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Way Back to Paradise

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    Audra McDonald’s first release on Nonesuch Records marked her first solo album—but she’ll never walk alone. Way Back to Paradise finds the four-time Tony Award winning soprano in company with a new generation of composer-lyricists that is resetting the stage of the musical theater. Writing for and collaborating with Audra, this quintet of creators has supplied a groundbreaking 14-song collection that showcases the singular talents of Broadway’s fastest-rising star.

    With an orchestra conducted by Eric Stern, the album was produced by Tommy Krasker and features the “vocally ravishing” (Associated Press) McDonald in a cycle as dramatic as the roles that have won her Tonys (A Raisin in the Sun, Carousel, Master Class, Ragtime). From lullabies to laments, from lyrical ballads to highly spirited star turns, Way Back to Paradise reveals a singing actress fully engaged with the contemporary world. Whether as a wistful lover, a senator’s mistress, or an expectant or would-be mother, McDonald unwraps each song with virtuosity and elegance in equal measure. “There are no sudden jerks, no ‘fancy postures,” writes Master Class playwright Terrence McNally in the liner note. “The pleasures of this kind of music-making owe as much to her training as a classical singer at Juilliard as to her God-given, unteachable abilities as an actress to speak and behave on the stage with utter truth and spontaneity.”

    Way Back to Paradise takes its title from Michael John LaChiusa’s song (performed here with Dawn Upshaw) written for Audra to star in the Lincoln Center Theater presentation Marie Christine; LaChiusa is also represented with two songs from his acclaimed 1994 show, Hello Again. Adam Guettel wrote and performed “Come to Jesus” in the 1996 Public Theater workshop of Saturn Returns, and contributed three new songs for her in this collection. Ricky Ian Gordon first worked with Audra in 1997 at a benefit in which she performed three songs from his cycle Only Heaven, all of which are presented here, in addition to “A Lullaby.” Jason Robert Brown, composer of the Broadway production Parade, is represented with one song from that show, as well as one from his 1995 revue Songs of a New World. Jenny Giering contributed “I Follow,” performed here with Theresa McCarthy. Taken together, this community of creative artists represents a generation that opens onto a new world, which Audra—both oracle and muse—heralds in the first notes of this very special debut album: “To fling my arms wide in some place of the sun / To whirl and to dance till the white day is done” (from track 1, “Dream Variations,” by Ricky Ian Gordon).

    Credits

    MUSICIANS
    Audra McDonald
    with
    Dawn Upshaw
    Adam Guettel
    Theresa McCarthy
    Eric Stern, conductor

    Violins: Suzanne Ornstein, concertmaster; Naomi Katz, Belinda Whitney-Barratt: Michael Roth, Martin Agee, Joel Pitchon, Katherine Livolsi-Stern, Cenovia Cummins
    Violas: Kenneth Burward-Hoy, Debra Shufelt, Liuh-Wen Ting
    Cellos: Jesse Levy, Clay Ruede, Jeanne LeBlanc
    Bass: Peter Donovan
    Woodwinds: Richard Heckman, Lawrence Feldman, John Brian Hysong, Jeffrey Marchand, John Campo, Alva Hunt, Jr., chuck Wilson, David Tofani
    French Horns: Sharon Moe, Russell Rizner
    Trumpets: Brian O’Flaherty, Anthony Kadleck
    Harp: Emily Mitchell
    Piano/Celeste: Eric Stern, Lee Musiker
    Keyboards: Kenneth Bichel
    Drums: Thomas Partington, James Saporito
    Percussion: Dean Anthony Thomas, Gordon Gottlieb

    PRODUCTION CREDITS
    Produced by Tommy Krasker
    Recorded November 1997 at the Hit Factory, New York City
    Recorded and mixed by Joel Moss
    Assistant Engineers: Ethan Schofer, Greg Thompson, Tom Hughes
    Edited and mixed at Avatar Studios, New York City
    Assistant Engineer: Rory Romano
    Mastered by Rick Wilson, Digisonics, Northridge, CA
    Executive Producer: Robert Hurwitz

    Design by Barbara deWilde
    Photographs of Audra McDonald by Hollister Dru Breslin

nonesuch's picture
on May 29, 2008 - 7:14pm
Release Date: 
Friday, September 18, 1998 (All day)
Cover Art: 
Nonesuch Selection Number: 

79482

Number of Discs in Set: 
1disc
76
236
Tuesday, September 1, 1998 (All day)
0
0
Artist Name: 
Audra McDonald
Album Status: 
UPC/Price: 
UPC: 
075597948226BUN
Price: 
0.00
Label: 
CD+MP3
UPC: 
075597948264
Price: 
12.00
Label: 
MP3
Description: 

Audra McDonald’s first release on Nonesuch Records marked her first solo album—but she’ll never walk alone. Way Back to Paradise finds the four-time Tony Award winning soprano in company with a new generation of composer-lyricists that is resetting the stage of the musical theater. Writing for and collaborating with Audra, this quintet of creators has supplied a groundbreaking 14-song collection that showcases the singular talents of Broadway’s fastest-rising star.

With an orchestra conducted by Eric Stern, the album was produced by Tommy Krasker and features the “vocally ravishing” (Associated Press) McDonald in a cycle as dramatic as the roles that have won her Tonys (A Raisin in the Sun, Carousel, Master Class, Ragtime). From lullabies to laments, from lyrical ballads to highly spirited star turns, Way Back to Paradise reveals a singing actress fully engaged with the contemporary world. Whether as a wistful lover, a senator’s mistress, or an expectant or would-be mother, McDonald unwraps each song with virtuosity and elegance in equal measure. “There are no sudden jerks, no ‘fancy postures,” writes Master Class playwright Terrence McNally in the liner note. “The pleasures of this kind of music-making owe as much to her training as a classical singer at Juilliard as to her God-given, unteachable abilities as an actress to speak and behave on the stage with utter truth and spontaneity.”

Way Back to Paradise takes its title from Michael John LaChiusa’s song (performed here with Dawn Upshaw) written for Audra to star in the Lincoln Center Theater presentation Marie Christine; LaChiusa is also represented with two songs from his acclaimed 1994 show, Hello Again. Adam Guettel wrote and performed “Come to Jesus” in the 1996 Public Theater workshop of Saturn Returns, and contributed three new songs for her in this collection. Ricky Ian Gordon first worked with Audra in 1997 at a benefit in which she performed three songs from his cycle Only Heaven, all of which are presented here, in addition to “A Lullaby.” Jason Robert Brown, composer of the Broadway production Parade, is represented with one song from that show, as well as one from his 1995 revue Songs of a New World. Jenny Giering contributed “I Follow,” performed here with Theresa McCarthy. Taken together, this community of creative artists represents a generation that opens onto a new world, which Audra—both oracle and muse—heralds in the first notes of this very special debut album: “To fling my arms wide in some place of the sun / To whirl and to dance till the white day is done” (from track 1, “Dream Variations,” by Ricky Ian Gordon).

DescriptionExcerpt: 

On her Nonesuch debut, the Tony Award–winning actress performs the work of the most adventurous and ambitious young theatre composers, including Adam Guettel, Michael LaChiusa and Ricky Ian Gordon. The New York Times called her singing "magnificent—highly dramatic, tasteful, psychologically acute, heart-rending."

ProductionCredits: 

MUSICIANS
Audra McDonald
with
Dawn Upshaw
Adam Guettel
Theresa McCarthy
Eric Stern, conductor

Violins: Suzanne Ornstein, concertmaster; Naomi Katz, Belinda Whitney-Barratt: Michael Roth, Martin Agee, Joel Pitchon, Katherine Livolsi-Stern, Cenovia Cummins
Violas: Kenneth Burward-Hoy, Debra Shufelt, Liuh-Wen Ting
Cellos: Jesse Levy, Clay Ruede, Jeanne LeBlanc
Bass: Peter Donovan
Woodwinds: Richard Heckman, Lawrence Feldman, John Brian Hysong, Jeffrey Marchand, John Campo, Alva Hunt, Jr., chuck Wilson, David Tofani
French Horns: Sharon Moe, Russell Rizner
Trumpets: Brian O’Flaherty, Anthony Kadleck
Harp: Emily Mitchell
Piano/Celeste: Eric Stern, Lee Musiker
Keyboards: Kenneth Bichel
Drums: Thomas Partington, James Saporito
Percussion: Dean Anthony Thomas, Gordon Gottlieb

PRODUCTION CREDITS
Produced by Tommy Krasker
Recorded November 1997 at the Hit Factory, New York City
Recorded and mixed by Joel Moss
Assistant Engineers: Ethan Schofer, Greg Thompson, Tom Hughes
Edited and mixed at Avatar Studios, New York City
Assistant Engineer: Rory Romano
Mastered by Rick Wilson, Digisonics, Northridge, CA
Executive Producer: Robert Hurwitz

Design by Barbara deWilde
Photographs of Audra McDonald by Hollister Dru Breslin