Track ListingClick tracks with speaker icon to listen
|2.02||Spirit of the Air||8:51|
|2.03||Stranger in Town||5:44|
|2.04||Sueño con Mexico (listen to complete track below)||8:58|
|2.05||Tell Her You Saw Me||5:21|
News & Reviews
- Tuesday, May 21, 2013
Pat Metheny’s recording of John Zorn’s Tap: The Book of Angels, Vol. 20 from Zorn’s Masada Book Two is out now, their first collaboration. The New York Times calls it "audacious ... an impressive feat of imagination, and a strikingly clear distillation of both artists’ distinctive languages." The Independent says it's "dazzlingly virtuosic and evocative." All About Jazz calls it "a suite of half a dozen cinematic pieces, some of truly epic proportions ... the work of an artist who is doing anything but resting on his considerable laurels and accomplishments."
- Monday, May 20, 2013
Pat Metheny’s recording of John Zorn’s Tap: The Book of Angels, Vol. 20 from Zorn’s Masada Book Two is out this week. Metheny and Zorn spoke with the New York Times about this, their first collaboration. "An impressive feat of imagination, and a strikingly clear distillation of both artists’ distinctive languages," writes the Times' Nate Chinen, "the album strongly suggests an artistic dialogue." Metheny and Zorn appeared on BBC Radio 6 Music for Stuart Maconie's Freak Zone in the UK, where the album earns four stars from the Daily Telegraph, the Scotsman, the Times, and the Independent, which concludes: "It's all dazzlingly virtuosic and evocative."
About this Album
In 2010, 20-time Grammy Award winner Pat Metheny took his musical exploration to a new territory with his Orchestrion, a computer controlled mini-orchestra capable of responding to his touch on guitar. After releasing the Orchestrion record, Metheny and his "band" hit the road, playing over 100 concerts around the world, culminating with the recording of The Orchestrion Project in Brooklyn, NY. This recording showcases the full evolution of the Orchestrion as documented at the tail end of a sprawling world tour and will be available on Nonesuch on February 12, 2013. The double-disc set features all five sections of Orchestrion—"a soaring five-movement suite featuring some of the most intricate music he's ever created" (Boston Globe)—plus eight additional Metheny compositions reimagined with the Orchestrion.
The Orchestrion itself is an assemblage of computer-operated acoustic instruments, all controlled by Metheny’s guitar. The full instrumental array includes several pianos, drum kits, marimbas, "guitar-bots," dozens of percussion instruments and even cabinets of carefully tuned bottles. Through Metheny’s guitar, the instruments are struck, plucked, and otherwise played via the technology of solenoid switches and pneumatics. Metheny worked for months with a brilliant team of scientists and engineers to develop and assemble the Orchestrion.
The Orchestrion album and tour received critical praise, with Jazz Times saying, "Mallets, bells, bottles, piano, cymbals and incidental percussion held forth in a spectacle of dissonance and extraordinary color, sounding like Metheny meets Boulez." And NPR Music said, "No matter who—or what—he has on stage with him, Pat Metheny plays music as if at the end of the show he would be prevented from doing so for the rest of his life. He makes every note matter, and infuses each with so much emotion that it’s very hard not to get swept up in the moment…he always looks like he’s having as much fun playing as we are listening. His tour with the Orchestrion will likely be talked about for quite a while."
Over the course of more than three decades, guitarist Pat Metheny has set himself apart from the jazz mainstream, expanding and blurring boundaries and musical styles. His record-setting body of work includes 20 Grammy Awards; a series of influential trio recordings; award-winning solo albums; scores for hit Hollywood motion pictures; and collaborations and duets with major artists such as Ornette Coleman, Steve Reich, Charlie Haden, Brad Mehldau, and many others. His band, the Pat Metheny Group, founded in 1977, is the only ensemble in history to win Grammys for seven consecutive releases.
All music performed by Pat Metheny: Guitar and Orchestrionics (piano, marimba, vibraphone, orchestra bells, basses, guitarbots, percussion, cymbals and drums, blown bottles, and other custom fabricated acoustic mechanical instruments), Robotic Angeli Guitar
Produced by Pat Metheny
Co-Producer: Steve Rodby
Recorded by Pete Karam and David Oakes at St. Elias Church, Brooklyn, NY
Mixed by Pete Karam at Ton of Bricks Studio, Montreal
Mastered by Ted Jensen at Sterling Sound, New York, NY
Technical Director: David Oakes
Guitar Tech and Tuning: Carolyn Chrzan
Piano Tuning: Mike Miccio
Orchestrionic Instrument Maintenance and Repair: Boris Klompus and Shawn Trail
Project Coordinator: David Sholemson
Design by Barbara de Wilde
Photography by Luc Bourgeois
Cover Photograph Color Post-Production: Véronique Saucier
Music Composed and Arranged by Pat Metheny, except “Broadway Blues,” by Ornette Coleman
Executive Producer: Robert Hurwitz
Orchestrionic Instruments custom built and/or used for this project by Eric Singer and LEMUR (League of Experimental Musical Urban Robots); Ken Caulkins and Ragtime West; Mark Herbert; Cyril Vance and Moog; The Petersen Company; Paolo Angeli; and the DeCap Bros. Herentals.
Disklaviers provided by Yamaha Piano.
Cymbals provided by Sabian. Drums provided by Sonor. Mallets provided by Vic Firth and Mike Balter