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Mozart: The Complete Violin Concertos

News & Reviews

  • The New Yorker: Gidon Kremer Confirms His Place as "Greatest Violinist Alive" at Lincoln Center's White Light Festival

    Gidon Kremer recently performed in Lincoln Center's White Light Festival in a program titled Homage to J.S. Bach. "Kremer's performance of the Bach Chaconne was the wonder of the night," writes The New Yorker's Alex Ross. "Herbert von Karajan once declared that Kremer was the greatest violinist alive; this still seems to be the case. His legendary reading of the Chaconne ... has grown ever deeper with age." Kremer joins the Kremerata Baltica chamber orchestra for a brief European tour starting next weekend.

  • Gidon Kremer Performs Program of "Transcendence" (NY Times) at Lincoln Center's White Light Festival

    Gidon Kremer returned to Lincoln Center in New York on Saturday for the second-annual White Light Festival, "an exploration of music’s power to illuminate our interior lives," to present a program titled Homage to J.S. Bach. The program centered around Bach's Chaconne for solo violin and included the US premiere of Silvestrov's Dedication to J.S. Bach. The New York Times calls the Bach piece "as transcendent a work as you will find." Kremer joins the Boston Symphony Orchestra this week at Boston's Symphony Hall for works by Schumann and Strauss.

About this Album

Following the Grammy Award–winning Latvian violinist’s performance of the complete Mozart violin concertos at Lincoln Center’s 2006 Mostly Mozart Festival, the New York Times declared: “Gidon Kremer's great interpretive strength has always been his ability to make a work, however familiar, entirely his own, dissimilar in most important details from the way other violinists play it, yet fully within both the spirit and letter of the score.”

This new two-disc set, with historical liner notes by critic and musicologist Michael Steinberg, presents Kremer and Kremerata Baltica, his touring ensemble of young musicians from the Baltic States, in a performance of Mozart’s five violin concertos, recorded at the Salzburg Festival in Austria two days after his Lincoln Center shows. Said Times critic Allan Koznin of the New York event, “Mr. Kremer's phrasing, in both his solo lines and his direction of the orchestra, avoided the predictable or the metronomic: phrases ebbed and flowed, with sharp accenting and dynamic contrast that kept the music fresh and, in its best moments, surprising. In all five works Mr. Kremer played the concise, stylish cadenzas by Robert Levin, which adhered to the conventions of Mozart's time.”

According to the Seattle Post-Intelligencer, “You can't ever expect a performance by violinist Gidon Kremer to be staid, or even ordinary. His fertile and original mind, married to phenomenal technique and great musicianship, makes every concert in which he appears a musical adventure.” In his Nonesuch career, the 62 year-old Kremer has perhaps most famously explored the repertoire of Astor Piazzolla; in 2003, he released a specially commissioned piece, Russian Seasons, by Ukrainian composer Leonid Desyatnikov, pairing it on disc with an interpretation of Tchaikovsky’s 12-part The Seasons. On his 2001 After Mozart, Kremer contrasted Mozart’s own work with Mozart-inspired pieces by contemporary Eastern European composers Alexander Raskatov, Valentin Silvestrov, and Alfred Schnittke.

Credits

MUSICIANS
Gidon Kremer, solo violin and artistic director

Kremerata Baltica:
Violin I: Sandis Steinbergs, Dzeraldas Bidva, section leaders; Rasa Vosyliute-Mickuniene, Ruta Lipinaityte, Dainius Peseckas, Jana Ozolina, Sanita Zarina
Violin II: Andrei Valigura, Marija Nemanyte, section leaders; Migle Serapinaite, Agne Doveikaite, Anar Ibrahimov
Viola: Ula Ulijona Zebriunaite, Daniil Grishin, section leaders; Vidas Vekerotas, Zita Zemovica
Cello: Marta Sudraba, Eriks Kirsfelds, section leaders; Peteris Cirksis, Giedre Dirvanauskaite
Double Bass: Danielis Rubinas, Indrek Sarrap
Oboe: Peteris Endzelis, Egils Upatnieks
Horn: Juan Leopoldo Font Pavia, Maria del Carmen Rubio Navarro
Flute (7-9): Polina Peskina, Rahel Leuenberger

PRODUCTION CREDITS
Recorded live in concert at the Salzburg Festival, Haus für Mozart, Salzburg, August 11, 2006
Recording Producer: Helmut Mühle
Balance Engineer and Tape Editor: Johannes Müller
Assistant Engineer: Lutz Wildner
Mastering Engineer: Christoph Stickel, msm-studios GmbH, Munich

All cadenzas written by Robert D. Levin

Design by Barbara deWilde
Illustrations by Jeffrey Decoster
Photographs by Damil Kalogjera

Executive Producer: Robert Hurwitz

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