Track ListingClick tracks with speaker icon to listen
|1||It Might As Well Be Spring (Richard Rodgers / Oscar Hammerstein II)||3:09|
|2||There Is No Greater Love (Marty Symes / Isham Jones)||4:48|
|3||Someday My Prince Will Come (Frank Churchill / Larry Morey)||6:07|
|4||Softly As in a Morning Sunrise (Sigmund Romberg / Oscar Hammerstein II)||3:48|
|5||Blue Monk (Thelonious Monk)||5:31|
|6||My One and Only Love (Guy B. Wood / Robert Mellin)||5:55|
|7||My Little Suede Shoes (Charlie Parker Jr.)||5:32|
|8||Yesterdays (Jerome Kern / Otto Harbach)||6:23|
|9||I Got Rhythm (George and Ira Gershwin)||5:11|
|10||Wave (Antonio Carlos Jobim)||6:35|
|11||What Is This Thing Called Love? (Cole Porter)||4:26|
News & Reviews
- Wednesday, February 4, 2009
Fred Hersch will perform two shows in San Francisco this weekend: a free solo concert and conversation at the Community Music Center on Friday and a concert at Herbst Theatre with his new Pocket Orchestra Saturday night. He spoke with the San Francisco Chronicle about his recent triumph over a number of life-threatening illnesses and his return to the stage. "Hersch, who plays jazz with uncommon fluency, feeling and invention," says the Chronicle, "has recovered, regaining his strength through intense physical therapy and getting back to the affirming business of making music."
About this Album
The album by pianist Fred Hersch and guitarist Bill Frisell, Songs We Know, is a stirring collection of standards. Recorded in 1997 in San Francisco, the session highlights the coming together of two of the most distinctive stylists of our time.
Hersch, whose work “has developed an intensity of intelligence and emotional directness unparalleled among his peers” (The New Yorker) and Frisell, who was deemed “the most significant and widely imitated guitarist to emerge in jazz since the beginning of the 1980s” (New York Times), teamed up for a session that became what Boston Globe jazz critic Bob Blumenthal, in his liner note to the recording, calls “one of the most singular encounters in years.”
Hersch and Frisell trace their relationship back to the 1980s, when they played a few gigs together in New York City, collaborating with such musicians as Marc Johnson and Joey Baron. When they found themselves labelmates on Nonesuch Records, one of Hersch’s first thoughts was to make an album with Frisell.
Frisell and Hersch concur that the session could have gone many different ways, but it was their mutual love for the standards, with all of their simplicity, history, and potential for new interpretation, that led them to what is heard on Songs We Know. Both players are driven by the idea of sound, and the openness of these tunes was a source of inspiration throughout the session.
Fred Hersch, piano
Bill Frisell, guitar
Produced by Lee Townsend
Recorded at Möbius Music, San Francisco
Recording and Mixing Engineer: Christian Jones
Mixed at Different Fur Recording, San Francisco
Assistant Engineer: mark Slagle
Mastered by Craig Calbi at Masterdisk, New York City
Production Assistance: Noel Grey and Louisa Spier
Executive Producer: Robert Hurwitz
Design by Barbara deWilde
Photograph by Michael Wilson