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  • 527269

Track listing

Click tracks with speaker icon to listen
1 Conia 2:00
2 Jamm 4:48
3 Il N'est Jamais Trop Tard 4:30
4 Warico 3:25
5 Sankara 3:41
6 Seyni 4:54
7 Dieuf Dieul 5:02
8 Bourama 4:25
9 Ne Parti Pas 4:06
10 Folly Cagni 3:08

Jamm

news & reviews

  • about this album

    Senegalese Sufi musician Cheikh Lô’s first album in five years, Jamm, was released in North America on June 7 by Word Circuit / Nonesuch Records. The record received critical praise in the UK and Europe when it was released there last year, with Uncut calling it the“African album of the year,” and the Guardian saying, “Cheikh Lô is back with an album that reconfirms his position as one of the finest, one of the most soulful singers in West Africa.” In a four-star review, Q called Jamm “true global music to make anyone feel better.”

    On Jamm, which means “peace” in Wolof, Lô’s mbalax rhythms and signature blend of semi-acoustic flavors—West and Central African, funk, Cuban, flamenco—support his husky vocals, sung in four different languages (English, Wolof, French, and Jula, a dialect of Bambara spoken in Burkina Faso).

    For all its diversity, Jamm is rooted firmly in Lô’s own backyard, built around simple demos recorded with GarageBand software at the house of his friend and bass player Thierno Sarr. Lô’s lead and harmony vocals, acoustic guitar, and percussion have been augmented with additional electric guitar, drums, bass, sax, and Senegalese percussion from members of his regular band. In London, further touches were added by his old friends Tony Allen (drums) and Pee Wee Ellis (sax).

    Growing up with Senegalese parents in Burkina Faso near the border of Mali during the 1950s, Cheikh Lô played the musical genres of the time, including Cuban and Congolese styles. He gave his first performances as a young man in Bobo Dioulasso, Burkina’s creative capital and hotbed of musical activity, and later moved to Dakar. But it was not until he made his way to Paris in 1985 that he began to build the relationships that would make up his unique musical community.

    Since his first internationally distributed record, the Youssou N’Dour–produced Né La Thiass (1996), Cheikh Lô has received increasing acclaim worldwide. His last album, Lamp Fall, was highly praised; on NPR’s All Things Considered, African music expert Banning Eyre said Lô “proves himself one of the most dynamic creators in today’s African music” and the Associated Press called the record “a globe-hopping aural adventure.”

    Credits

    MUSICIANS
    Cheikh Lô, lead & harmony vocals, guitars, congas, timbales & shaker, drums (1, 7, 8)
    Thierno Sarr, bass, guitars (6-8)
    Baye Manhanta Diop, electric guitar (1, 4)
    Omar Sow, electric guitar (2)
    Cheikh Tidiane Tall, electric guitar (3)
    Pee Wee Ellis, tenor saxophone (1-3, 5, 8, 9)
    Thierno Koite, saxophone (6, 9)
    Wilfried Zinzou, trombone
    Omar Puente, violin (6)
    Tony Allen, drums (3, 9)
    Daouda Ndiaye, drums (4)
    Sebastian Rochford, drums (2)
    Thio Mbaye, Khadim Mbaye, sabars
    Samba Ndokh MBaye, tama
    Dave Patman, guiro (6)
    Fatou Diawara, backing vocals (1, 2, 4)

    PRODUCTION CREDITS
    A World Circuit Production
    Produced by Nick Gold and Cheikh Lô
    Recorded by Thierno Sarr at his home studio, Dakar, Senegal, Abdou Caba
    at Ethinic Studios, Dakar, Senegal and by Sonny at Livingston Studios, London.
    Mixed by Sonny at Livingston Studios, London
    Assistant engineer: Dan Ingall
    Mastered by Tom Leader

    Artwork by Annabella Weiss Kommunikationsdesign
    Cover photograph by Christina Jaspars
    Additional photography by Youri Lenquette

    Format availability

    This album is available from Nonesuch in the United States and Canada only.

on May 23, 2011 - 2:54pm
Release Date: 
Tuesday, June 7, 2011 (All day)
Cover Art: 
Nonesuch Selection Number: 

527269

Number of Discs in Set: 
1disc
Artist Name: 
Cheikh Lô
Album Status: 
UPC/Price: 
UPC: 
075597977059BUN
Price: 
16.00
Label: 
CD+MP3
UPC: 
075597977042
Price: 
10.00
Label: 
MP3
Description: 

Senegalese Sufi musician Cheikh Lô’s first album in five years, Jamm, was released in North America on June 7 by Word Circuit / Nonesuch Records. The record received critical praise in the UK and Europe when it was released there last year, with Uncut calling it the“African album of the year,” and the Guardian saying, “Cheikh Lô is back with an album that reconfirms his position as one of the finest, one of the most soulful singers in West Africa.” In a four-star review, Q called Jamm “true global music to make anyone feel better.”

On Jamm, which means “peace” in Wolof, Lô’s mbalax rhythms and signature blend of semi-acoustic flavors—West and Central African, funk, Cuban, flamenco—support his husky vocals, sung in four different languages (English, Wolof, French, and Jula, a dialect of Bambara spoken in Burkina Faso).

For all its diversity, Jamm is rooted firmly in Lô’s own backyard, built around simple demos recorded with GarageBand software at the house of his friend and bass player Thierno Sarr. Lô’s lead and harmony vocals, acoustic guitar, and percussion have been augmented with additional electric guitar, drums, bass, sax, and Senegalese percussion from members of his regular band. In London, further touches were added by his old friends Tony Allen (drums) and Pee Wee Ellis (sax).

Growing up with Senegalese parents in Burkina Faso near the border of Mali during the 1950s, Cheikh Lô played the musical genres of the time, including Cuban and Congolese styles. He gave his first performances as a young man in Bobo Dioulasso, Burkina’s creative capital and hotbed of musical activity, and later moved to Dakar. But it was not until he made his way to Paris in 1985 that he began to build the relationships that would make up his unique musical community.

Since his first internationally distributed record, the Youssou N’Dour–produced Né La Thiass (1996), Cheikh Lô has received increasing acclaim worldwide. His last album, Lamp Fall, was highly praised; on NPR’s All Things Considered, African music expert Banning Eyre said Lô “proves himself one of the most dynamic creators in today’s African music” and the Associated Press called the record “a globe-hopping aural adventure.”

DescriptionExcerpt: 

On Jamm, which means “peace” in Wolof, Lô’s mbalax rhythms and signature blend of semi-acoustic flavors—West and Central African, funk, Cuban, flamenco—support his husky vocals, sung in four different languages, with help from his regular band, along with Tony Allen on drums and Pee Wee Ellis on sax. The Guardian says, “Cheikh Lô is back with an album that reconfirms his position as one of the finest, one of the most soulful singers in West Africa.” In a four-star review, Q calls it “true global music to make anyone feel better.”

FormatRestrictions: 

This album is available from Nonesuch in the United States and Canada only.

ProductionCredits: 

MUSICIANS
Cheikh Lô, lead & harmony vocals, guitars, congas, timbales & shaker, drums (1, 7, 8)
Thierno Sarr, bass, guitars (6-8)
Baye Manhanta Diop, electric guitar (1, 4)
Omar Sow, electric guitar (2)
Cheikh Tidiane Tall, electric guitar (3)
Pee Wee Ellis, tenor saxophone (1-3, 5, 8, 9)
Thierno Koite, saxophone (6, 9)
Wilfried Zinzou, trombone
Omar Puente, violin (6)
Tony Allen, drums (3, 9)
Daouda Ndiaye, drums (4)
Sebastian Rochford, drums (2)
Thio Mbaye, Khadim Mbaye, sabars
Samba Ndokh MBaye, tama
Dave Patman, guiro (6)
Fatou Diawara, backing vocals (1, 2, 4)

PRODUCTION CREDITS
A World Circuit Production
Produced by Nick Gold and Cheikh Lô
Recorded by Thierno Sarr at his home studio, Dakar, Senegal, Abdou Caba
at Ethinic Studios, Dakar, Senegal and by Sonny at Livingston Studios, London.
Mixed by Sonny at Livingston Studios, London
Assistant engineer: Dan Ingall
Mastered by Tom Leader

Artwork by Annabella Weiss Kommunikationsdesign
Cover photograph by Christina Jaspars
Additional photography by Youri Lenquette