Track Listing
Click tracks with speaker icon to listenNews & Reviews
- Tuesday, March 19, 2013
Alarm Will Sound Performs New Works by Steve Reich, Donnacha Dennehy; Dennehy Named Fort Worth Symphony Composer-in-Residence
Alarm Will Sound will perform a program of new works, featuring Steve Reich's Radio Rewrite and scenes from Donnacha Dennehy's The Hunger, at Sheldon Concert Hall in St. Louis on Wednesday. The group gave the US premiere of Radio Rewrite at Stanford University last Saturday and gives the NY premiere of The Hunger at Carnegie Hall on April 6. Dennehy has been named composer-in-residence for the Fort Worth Symphony Orchestra next season, which will include performances of his That the Night Come. Crash Ensemble and Dawn Upshaw will perform the piece at The Kennedy Center and Carnegie Hall this May.
- Tuesday, March 5, 2013
Steve Reich's "Radio Rewrite" to Receive World Premiere, Broadcast Live on BBC Radio 3 "Live in Concert"
Radio Rewrite, Steve Reich’s new ensemble work, which draws inspiration from songs by Radiohead, will be premiered at the Royal Festival Hall in London tonight, travelling with the London Sinfonietta to Birmingham, Brighton, and Glasgow this week. The all-Reich program opens with the composer in Clapping Music, and also includes Electric Counterpoint, 2x5, and Double Sextet. Tonight's concert will be broadcast live on BBC Radio 3's Live in Concert. Alarm Will Sound gives the first US performances of Radio Rewrite at Stanford Live and Sheldon Concert Hall in St. Louis later this month.
About this Album
"Few living composers have created a style so fiercely original, immediately recognizable and wholly accessible ... it would be hard to think of any American music more important than this." —New York Times
"From the phase-shifting tape loop pieces of the early to mid-60s, to the later, more 'composed' works with their gradually developing cellular rhythmic and melodic structures, an approach which reached its apogee in the late 70s, Reich's music can be heard echoing across the Electronica spectrum, from the most hardcore German Techno to Aphex Twin, D*Note, Alec Empire, Tortoise, Panasonic...” —The Wire
It was 1991 when the Orb's "Fluffy Little Clouds" gave a major pop nod to Steve Reich, whose composition "Electric Counterpoint" served as the foundation for the band's breakthrough hit. Yet the Orb is not alone in their admiration of Steve Reich. Reich's entire output -- from early tape collages and pioneering work with phasing techniques to his later, larger and more intricate works, including collaborations with visual artists -- has served as both template and inspiration for a growing legion of electronic musicians and DJs. The ideas and strategies that Steve Reich has been mining for the past three decades have predated not only the sensibilities of today's youth culture, but also the technological developments that have shaped them.
It is the prevailing relevance of Reich's music to the post-modern chill-out rooms and concert halls alike that now lead us to Reich Remixed, a collection of Steve Reich material remixed by some of today's most important DJs and remixers. In addition to paying homage to Reich's work, Reich Remixed breaks down previously exclusive boundaries between classical and club music to create a new sound for audiences of today and tomorrow.
Credits
MUSICIANS
Steve Reich and Musicians (1)
Bang on a Can (2), Bradley Lubman, conductor
London Symphony Orchestra (3), Michael Tilson Thomas, conductor
Bob Becker, Russell Hartenberger, Garry Kvistad, James Preiss, percussion
Edmund Niemann, Nurit Tilles, pianos
Neil Percy, Simon Carrington, Ray Northcott, Frank Ricotti, Clive Malabar, percussion
Steve Reich and Musicians
Members of the Manhattan Marimba Quartet
Bob Becker, Kory Grossman, Russell Hartenberger, James Preiss, Bill Ruyle, William Trigg, marimbas
Pat Metheny, guitar
Theatre of Voices: Andrea Fullington, Sonja Rasmussen, Alison Zelles, sopranos; Alan Bennett, Paul Elliott, tenors; Bob Becker, Russell Hartenberger, vibraphone; Nurit Tilles, Edmund Niemann, electric organs; Paul Hiller, conductor
PRODUCTION CREDITS
Track 1: Remix and additional production by Coldcut
Recorded August 1998 at Woodbine Studios, Learnington Spa, England
Engineered by Coldcut and Paul Brook
Programming by Paul Book
Track 2: Produced, recorded, engineered, and mixed April 1998 by Howie B at Milo Studios, London, England
Assistant: Greg Fleming
Tuning by Jeremy Shaw
Programming by Jon Rockstar and Howie B
Track 3: Remix and additional production by Andrea Parker
Recorded March 1998 in Bavaria
Engineer: David Morley
Track 4: Remix and additional production by Michael Kandel
Recorded August 1998 in Heaven
Track 5: Remix and additional production by Mantronik for OMW
Recorded June 1998 at The Robot Crib, New York City
Engineer: Andy Heermans
Track 6: Remix and additional production by Nobukazu Takemura
Recorded July 1998 at Moonlit Studio, Kyoto, Japan
Track 7: Remix and additional production by Matt Winn
Recorded June 1998 at Metropolis Studio, London, England
Engineer: Dave Pemberton
Track 8: Remix and additional production by DJ Spooky that Subliminal Kid
Engineered April 1998 by Chris Flam at Mindswerve, New York City
Track 9: Remix and additional production by Ken Ishii
Recorded June 1998 at Far East Lab, Tokyo, Japan
Tracks 1-3 and parts of 4 produced by Judith Sherman
Engineer: John Kilgore
Track 5-9 and parts of 4 produced by Judith Sherman and Steve Reich
Engineer: John Kilgore
Part of track 4 produced by Steve Reich
Design by John Gall
Cover photograph courtesy of The Special Photographer’s Company
Executive Producer of original material: Robert Hurwitz
Executive Producer of remix album: Amy Coffey
Also From Steve Reich
-
WTC 9/11 / Mallet Quartet / Dance Patterns
September 20, 2011 -
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
