Skip directly to content
  • 79323

Track listing

Click tracks with speaker icon to listen

Einstein on the Beach

news & reviews

Select any filter and click on Apply to see results

  • about this album

    Composer Philip Glass and director Robert Wilson's Einstein on the Beach, widely credited as one of the greatest artistic achievements of the 20th century, launched its creators to international success when it was first produced in Avignon, France, in 1976, with subsequent performances in Europe and in New York at the Metropolitan Opera. It is still recognized as one of their greatest masterpieces. In 2012, nearly four decades after it was first performed and 20 years since its last production, Einstein on the Beach will be reconstructed for a major international tour including the first performances in the UK (at the Barbican in May, as part of the London 2012 Festival) and the first North American presentations ever held outside of New York City. On January 17, to coincide with the international tour and Glass’s 75th birthday, Nonesuch has now reissued its seminal 1993 recording, which the Washington Post wrote is "more complete than the first recording and superior in both performance and sound."

    Einstein on the Beach breaks all of the rules of conventional opera. Instead of a traditional orchestral arrangement, Glass chose to compose the work for the synthesizers, woodwinds and voices of the Philip Glass Ensemble. Non-narrative in form, the work uses a series of powerful recurrent images as its main storytelling device shown in juxtaposition with abstract dance sequences created by American choreographer Lucinda Childs. It is structured in four interconnected acts and divided by a series of short scenes or "knee plays." Taking place over five hours, there are no traditional intermissions. Instead, the audience is invited to wander in and out at liberty during the performance.

    Einstein on the Beach was revolutionary when first performed and is now considered one of the most remarkable performance works of our time. The New York Times art critic and producer John Rockwell has said of seeing Einstein on the Beach for the first time: “Einstein was like nothing I had ever encountered. For me, its very elusiveness radiated richly, like some dark star whose effects we can only feel. The synergy of words and music seemed ideal.” He continues, "Einstein on the Beach, perhaps, like Einstein himself, transcended time. It's not (just) an artifact of its era, it's timeless ... Einstein must be seen and re-seen, encountered and savored ... an experience to cherish for a lifetime."

    Philip Glass is one of America’s best-known living composers, with a career that spans more than four decades and includes chamber music, symphonies, operas, concerti, film scores, and music for dance. "Few composers of our time have dismantled the barriers between the music of the people and the music of the elite more consistently and creatively than Philip Glass," proclaimed the Guardian. "His achievement is massive."

    Credits

    MUSICIANS
    The Philip Glass Ensemble
    Jon Gibson, soprano saxophone, flute
    Martin Goldray, keyboards
    Kurt Munkacsi, sound design
    Richard Peck, alto saxophone, tenor saxophone, flute
    Michael Reisman, musical director, keyboards
    Andrew Sterman, flute, piccolo, bass clarinet
    Gregory Fulkerson, violin

    Chorus
    Marion Beckenstein, Lisa Bielawa, Michèle A. Eaton, Kristin Norderval, sopranos
    Katie Geissinger, Margo Gezairlian Grib, Elsa Higby, mezzo-sopranos
    Jeffrey Johnson, John Koch, Eric. W. Lamp, tenors
    Jeff Kensmoe, Gregory Purnhagen, Peter Stewart, baritones
    Patrician Schuman, soprano soloist (CD 3, tracks 4-6)
    Lucinda Childs, Gregory Dolbashian, Jasper McGruder, Shery Sutton, spoken text

    PRODUCTION CREDITS
    Produced by Kurt Munkacsi and Michael Reisman
    Recorded January-June 1993 at The Looking Glass Studios, NYC
    Engineers: Dante DeSole, James Law
    Assistant: Benno Hotz
    Mixed by Michael Reisman at The Looking Glass Studios

    All music by Philip Glass; libretto by Philip Glass, Christopher Knowles, Samuel M. Johnson, and Lucinda Childs

    Design by John Heiden
    Cover photograph by T. Charles Erickson

on May 29, 2008 - 7:14pm
Release Date: 
Tuesday, January 17, 2012 (All day)
Cover Art: 
Nonesuch Selection Number: 

79323

Number of Discs in Set: 
1disc
47
134
Wednesday, September 1, 1993 (All day)
0
0
Artist Name: 
Philip Glass
genre: 
Album Status: 
UPC/Price: 
UPC: 
075597932362
Price: 
0.00
Label: 
MP3
UPC: 
075597932324
Price: 
0.00
Label: 
3-CD Set
Description: 

Composer Philip Glass and director Robert Wilson's Einstein on the Beach, widely credited as one of the greatest artistic achievements of the 20th century, launched its creators to international success when it was first produced in Avignon, France, in 1976, with subsequent performances in Europe and in New York at the Metropolitan Opera. It is still recognized as one of their greatest masterpieces. In 2012, nearly four decades after it was first performed and 20 years since its last production, Einstein on the Beach will be reconstructed for a major international tour including the first performances in the UK (at the Barbican in May, as part of the London 2012 Festival) and the first North American presentations ever held outside of New York City. On January 17, to coincide with the international tour and Glass’s 75th birthday, Nonesuch has now reissued its seminal 1993 recording, which the Washington Post wrote is "more complete than the first recording and superior in both performance and sound."

Einstein on the Beach breaks all of the rules of conventional opera. Instead of a traditional orchestral arrangement, Glass chose to compose the work for the synthesizers, woodwinds and voices of the Philip Glass Ensemble. Non-narrative in form, the work uses a series of powerful recurrent images as its main storytelling device shown in juxtaposition with abstract dance sequences created by American choreographer Lucinda Childs. It is structured in four interconnected acts and divided by a series of short scenes or "knee plays." Taking place over five hours, there are no traditional intermissions. Instead, the audience is invited to wander in and out at liberty during the performance.

Einstein on the Beach was revolutionary when first performed and is now considered one of the most remarkable performance works of our time. The New York Times art critic and producer John Rockwell has said of seeing Einstein on the Beach for the first time: “Einstein was like nothing I had ever encountered. For me, its very elusiveness radiated richly, like some dark star whose effects we can only feel. The synergy of words and music seemed ideal.” He continues, "Einstein on the Beach, perhaps, like Einstein himself, transcended time. It's not (just) an artifact of its era, it's timeless ... Einstein must be seen and re-seen, encountered and savored ... an experience to cherish for a lifetime."

Philip Glass is one of America’s best-known living composers, with a career that spans more than four decades and includes chamber music, symphonies, operas, concerti, film scores, and music for dance. "Few composers of our time have dismantled the barriers between the music of the people and the music of the elite more consistently and creatively than Philip Glass," proclaimed the Guardian. "His achievement is massive."

DescriptionExcerpt: 

Glass's career-making 1976 opera, a collaboration with avant-garde impresario Robert Wilson, was revolutionary then, revered now. "It's not (just) an artifact of its era, it's timeless," says the New York Times. "Einstein must be seen and re-seen, encountered and savored ... an experience to cherish for a lifetime." This "properly hypnotic" 1993 recording, says the Washington Post, is "more complete than the first recording and superior in both performance and sound." The three-CD set was reissued in January 2012 to coincide with Glass's 75th birthday and a rare international tour of the opera.

ProductionCredits: 

MUSICIANS
The Philip Glass Ensemble
Jon Gibson, soprano saxophone, flute
Martin Goldray, keyboards
Kurt Munkacsi, sound design
Richard Peck, alto saxophone, tenor saxophone, flute
Michael Reisman, musical director, keyboards
Andrew Sterman, flute, piccolo, bass clarinet
Gregory Fulkerson, violin

Chorus
Marion Beckenstein, Lisa Bielawa, Michèle A. Eaton, Kristin Norderval, sopranos
Katie Geissinger, Margo Gezairlian Grib, Elsa Higby, mezzo-sopranos
Jeffrey Johnson, John Koch, Eric. W. Lamp, tenors
Jeff Kensmoe, Gregory Purnhagen, Peter Stewart, baritones
Patrician Schuman, soprano soloist (CD 3, tracks 4-6)
Lucinda Childs, Gregory Dolbashian, Jasper McGruder, Shery Sutton, spoken text

PRODUCTION CREDITS
Produced by Kurt Munkacsi and Michael Reisman
Recorded January-June 1993 at The Looking Glass Studios, NYC
Engineers: Dante DeSole, James Law
Assistant: Benno Hotz
Mixed by Michael Reisman at The Looking Glass Studios

All music by Philip Glass; libretto by Philip Glass, Christopher Knowles, Samuel M. Johnson, and Lucinda Childs

Design by John Heiden
Cover photograph by T. Charles Erickson