Philip Glass
The Thin Blue Line [Soundtrack]

The Thin Blue Line [Soundtrack] cover art

79209

Track Listing

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1	Opening Credits	1:31
2	Prologue	4:43
3	Interrogation, Part One	2:09
4	Interrogation, Part Two	0:37
5	Turko, Part One	2:38
6	Turko, Part Two	2:04
7	Vidor	1:50
8	Harris' Story	1:32
9	Adams' Story	1:48
10	Comets & Vegas	1:36
11	The Defense Attorneys, Part One	2:08
12	Harris' Crimes, Part One	1:42
13	The Judge	0:43
14	The Trial, Part One	2:38
15	The Trial, Part Two	3:25
16	The Mystery Eyewitness, Part One	3:01
17	The Mystery Eyewitness, Part Two	4:25
18	Elba Carr	0:45
19	The Mystery Eyewitness, Part Three	2:46
20	The Thin Blue Line	1:04
21	Dr. Death	4:42
22	The Electric Chair	2:54
23	The Defense Attorneys, Part Two	0:59
24	Harris' Testimony	2:04
25	The Mystery Eyewitness, Part Four	1:51
26	The Mystery Eyewitness, Part Five	1:07
27	Harris' Crimes, Part Two	1:34
28	Hell on Earth	1:44
29	Harris' Childhood	2:37
30	The Confession	2:51
31	End Credits	3:58

News & Reviews

Tuesday, January 31, 2012

Philip Glass to Celebrate 75th Birthday at Carnegie Hall; Composer "Changed the Landscape of American Music," Says NPR

Nonesuch Records wishes Philip Glass a very happy 75th birthday today. The composer celebrates with the US premiere of his Ninth Symphony by the American Composers Orchestra at Carnegie Hall. He previews the performance on WNYC's Soundcheck today at 2 PM ET. He was the subject of a feature profile on NPR's Morning Edition earlier today. "Composer Philip Glass changed the landscape of American music," says NPR. "Glass came up with a new way to make music, and with it, brought a new audience to the concert halls."
Friday, January 20, 2012

"Einstein on the Beach" Launches World Tour in Ann Arbor; "Classical Music Event of the Year" (Detroit Free Press)

Robert Wilson and Philip Glass's Einstein on the Beach returns for the first time in 20 years with the launch of a major international tour, starting with preview performances at the Power Center in Ann Arbor, Michigan, this weekend. These mark the first North American presentations ever held outside of New York City. "It's only January, but the classical music event of the year is already upon us," exclaims the Detroit Free Press. "Glass and Wilson strip down the fundamentals of movement, image, text and music to essentials and then elevate their essence to operatic grandeur ... It's hard to overestimate the impact of Einstein on American music, art and culture."

Read More News About Philip Glass

About this Album

Documentarian Errol Morris reconstructs/questions the circumstances of a Dallas murder case in a film that haunts and disturbs. The Washington Post notes, "The Philip Glass score and the stylized lighting help transform the movie into an arena for the somber contemplation of the fallibility of perception."

Credits

MUSICIANS
Michael Reisman, conductor, keyboards
Wilmer Wise, Steve Burns, trumet
Sharon Moe, Tony Miranda, Ron Sell, French horn
Michael Parloff, Judith Mendenhall, flute
Sergiu Schwartz, Tim Baker, violin
Karl Bargen, viola
Chris Finckel, cello
Barbara Wilson, double bass
Gordon Gottlieb, percussion
Brian Koonin, guitar

PRODUCTION CREDITS
Produced by Kurt Munkacsi
Production supervisor: Rory Johnston
Recording engineer/music, dialogue editor: Miles Green
Assistant engineer: Blaise Dupuy
Music recorded and mixed at The Living Room, New York City
Sound post-production: Russian Hill Recording, San Francisco
Re-recording mixers: Jack Leahy, Samuel Lehmer
Re-recording consultant: Randy Thorn
Sound Effects Editor: Samuel Lehmer
Additional Sound Effects: Leslie Shatz
Dialogue Editors: Jamie Kibban, James Allen
Sound Assistants: Larry Oppenheimer, Marnie Moore, Sheila McFarland
Additional Re-recording: Mel Zelniker
Mastering: Robert C. Ludwig, Masterdisk, New York City

Cover design: Janet Perr
Cover photography: Mark Lipson

Executive Producer: Robert Hurwitz