Skip to Navigation

The Intercontinentals

The Intercontinentals cover art
79661

Track Listing

Click tracks with speaker icon to listen
1Boubacar6:13
2Good Old People5:25
3For Christos6:13
4Baba Drame5:18
5Listen6:47
6Anywhere Road1:52
7Procissão6:43
8The Young Monk2:23
9We Are Everywhere7:06
10Yála5:47
11Perritos4:33
12Magic5:54
13Eli4:15
14Remember1:36

News & Reviews

  • NPR Airs Bill Frisell Trio Kennedy Center Concert; Frisell Among "Most Compelling Artists on the Scene Today"

    Bill Frisell performed with his Trio—Kenny Wollesen on drums and Tony Scherr on bass—at the Kennedy Center last month. You can hear the concert online from NPR's JazzSet. In her introduction, host DeeDee Bridgewater describes Frisell as "a superman of contemporary improvisational music and one of the most compelling artists on the scene today."

  • The Times (UK) Names Nonesuch Albums Among the Decade's Best in Classical, Jazz, World, and Pop

    The Times (UK) has had its say on the best albums of the decade, covering the best in classical, jazz, world music, and pop, and Nonesuch artists are represented in every one: John Adams at No. 1 on the classical list with Doctor Atomic Symphony; Brad Mehldau and Bill Frisell in jazz; Youssou N'Dour, Orchestra Baobab, "Cachaíto" Lopez, and Amadou & Mariam in world; the Malian duo in pop as well, along with Brian Wilson and Wilco.

About this Album

This release by celebrated guitarist, composer and bandleader Bill Frisell marks the recording debut of The Intercontinentals, a band he formed in 2001 and which made its performance debut at Seattle’s Earshot Jazz Festival that fall. The recording, produced by Lee Townsend, features both the original band members—the Brazilian composer, singer, guitarist and percussionist Vinicius Cantuária; Greek-Macedonian musician Christos Govetas on oud, bouzouki and vocals; and Mali’s Sidiki Camara on percussion and vocals—as well as subsequently added musicians Greg Leisz on pedal steel and various slide guitars and violinist Jenny Scheinman.

Blending Frisell’s own brand of American roots music and his inimitable improvisational style with the influences of Brazilian, Greek, and Malian sounds has enabled him to expand upon his compositional technique in unique ways. The resulting sound has been described by DownBeat as possessing “fine webs of guitar interlacings, swaying momentum, dense textures and rhythmic urgency.” The album’s 14 tracks also include compositions by Cantuária, Govetas, Malian guitarist Boubacar Traore, and Brazilian singer Gilberto Gil.


Frisell, in talking about this collaboration, has said, “With this group I’ve been finding all kinds of new musical connections. It’s been a challenge and an inspiration.”


In addition to Frisell’s ongoing performance and collaborative recording activities, he was honored at London’s Barbican Theatre not long before the release of the album with An Evening with Bill Frisell, where he performed with The Intercontinentals, the newly created Bill Frisell Sextet featuring Leisz, Ron Miles, Scheinman, Tony Scherr and Kenny Wolleson, plus special guests Djelimady Tounkara, the celebrated guitarist from Mali, and Eliza Carthy, the young singer and violinist from the UK.



Credits

MUSICIANS
Bill Frisell, electric guitar (1-7, 9, 10, 12-14), acoustic guitar (5, 7), nylon string guitar (8, 11), baritone guitar (4), bass (13), loop (1, 3, 5-7, 9, 12, 13)
Christos Govetas, vocals (7-9), oud (1-3, 5, 7-10, 12, 13), bouzouki (4)
Greg Leisz, Asher lap steel (1, 4, 12), pedal steel guitar (2, 3, 5, 6, 9, 11, 14), National lap steel (7), Scheerhorn resonator guitar (13), loop (1, 3, 5,12)
Vinicius Cantuaria, voice (1, 7, 9, 11, 13), electric guitar (5, 7, 9, 11), nylon string guitar (2), snare drum (1, 3, 12, 13), bass drum (1, 3, 12, 13), triangle (2)
Sidiki Camara, vocals (4, 12), calabash (1-5, 7, 9-13), shaker (1-5, 7, 9-13), cymbals (1-5, 7, 9, 11-13), djembe (2, 4, 7, 9, 10, 12), congas (11)
Jenny Scheinman, violin (2-7, 9, 12-14), harmony vocal (7)

PRODUCTION CREDITS
Produced by Lee Townsend
Recording and Mixing Engineer: Tucker Martine
Recorded at Studio Litho, Seattle
Mixed at Different Fur Recording, San Francisco
Pro-Tools Editing: Floyd Reitsma and Justin Lieberman
Mastered by Greg Calbi at Sterling Sound, New York City

All compositions by Bill Frisell except track 4 by Boubacar Traore, track 7 by Gilberto Gil, track 8 Traditional, track 10 by Christos Govetas, track 11 by Vinicius Cantuaria

Design: Doyle Partners
Audio Equipment Photos: Tom Schierlitz

Also From Bill Frisell

More From the Store
Please install the Adobe Flash player in order to see this content.