festival present Ojai North!, of which pianist Jeremy Denk is this season's music director.
Thursday, January 31, 2013

Carnegie Hall Announces 2013–2014 Season, Featuring Performances, Works by Several Nonesuch Artists

Carnegie Hall has announced its 2013–14 season, and featured among the performers taking the esteemed hall's stages are a number of artists familiar to readers of the Nonesuch Journal, including Chris Thile, Bombino, Kronos Quartet, Natalie Merchant, and Richard Goode, as well as performances of works by John Adams, Steve Reich, Laurie Anderson, and more.

Read More News About Richard Goode

About this Album

Composed in Beethoven's "middle period," the Appassionata and Waldstein sonatas represent some of the composer's greatest writing for solo piano. The San Diego Union-Tribune hailed the "flawless technique" and "structural command" presented here, saying "Goode's interpretations are marked by such fluidity that he might as well be improvising in the style of Beethoven."