Financial Times: Five Stars for Frisell Performance with BBC Symphony, to Air on BBC Radio 3

Browse by:
Year
Browse by:
Publish date (field_publish_date)
Submitted by nonesuch on
Article Type
Publish date
Excerpt

Bill Frisell unveiled a new piece with Mike Gibbs and the BBC Symphony Orchestra at the Barbican in London last Friday. The London Jazz Festival performance will be broadcast on BBC Radio 3's Afternoon on 3 today. "Each year, the London Jazz Festival marshals orchestral resources for landmark special events," writes the Financial Times in a five-star review. "This year’s centrepiece was a platform for Bill Frisell." The Guardian gives it four stars, saying "the graceful balance of order and open jamming in Gibbs's orchestral score let most of this unique artist's character glow through."

Copy

Bill Frisell unveiled Collage for a Day, a new piece he wrote orchestrated by Mike Gibbs, in a performance with the BBC Symphony Orchestra and drummer Joey Baron at Barbican Hall in London last Friday. The program was part of the London Jazz Festival and included BBCSO performances of Copland's Appalachian Spring and Ives's Three Places in New England as well. BBC Radio 3, which commissioned the new work, will broadcast the concert today on Afternoon on 3, beginning at 3:15 PM GMT. You can tune in online at bbc.co.uk.

---

"Each year, the London Jazz Festival marshals orchestral resources for landmark special events," writes Financial Times music critic Mike Hobart. "This year’s centrepiece was a platform for Bill Frisell," one that earned a perfect five-star rating from the paper. Hobart also draws attention to Gibbs's arrangements for the BBCSO, which, he says, "wove the orchestra in and round Frisell’s lead, providing majestic support, textural embellishment and melodic statement."

Read the five-star review plus more of Hobart's coverage from the London Jazz Festival at ft.com.

---

The Guardian's John Fordham gives the Friday night performance four stars, also pointing to Gibbs efforts for creating "a sumptuous yet flexible orchestral setting for some of Frisell's classic themes." Fordham explains how the two artists complemented each other's work:

The purr of the orchestra's strings softened and even romanticised the guitarist's trademark harmonically twisted country chords and jaunty rockabilly dances. But the graceful balance of order and open jamming in Gibbs's orchestral score let most of this unique artist's character glow through.

Read the complete concert review at guardian.co.uk.

featuredimage
Bill Frisell 2
  • Tuesday, November 24, 2009
    Financial Times: Five Stars for Frisell Performance with BBC Symphony, to Air on BBC Radio 3
    Michael Wilson

    Bill Frisell unveiled Collage for a Day, a new piece he wrote orchestrated by Mike Gibbs, in a performance with the BBC Symphony Orchestra and drummer Joey Baron at Barbican Hall in London last Friday. The program was part of the London Jazz Festival and included BBCSO performances of Copland's Appalachian Spring and Ives's Three Places in New England as well. BBC Radio 3, which commissioned the new work, will broadcast the concert today on Afternoon on 3, beginning at 3:15 PM GMT. You can tune in online at bbc.co.uk.

    ---

    "Each year, the London Jazz Festival marshals orchestral resources for landmark special events," writes Financial Times music critic Mike Hobart. "This year’s centrepiece was a platform for Bill Frisell," one that earned a perfect five-star rating from the paper. Hobart also draws attention to Gibbs's arrangements for the BBCSO, which, he says, "wove the orchestra in and round Frisell’s lead, providing majestic support, textural embellishment and melodic statement."

    Read the five-star review plus more of Hobart's coverage from the London Jazz Festival at ft.com.

    ---

    The Guardian's John Fordham gives the Friday night performance four stars, also pointing to Gibbs efforts for creating "a sumptuous yet flexible orchestral setting for some of Frisell's classic themes." Fordham explains how the two artists complemented each other's work:

    The purr of the orchestra's strings softened and even romanticised the guitarist's trademark harmonically twisted country chords and jaunty rockabilly dances. But the graceful balance of order and open jamming in Gibbs's orchestral score let most of this unique artist's character glow through.

    Read the complete concert review at guardian.co.uk.

    Journal Articles:On TourReviewsRadio

Enjoy This Post?

Get weekly updates right in your inbox.
terms

X By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Thank you!
x

Welcome to Nonesuch's mailing list!

Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
terms

By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Related Posts

  • Thursday, April 18, 2024
    Thursday, April 18, 2024

    Following more than a dozen sold-out shows across the US this spring, Hurray for the Riff Raff (aka Alynda Segarra) has announced a US summer tour. Beginning in early July, a new leg of headline dates will stop in cities that have yet to experience the live show of The Past Is Still Alive, the acclaimed album that has Vulture calling Segarra “one of America’s best songwriters." Upcoming performances also include Hurray for the Riff Raff’s Red Rocks debut and other amphitheater appearances with Norah Jones, as well as a homecoming set at New Orleans Jazz Festival, a return to NYC for a free concert in Battery Park, and more to be announced.

    Journal Topics: Artist NewsOn Tour
  • Monday, April 15, 2024
    Monday, April 15, 2024

    Kronos Quartet has announced its ninth-annual Kronos Festival, to take place at SFJAZZ Center, June 20–23, 2024. The festival marks the ensemble’s milestone 50th Anniversary year and the farewell performances of John Sherba and Hank Dutt, members of Kronos Quartet for more than 45 years. It will feature a slate of world and Bay Area premieres commissioned as part of the KRONOS Five Decades season; several guest artists; and the final performance of A Thousand Thoughts, a live documentary chronicling the quartet’s career, written and directed by Sam Green and Joe Bini.

    Journal Topics: Artist NewsOn Tour