Track Listing
Click tracks with speaker icon to listen| 1 | Boubacar | 6:13 |
| 2 | Good Old People | 5:25 |
| 3 | For Christos | 6:13 |
| 4 | Baba Drame | 5:18 |
| 5 | Listen | 6:47 |
| 6 | Anywhere Road | 1:52 |
| 7 | Procissão | 6:43 |
| 8 | The Young Monk | 2:23 |
| 9 | We Are Everywhere | 7:06 |
| 10 | Yála | 5:47 |
| 11 | Perritos | 4:33 |
| 12 | Magic | 5:54 |
| 13 | Eli | 4:15 |
| 14 | Remember | 1:36 |
News & Reviews
- Wednesday, November 19, 2008
Financial Times: Five Stars for Bill Frisell and His "Spot-On Scores" to Films at Barbican Show
Fresh off yesterday's five-star review in The Guardian, Bill Frisell's tour-closing concert at the Barbican earns another five stars, from the Financial Times. For the show, the Frisell Trio performed Bill's "spot-on score" that gave "a zesty sheen" to the films of Buster Keaton, Jim Woodring, and Bill Morrison, with the Trio's musical efforts "equal partner in the audiovisual experience." The paper sums up Bill's works as "a soundscape pregnant with humour, menace and the struggle to survive."
- Tuesday, November 18, 2008
Guardian: Five Stars for Bill Frisell Trio's Film Music at the Barbican
Bill Frisell concluded his Trio tour—playing music to the films of Buster Keaton, Bill Morrison, and Jim Woodring—at the Barbican in London on Saturday as part of the London Jazz Festival. The Guardian gives a perfect five stars to the performance, in which the Trio gave "all the light and shade needed to underpin three very different film-makers' visions ... Best of all were the Buster Keaton movies The High Sign and One Week, integrating music and vision so brilliantly it was impossible to think of the event as pure film or just jazz."
About this Album
This release by celebrated guitarist, composer and bandleader Bill Frisell marks the recording debut of The Intercontinentals, a band he formed in 2001 and which made its performance debut at Seattle’s Earshot Jazz Festival that fall. The recording, produced by Lee Townsend, features both the original band members—the Brazilian composer, singer, guitarist and percussionist Vinicius Cantuária; Greek-Macedonian musician Christos Govetas on oud, bouzouki and vocals; and Mali’s Sidiki Camara on percussion and vocals—as well as subsequently added musicians Greg Leisz on pedal steel and various slide guitars and violinist Jenny Scheinman.
Blending Frisell’s own brand of American roots music and his inimitable improvisational style with the influences of Brazilian, Greek, and Malian sounds has enabled him to expand upon his compositional technique in unique ways. The resulting sound has been described by DownBeat as possessing “fine webs of guitar interlacings, swaying momentum, dense textures and rhythmic urgency.” The album’s 14 tracks also include compositions by Cantuária, Govetas, Malian guitarist Boubacar Traore, and Brazilian singer Gilberto Gil.
Frisell, in talking about this collaboration, has said, “With this group I’ve been finding all kinds of new musical connections. It’s been a challenge and an inspiration.”
In addition to Frisell’s ongoing performance and collaborative recording activities, he was honored at London’s Barbican Theatre not long before the release of the album with An Evening with Bill Frisell, where he performed with The Intercontinentals, the newly created Bill Frisell Sextet featuring Leisz, Ron Miles, Scheinman, Tony Scherr and Kenny Wolleson, plus special guests Djelimady Tounkara, the celebrated guitarist from Mali, and Eliza Carthy, the young singer and violinist from the UK.
Credits
MUSICIANS
Bill Frisell, electric guitar (1-7, 9, 10, 12-14), acoustic guitar (5, 7), nylon string guitar (8, 11), baritone guitar (4), bass (13), loop (1, 3, 5-7, 9, 12, 13)
Christos Govetas, vocals (7-9), oud (1-3, 5, 7-10, 12, 13), bouzouki (4)
Greg Leisz, Asher lap steel (1, 4, 12), pedal steel guitar (2, 3, 5, 6, 9, 11, 14), National lap steel (7), Scheerhorn resonator guitar (13), loop (1, 3, 5,12)
Vinicius Cantuaria, voice (1, 7, 9, 11, 13), electric guitar (5, 7, 9, 11), nylon string guitar (2), snare drum (1, 3, 12, 13), bass drum (1, 3, 12, 13), triangle (2)
Sidiki Camara, vocals (4, 12), calabash (1-5, 7, 9-13), shaker (1-5, 7, 9-13), cymbals (1-5, 7, 9, 11-13), djembe (2, 4, 7, 9, 10, 12), congas (11)
Jenny Scheinman, violin (2-7, 9, 12-14), harmony vocal (7)
PRODUCTION CREDITS
Produced by Lee Townsend
Recording and Mixing Engineer: Tucker Martine
Recorded at Studio Litho, Seattle
Mixed at Different Fur Recording, San Francisco
Pro-Tools Editing: Floyd Reitsma and Justin Lieberman
Mastered by Greg Calbi at Sterling Sound, New York City
All compositions by Bill Frisell except track 4 by Boubacar Traore, track 7 by Gilberto Gil, track 8 Traditional, track 10 by Christos Govetas, track 11 by Vinicius Cantuaria
Design: Doyle Partners
Audio Equipment Photos: Tom Schierlitz





















