Philip Glass
The Thin Blue Line [Soundtrack]

The Thin Blue Line [Soundtrack] cover art

79209

Track Listing

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1	Opening Credits	1:31
2	Prologue	4:43
3	Interrogation, Part One	2:09
4	Interrogation, Part Two	0:37
5	Turko, Part One	2:38
6	Turko, Part Two	2:04
7	Vidor	1:50
8	Harris' Story	1:32
9	Adams' Story	1:48
10	Comets & Vegas	1:36
11	The Defense Attorneys, Part One	2:08
12	Harris' Crimes, Part One	1:42
13	The Judge	0:43
14	The Trial, Part One	2:38
15	The Trial, Part Two	3:25
16	The Mystery Eyewitness, Part One	3:01
17	The Mystery Eyewitness, Part Two	4:25
18	Elba Carr	0:45
19	The Mystery Eyewitness, Part Three	2:46
20	The Thin Blue Line	1:04
21	Dr. Death	4:42
22	The Electric Chair	2:54
23	The Defense Attorneys, Part Two	0:59
24	Harris' Testimony	2:04
25	The Mystery Eyewitness, Part Four	1:51
26	The Mystery Eyewitness, Part Five	1:07
27	Harris' Crimes, Part Two	1:34
28	Hell on Earth	1:44
29	Harris' Childhood	2:37
30	The Confession	2:51
31	End Credits	3:58

News & Reviews

Friday, April 24, 2009

Kronos Quartet Leads Carnegie Hall Performance of Terry Riley's Groundbreaking "In C" Tonight

Terry Riley's groundbreaking Minimalist masterwork In C turns a remarkable 45 years young this year. To celebrate, Kronos Quartet has gathered about 60 performers, many of whom participated in the piece's premiere in San Francisco in 1964, to join them and the composer to perform the work in Carnegie Hall's Stern Auditorium for the first time. Playbill calls the piece "the minimalist musical be-in that altered the course of music history." New York magazine says, "Carnegie Hall’s extravaganza should yield a rich, polychrome stew of sound."
Wednesday, February 18, 2009

Mercury News: West Coast Premiere of Seminal Philip Glass Work "Moves Toward Euphoric Breakthrough"

Philip Glass and the Philip Glass Ensemble gave a marathon performance of the composer's seminal piece Music in Twelve Parts at San Francisco's Davies Symphony Hall Monday night. It was the West Coast premiere of the complete work, which had received its world premiere 35 years ago in New York. "I loved it," exclaims San Jose Mercury News critic Richard Scheinin. The piece, "with its youthful energy and imagination, is such a beguiling paradox. At first, it seems so narrow in sound, limited by its minimalist methods. But then, unfolding like time itself, it comes to contain so much. It opens up, grows vast."

Read More News About Philip Glass

About this Album

Documentarian Errol Morris reconstructs/questions the circumstances of a Dallas murder case in a film that haunts and disturbs. The Washington Post notes, "The Philip Glass score and the stylized lighting help transform the movie into an arena for the somber contemplation of the fallibility of perception."

Credits

MUSICIANS
Michael Reisman, conductor, keyboards
Wilmer Wise, Steve Burns, trumet
Sharon Moe, Tony Miranda, Ron Sell, French horn
Michael Parloff, Judith Mendenhall, flute
Sergiu Schwartz, Tim Baker, violin
Karl Bargen, viola
Chris Finckel, cello
Barbara Wilson, double bass
Gordon Gottlieb, percussion
Brian Koonin, guitar

PRODUCTION CREDITS
Produced by Kurt Munkacsi
Production supervisor: Rory Johnston
Recording engineer/music, dialogue editor: Miles Green
Assistant engineer: Blaise Dupuy
Music recorded and mixed at The Living Room, New York City
Sound post-production: Russian Hill Recording, San Francisco
Re-recording mixers: Jack Leahy, Samuel Lehmer
Re-recording consultant: Randy Thorn
Sound Effects Editor: Samuel Lehmer
Additional Sound Effects: Leslie Shatz
Dialogue Editors: Jamie Kibban, James Allen
Sound Assistants: Larry Oppenheimer, Marnie Moore, Sheila McFarland
Additional Re-recording: Mel Zelniker
Mastering: Robert C. Ludwig, Masterdisk, New York City

Cover design: Janet Perr
Cover photography: Mark Lipson

Executive Producer: Robert Hurwitz