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Lonely Just Like Me

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    One of the great country/soul songwriters of his generation, Arthur Alexander possessed a soulful singing style and pop sensibility that were an inspiring force for The Beatles and The Rolling Stones, among others. This album, his last before his untimely death at 53 in 1993, features new songs as well as new recordings of classics such as “Sally Sue Brown.” 

    Credits

    MUSICIANS
    Reggie Young, guitars (1-9, 11, 12)
    Gary Nicholson, guitars (1, 2, 4-7, 9, 11, 12)
    Spooner Oldham, organ (1, 4, 11, 12), piano (2, 3, 6-10)
    Donnie Fritts, electric piano (1), maracas (2, 3, 8, 9), claves (3, 8), piano (4), tambourine (6, 11)
    Thomas Cain, piano (1, 11), cowbell (2), background vocal (2, 4), tambourine (3, 8), electric piano (4, 12), organ (6, 7, 9, 10),
    Mike Leech, bass
    Gene Chrisman, drums (1-9, 11, 12)
    Tommy Spurlock, pedal steel (1, 2, 4, 7, 9, 12)
    Jim Spake, saxophone (1, 2, 4, 6, 9, 11,
    Dan Penn, acoustic guitar (2-5, 6, 8, 9, 11, 12) , background vocals (2, 4, 8)
    Ashley Cleveland, background vocals (2, 12)
    Ben Vaughn, electric guitar (4, 8), tambourine (9)
    String arrangements performed by The Nashville String Machine, Carl Gorodetzky, Director

    PRODUCTION CREDITS
    Produced by Ben Vaughn
    “I Believe in Miracles” produced and arranged by Thomas Caine
    Recorded in Nashville, Tennessee, at Studio 19 and Creative Workshop, February 7-12, 1992
    Engineered by Donivan Cowart
    Mixed in Nashville at the Enactron Truck by Ben Vaughn and Donivan Cowart
    Mastered at Masterdisk, NYC, by Scott Hull
    Pre-production coordination by Jon Tiven
    Production assistant: John Berman

    Design by James Victore Design Works
    Cover photo by Michael P. Smith
    Back cover photo by Alan L. Mayor

    Executive producer: Danny Kahn

nonesuch's picture
on May 29, 2008 - 7:14pm
Release Date: 
Monday, March 1, 1993 (All day)
Cover Art: 
Nonesuch Selection Number: 

61475

Number of Discs in Set: 
1disc
5
19
Monday, March 1, 1993 (All day)
0
0
Artist Name: 
Arthur Alexander
Album Status: 
UPC/Price: 
UPC: 
075596147521
Price: 
0.00
Label: 
SINGLE FORMAT (OLD)
Description: 

One of the great country/soul songwriters of his generation, Arthur Alexander possessed a soulful singing style and pop sensibility that were an inspiring force for The Beatles and The Rolling Stones, among others. This album, his last before his untimely death at 53 in 1993, features new songs as well as new recordings of classics such as “Sally Sue Brown.” 

DescriptionExcerpt: 

One of the great country/soul songwriters of his generation, Arthur Alexander possessed a soulful singing style and pop sensibility that were an inspiring force for The Beatles and The Rolling Stones, among others. This album, his last before his untimely death at 53 in 1993, features new songs as well as new recordings of classics such as “Sally Sue Brown.” 

ProductionCredits: 

MUSICIANS
Reggie Young, guitars (1-9, 11, 12)
Gary Nicholson, guitars (1, 2, 4-7, 9, 11, 12)
Spooner Oldham, organ (1, 4, 11, 12), piano (2, 3, 6-10)
Donnie Fritts, electric piano (1), maracas (2, 3, 8, 9), claves (3, 8), piano (4), tambourine (6, 11)
Thomas Cain, piano (1, 11), cowbell (2), background vocal (2, 4), tambourine (3, 8), electric piano (4, 12), organ (6, 7, 9, 10),
Mike Leech, bass
Gene Chrisman, drums (1-9, 11, 12)
Tommy Spurlock, pedal steel (1, 2, 4, 7, 9, 12)
Jim Spake, saxophone (1, 2, 4, 6, 9, 11,
Dan Penn, acoustic guitar (2-5, 6, 8, 9, 11, 12) , background vocals (2, 4, 8)
Ashley Cleveland, background vocals (2, 12)
Ben Vaughn, electric guitar (4, 8), tambourine (9)
String arrangements performed by The Nashville String Machine, Carl Gorodetzky, Director

PRODUCTION CREDITS
Produced by Ben Vaughn
“I Believe in Miracles” produced and arranged by Thomas Caine
Recorded in Nashville, Tennessee, at Studio 19 and Creative Workshop, February 7-12, 1992
Engineered by Donivan Cowart
Mixed in Nashville at the Enactron Truck by Ben Vaughn and Donivan Cowart
Mastered at Masterdisk, NYC, by Scott Hull
Pre-production coordination by Jon Tiven
Production assistant: John Berman

Design by James Victore Design Works
Cover photo by Michael P. Smith
Back cover photo by Alan L. Mayor

Executive producer: Danny Kahn