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Simple Daylight

Simple Daylight cover art

Track Listing

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1Words from Paterson: Part I12:23
2Words from Paterson: Part II14:20
3Simple Daylight: Japan5:11
4Simple Daylight: Simple Daylight2:15
5Simple Daylight: Somewhere a Seed1:30
6Simple Daylight: Your Name1:43
7Simple Daylight: The Wild Irises2:52
8Simple Daylight: Odor2:07
9Piano Quintet: Overture7:22
10Piano Quintet: Capriccio2:27
11Piano Quintet: Intermezzo3:50
12Piano Quintet: Purletta1:52
13Piano Quintet: Elegia7:01

About this Album

Through his many associations with major orchestras and chamber ensembles, John Harbison has emerged as one of America's most admired and commissioned composers. His awards include the prestigious five-year MacArthur fellowship (given in 1989), and the 1987 Pulitzer Prize for Music (for his cantata The Flight into Egypt. Particular regard is given to Harbision's works for voice, and his special affinity for powerful settings of texts.

This collection of chamber music by John Harbison offers a wide-ranging portrait of the composer, who wrote these works during the 1980s on various commissions—and in the case of the song cycles, with Nonesuch artists Sanford Sylvan and Dawn Upshaw in mind.

Words from Paterson (1989) takes its text from the fifth book of William Carlos Williams' epic poem Paterson. Harbison chose passages regarding the idea of the past, having himself just celebrated his 50th birthday. The 27-minute work features a somewhat spare musical language, which serves to amplify the drama of the verse.

Like Words from Paterson, Simple Daylight reveals Harbison’s particular interest in text, and special sympathy for the vocalist involved. (Upshaw has previously worked with Harbison on his Mirabai Songs.) The poetry by Harbison’s friend Michael Fried brings out a more expressionistic side of the composer, who has ordered the cycle in his own sequence. Upshaw premiered the cycle with James Levine in 1988.

The Piano Quintet dates from 1981, and was a commission from the Santa Fe Chamber Music Festival in honor of Georgia O’Keeffe. Harbison shares with O’Keeffe a Wisconsin birthplace, and he wrote the five-movement, 23-minute piece with the open spaces of the prairie, and of her paintings, in mind.


Sanford Sylvan, baritone (1, 2)
Dawn Upshaw, soprano (3-8)
Gilbert Kalish, piano (3-13)
Boston Symphony Chamber Players:
Leona Buyse, flute (1, 2)
Alfred Genovese, oboe (1, 2)
Laurence Thortenberg, English horn (1, 2)
Burton Fine, viola (1, 2, 8-13)
Jules Eskin, cello (1, 2)
Ann Hobson Pilot, harp (1, 2)
Malcolm Lowe, Lucia Lin, violin (9-13)

Tracks 1, 2 produced and engineered by Max Wilcox
Recorded November 1990 at Symphony Hall, Boston, MA
Digital engineers: Paul Zinman, Nelson Wong
Tracks 3-8 produced and engineered by Max Wilcox
Recorded September 1991 at Richardson Auditorium, Princeton, NJ
Tracks 9-13 produced by Marc Aubort and Joanna Nickrenz
Engineered by Elite Recordings, Inc.
Recorded May 1988 at Symphony Hall, Boston, MA

Music by John Harbison. Words from Paterson text by William Carlos Williams; Simple Daylight text by Michael Fried.

Design by Victore Design Works
Cover photograph by Ann Fuller

Executive Producer: Robert Hurwitz

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