Track Listing
Click tracks with speaker icon to listen| 1 | Shores of White Sand (listen to full-length track) (Jack Wesley Routh) | 4:21 |
| 2 | Hold On (listen to full-length track) (Emmylou Harris) | 4:35 |
| 3 | Moon Song (Patty Griffin) | 4:04 |
| 4 | Broken Man's Lament (Mark Germino) | 5:04 |
| 5 | Gold (Emmylou Harris) | 3:31 |
| 6 | How She Could Sing the Wildwood Flower (Emmylou Harris, Kate McGarrigle, Anna McGarrigle) | 3:44 |
| 7 | All That You Have Is Your Soul (Tracy Chapman) | 4:40 |
| 8 | Take That Ride (Emmylou Harris) | 3:37 |
| 9 | Old Five and Dimers Like Me (Billy Joe Shaver) | 4:15 |
| 10 | Kern River (Merle Haggard) | 4:01 |
| 11 | Not Enough (Emmylou Harris) | 3:23 |
| 12 | Sailing Round the Room (listen to full-length track) (Emmylou Harris, Kate McGarrigle, Anna McGarrigle) | 5:32 |
| 13 | Beyond the Great Divide (J.C. Crowley, Jack Wesley Routh) | 4:26 |
News & Reviews
- Monday, December 1, 2008
Six Nonesuch Albums Among Year's "Gift-Worthy Recordings" in Daily Gazette
With Black Friday thankfully behind us and so-called Cyber Monday now upon us, the Schenectady Daily Gazette offers a number of "gift-worthy recordings" out this year, including six Nonesuch recordings: Isabel Bayrakdarian's "sublime" Gomidas Songs, Ry Cooder's I, Flathead, Emmylou Harris's All I Intended to Be, Randy Newman's Harps and Angels, Orchestra Baobab's Made in Dakar, and Rokia Traoré's "haunting and heart-lifting" Tchamantché.
- Tuesday, September 16, 2008
Times (UK): Emmylou Harris "Sang Like an Angel" at London's Apollo
Emmylou Harris closed out the UK leg of her European tour this past weekend with stops in Manchester and London. Saturday's performance at Manchester's Bridgewater Hall led the Manchester Evening News to write: "Legend is a term hastily applied in these latter days of talent show revivalism. Emmylou Harris has quietly earned the right to bear the title ... Her clear voice has lost none of its beguiling power—varying from whisper to country power yodel." Following her London show at the Hammersmith Apollo, The Times (UK) described her as "a regal presence" who "sang like an angel."
About this Album
All I Intended to Be is Emmylou Harris’s third release on Nonesuch and her first solo effort since 2003’s Stumble into Grace. Of the selected material, Harris explains, “I’ve always seen myself as a relentless song-finder, a singer of other people’s work whom I admire greatly, and an occasional songwriter.”
Recorded over a four-year span primarily at producer Brian Ahern’s Easter Island Surround in Nashville, for the first time in 25 years, this album returns Harris to the producer she worked with for her first 11 albums. Taking its title from a line in the featured Harris / John Starling duet “Old Five and Dimers Like Me” (Billy Joe Shaver), the record includes both original material as well as some of Harris’s favorite songs. As Fader magazine notes, “Harris’s records are distinguished by an almost curatorial respect for the artifacts.” Longtime friends Kate and Anna McGarrigle co-wrote and sing on two tracks, “How She Could Sing the Wildwood Flower” and “Sailing Round the Room,” while Dolly Parton, Vince Gill, and Buddy Miller also contribute vocals on the album.
A 12-time Grammy winner and Billboard Century Award recipient, Emmylou Harris’s contribution as a singer and songwriter spans 40 years. She has recorded more than 25 albums and has lent her talents to countless fellow artists’ recordings. In recognition of her remarkable career, Harris was inducted into the Country Music Hall of Fame on April 27, 2008. Of Harris, Tammy Genovese, CMA Chief Executive Officer says, “[Emmylou] possesses the voice of an angel. She is one of the most revered song interpreters on the planet, and has been instrumental in preserving country music’s past while expanding country music’s horizons throughout her career.” New York’s WFUV also honored Harris this year, recognizing the singer with the Sound and Vision Award at its annual spring gala held at Sotheby’s.
Credits
MUSICIANS
Emmylou Harris, vocals (1-13), acoustic guitar (1-13), harmonies (2-4, 6-13)
Brian Ahern, 12-string guitars (1, 6), baritone electric guitar (4, 7, 12), Tac-Tac bass (5), Afuche (5), Earthwood bass (6, 11), banjo (6)
Tim Goodman, acoustic guitar (1)
Emory Gordy, bass (1)
Jim Horn, recorders (1)
Keith Knudsen, drums (1)
John McPhee, Cordovox and electric guitars (1)
Bill Payne, keyboards (1)
Lynn Langham, Jack Routh, Randy Sharp, backing vocals (1)
Glen D. Hardin, keyboards (2, 4, 5, 7, 8)
Greg Leisz, slide electric guitar (2), steel (5, 8, 10, 13), Weisenborn (8, 11), mandocello (11)
Buddy Miller, backing vocals (1), harmony vocals (2), vocals (8)
Harry Stinson, drums (2, 4-8, 12)
Kenny Vaughn, electric guitar (2, 4, 5, 7 8)
Glen Worf, bass (2, 4, 5, 7, 8)
Steve Fishell, steel (3, 7, 12)
Mary Ann Kennedy, harmony vocals, mandolin (3, 11)
Phil Madeira, accordion (3, 9, 10, 12, 13)
David Pomeroy, bass (3, 12)
Pam Rose, harmony vocals, acoustic guitar (3, 11)
Patrick Warren, keyboards (3, 6, 11, 12)
Karen Brooks, backing vocals (1), harmony vocals (4, 7)
Dolly Parton, Vince Gill, harmony vocals (5)
Kate McGarrigle, vocals (6, 12), gut-string guitar (6, 12), banjo solo (6)
Anna McGarrigle, vocals (6, 12)
Mike Auldridge, vocals, Dobro (9, 10, 13)
John Starling, vocals, acoustic guitar (9, 10, 13)
Stuart Duncan, mandolin (9, 10, 13)
Fats Kaplan, mandolin (9)
PRODUCTION CREDITS
Produced by Brian Ahern
Recorded October 16, 2005, to March 17, 2008, at Easter Island Surround, Nashville, TN
Engineer: Donivan Cowart
Second Engineer: Noland O’Boyle
Track 1 recorded at Magnolia Studios, North Hollywood, CA, by Donivan Cowart, Stuart Taylor, and Brian Ahern
Tracks 2, 4, 5, 7, 8 basics recorded on 16-track analogue at Sound Emporium Studio, Nashville, TN; Second Engineer: Kyle Ford
Track 6, 12 McGarrigles’ vocals recorded at Mayke Studios, Montreal, by Borza Ghomeshi and Mark Bel
Overdubs at Village Studio D, Santa Monica, CA
Second Engineers: Ghian Wright and Gene Nash
Design by Barbara deWilde
Photography by Rocky Schenck
