Devendra Banhart's Nonesuch Debut, "Mala," Due March 12; Pre-Order to Download Track Now
Devendra Banhart releases his Nonesuch debut, Mala, on March 12, 2013. The singer/songwriter co-produced the record with his longtime bandmate, guitarist Noah Georgeson. Spring tour dates will be announced soon. Mala may be pre-ordered now on CD and vinyl in the Nonesuch Store with: a limited-edition, autographed print; an instant download of the album track “Für Hildegard von Bingen”; and a download of the complete album available starting release day. The Mala LP is pressed on 140-gram vinyl and includes the album on CD, an additional 7” with two bonus tracks, and an exclusive poster.
Devendra Banhart releases his Nonesuch debut, Mala, on March 12, 2013. The singer/songwriter co-produced the record with his longtime bandmate, guitarist Noah Georgeson. The complete track list is below. Spring tour dates will be announced soon. Mala may be pre-ordered now on CD and vinyl in the Nonesuch Store with: a limited-edition, autographed print; an instant download of the album track “Für Hildegard von Bingen” (which you can preview below); and a download of the complete album available starting release day. The Mala LP is pressed on 140-gram vinyl and includes the album on CD, an additional 7” with two bonus tracks, and an exclusive poster.
>> Click here to pre-order.
Mala, Banhart’s eighth studio album, was recorded in his then-home in Los Angeles. (He now resides in New York City.) He and Georgeson played most of the instruments themselves, using borrowed equipment and a vintage recorder they’d found in a pawn shop. The recorder is a decades' old piece of gear “that a lot of early hip-hop had been made on,” says Banhart. “And knowing my songs are not hip-hop whatsoever, we thought it would be interesting to see how these kinds of songs would sound on equipment that was used to record our favorite rap. Let’s see how this technology would work for us.”
Banhart also notes how his voice has developed over the years: “I don’t really take care of my voice, but, just like with playing guitar, you get more familiar with it, and you get better at it. I’ve always said that I’m very good at not knowing how to play the guitar but, really, it’s just that I’m very comfortable with the utter uncertainty of my approach.”
Banhart’s previous release, 2009’s What Will We Be, received critical acclaim, with Rolling Stone calling it “the best he’s ever made.” The Los Angeles Times said the record “found him making comfortable, laid-back folk that didn’t sound like a compromise—more like an artist growing into his own.”
Devendra Banhart was born in Houston, TX, and moved with his mother to her native Caracas, Venezuela, when his parents separated. The family relocated to Los Angeles during his teenage years; it was there that he learned to speak English, skateboard, and play music. Banhart first began to perform in public while attending the San Francisco Art Institute. He has since lived in Los Angeles, Paris, San Francisco, and New York City.
Banhart first attracted international notice with his 2002 debut album, Oh Me Oh My … The Way the Day Goes By the Sun Is Setting Dogs Are Dreaming Lovesongs of the Christmas Spirit—a collection of recordings he had made for himself. Pitchfork said in its review: “Banhart’s promising debut is the sign of someone destined for great, strange things.” Subsequent albums include Rejoicing in the Hands, Niño Rojo, Cripple Crow, and Smokey Rolls Down Thunder Canyon. He has collaborated with fellow musicians including Antony and the Johnsons, Beck, Vashti Bunyan, Os Mutantes, Swans, and Vetiver. He also has performed with both Gilberto Gil and Caetano Veloso, and was part of a David Byrne–curated concert at Carnegie Hall.
An accomplished visual artist, Banhart’s distinctive, minutely inked, often enigmatic drawings have appeared in galleries all over the world, including the Art Basel Contemporary Art Fair in Miami; the San Francisco Museum of Modern Art; the Palais des Beaux-Arts in Brussels; and Los Angeles’ Museum of Contemporary Art. He has created the cover art for most of his records, including Mala, and in 2010 his artwork and packaging for What Will We Be was nominated for a Grammy.
Devendra Banhart: Mala
- Golden Girls
- Für Hildegard von Bingen
- Never Seen Such Good Things
- Mi Negrita
- Your Fine Petting Duck
- The Ballad of Keenan Milton
- A Gain
- Won’t You Come Over
- Cristobal Risquez
- Hatchet Wound
- Won’t You Come Home
Friday, February 10, 2017Friday, February 10, 2017
Rhiannon Giddens's five-song EP Factory Girl, first released on vinyl and digitally in late 2015, is now available on CD for the first time. The EP, which is up for Grammy Awards for Best American Roots Performance and Best Folk Album, is culled from the T Bone Burnett–produced sessions that yielded Giddens's acclaimed solo debut album, Tomorrow Is My Turn. "It's a clutch of tunes that work together like the cards in a winning poker hand," the New York Times says of Factory Girl. "Her accompaniment … points to an ageless gold standard for American roots music." "Deftly curated, gorgeously sung," says NPR, "this EP is America." Her new album, Freedom Highway, is due February 24.
Friday, February 10, 2017Friday, February 10, 2017
The Staves, who kick off a four-week tour of North America next week, release the double A side "Tired As Fuck," a previously unreleased tune, and "Train Tracks," a re-mastered version of a bonus track from their 2015 album If I Was. The former was "written in the midst of a relationship breaking down," says the trio. "Lamenting the lack of some sort of guidance, but also accepting and resigning yourself to fact that you have to soldier on. Keep going. There is no helping hand. 'Train Tracks' is the beginning of something new and how confusing and difficult that can be when you're really just as clueless as anyone! The two tracks bookend each other in that respect." You can watch a video for "Tired As Fuck" here.