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News & Reviews

  • The New Yorker: Gidon Kremer Confirms His Place as "Greatest Violinist Alive" at Lincoln Center's White Light Festival

    Gidon Kremer recently performed in Lincoln Center's White Light Festival in a program titled Homage to J.S. Bach. "Kremer's performance of the Bach Chaconne was the wonder of the night," writes The New Yorker's Alex Ross. "Herbert von Karajan once declared that Kremer was the greatest violinist alive; this still seems to be the case. His legendary reading of the Chaconne ... has grown ever deeper with age." Kremer joins the Kremerata Baltica chamber orchestra for a brief European tour starting next weekend.

  • Gidon Kremer Performs Program of "Transcendence" (NY Times) at Lincoln Center's White Light Festival

    Gidon Kremer returned to Lincoln Center in New York on Saturday for the second-annual White Light Festival, "an exploration of music’s power to illuminate our interior lives," to present a program titled Homage to J.S. Bach. The program centered around Bach's Chaconne for solo violin and included the US premiere of Silvestrov's Dedication to J.S. Bach. The New York Times calls the Bach piece "as transcendent a work as you will find." Kremer joins the Boston Symphony Orchestra this week at Boston's Symphony Hall for works by Schumann and Strauss.

About this Album

Gidon Kremer's El Tango is evidence of the violinist’s ongoing admiration and affinity for the music of Argentinean composer and bandoneón master Astor Piazzolla. Kremer's 1996 Nonesuch recording Hommage à Piazzolla met with instant success, as well as critical acclaim: “For all the Piazzolla material out there," wrote the Boston Globe, "I’m not sure that anyone, except perhaps the composer himself, has made as convincing a case for the emotional depth of this music as Kremer.”

El Tango features Kremer with Vadim Sakharov (piano), Alois Posch (double bass), and Per Arne Glorvigen (bandoneón), an ensemble that was created expressly to perform Piazzolla’s music.

This volume of Astor Quartet arrangements of Piazzolla’s compositions also features arrangements by Sérgio Assad ("Revirado," "Che Tango Che," "Milonga per tre"), as well as compositions by Giya Kancheli ("Instead of a Tango"), Juan Carlos Cobian ("Los Mareados"), and Yefim E. Rosenfeld ("My Happiness"). The Astor Quartet is joined by Milva, the Italian singer most closely associated with Piazzolla; the Brazilian guitar duo Sérgio Assad and Odair Assad; and by the Brazilian composer, singer, and guitarist Caetano Veloso, who narrates the poem "El Tango," written by Jorge Luis Borges.

To many, Astor Piazzolla is synonymous with tango. Gidon Kremer is resolute in his regard of Piazzolla as a sophisticated composer, one who was able to reach a very large audience on an emotional level and not merely on an intellectual one. “In my view Astor’s music represents an enormous playing field in which the most divergent emotions are expressed in highly artistic yet simple ways," writes Kremer in the album's liner note. "Piazzolla was daring, honest and uncomplicated, all at the same time ... Piazzolla was a musician with the highest expectations, an excellent and unique composer, who succeeded in linking ideas of the past to the present.”

Credits

MUSICIANS
The Astor Quartet:
Gidon Kremer, violin
Per Arne Glorvigen, bandoneón
Vadim Sakharov, piano
Alois Posch, double bass

Guest Artists:
Odair Assad, guitar (1, 10)
Sérgio Assad, guitar (1, 10)
Milva, vocals (3, 9)
Caetano Veloso, narrator (5)

PRODUCTION CREDITS
Produced and Engineered by Peter Laenger, Tritonus Musikproduktion, Stuttgart
Recorded December 1996 at Studio Guilaume Tell, Paris
Assistant Engineer: Stephane Briand
Additional Recording on El Tango:
Produced by Jaques Morelenbaum
Recorded May 1997 at Studio Discover, Rio de Janeiro
Additional Recording Coordinator: Paulo Junqueiro, WEA Brazil
Nonesuch Production: Karina Beznicki
Executive Producer: Robert Hurwitz

Design by Barbara deWilde
Cover photograph: Tulip, 1985 by Robert Mapplethorpe

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