I Am Love, the film to which John Adams has contributed his first-ever score, has been nominated for a Hollywood World Award for best international film; the Los Angeles Times says the score "adds a staggering emotional punch" to the film. The Times review of Sunday's LA Master Chorale performance of Klinghoffer Choruses calls Adams "an American icon" and the opera's music as "some of the most haunting Adams has written." The composer delivers the Tanner Lectures on Human Values next week at Yale.

John Adams's Doctor Atomic Symphony "comes across as a tight, visceral ride that you won't want to miss," says New Music Box of the Nonesuch recording, and "the Saint Louis Symphony Orchestra and conductor David Robertson light it on fire ... [I]t's as charmed a production as you could wish for." A new exhibit at the Dallas Museum of Art features a sculpture inspired by the opera Doctor Atomic.

John Adams's City Noir was given its world premiere last night in the Opening Night performance of the Los Angeles Philharmonic season and the Inaugural Gala of new music director Gustavo Dudamel. It "was an exceptional and exciting concert by any standard," says the New York Times's Anthony Tommasini. "Moment to moment the music [of City Noir] is riveting." The Los Angeles Times's Mark Swed says: "I can’t imagine another orchestra that could sell such a piece so effectively on the first performance."

John Adams's City Noir receives its world premiere tonight in the Opening Night Concert of the Los Angeles Philharmonic and the Inaugural Gala for its new music director, Gustavo Dudamel, at Walt Disney Concert Hall. "I want to make my music an opportunity to extend myself, and my language," Adams tells the Los Angeles Times. The piece will be performed again this fall for the Philharmonic's Adams-curated West Coast, Left Coast festival.

John Adams' latest recording on Nonesuch, Doctor Atomic Symphony, is out now. The Guardian describes the piece's final movement as Adams "at his most brilliant"; the Telegraph too commends the entire work's "sheer brilliance." The BBC says that David Robertson and the Saint Louis Orchestra "take a robustly muscular and rooted approach to Adams’ multi-layered, intricately woven latticework of sounds and colours leavened by flights of poetic fancy and fantasy ... music that seems fervently alive to both felt and imagined experience."

John Adams's recent Nonesuch release features the Saint Louis Symphony Orchestra and conductor David Robertson performing the first recordings of Adams's Doctor Atomic Symphony and Guide to Strange Places. Jazz.com names the latter today's Song of the Day, saying: "This is the composer at his most mature, and demonstrating an uncanny skill in channeling his personality through a symphony orchestra." The Stranger's Christopher DeLaurenti calls it his "favorite orchestral work of this decade." The Philadelphia Inquirer gives the album 3.5 stars; the Arkansas Democrat-Gazette, an A-.

John Adams, the artist-in-residence for this year's Mostly Mozart festival at Lincoln Center, followed the highly successful three-night run conducting his opera A Flowering Tree—"one of the festival’s hottest tickets," according to the New York Times—by leading the International Contemporary Ensemble (ICE) in what the Times calls "vigorous, richly detailed performances" of three of his works at Alice Tully Hall Monday night.

John Adams's latest opera, A Flowering Tree, was given its New York premiere at Lincoln Center's Rose Theater last Thursday. New York magazine finds that "Adams is one of the few composers who can count on such well-executed premieres." The New York Times calls it an "enchanting, disturbing and musically intense opera," praising "the richness of the score." The Star-Ledger says the opera's "gifts were abundant" and it "contains some of the composer's most effective vocal writing." The Baltimore Sun says "the opera cast a remarkably strong spell."

John Adams's latest opera, A Flowering Tree, described by The New Yorker as "one of the most lush and beautiful of his works," receives its New York premiere as part of Lincoln Center's Mostly Mozart festival tonight. The composer, the festival's artist-in-residence, conducts. He'll lead the International Contemporary Ensemble in an all-Adams program there next week.

John Adams's Doctor Atomic Symphony, an all-instrumental work based on his 2005 opera, Doctor Atomic, is out now. Conductor David Robertson leads the Saint Louis Symphony Orchestra in first recordings of both Doctor Atomic Symphony and 2001's Guide to Strange Places. The St. Louis Post-Dispatch calls it "a pair of brilliant performances." The Guardian says the title piece has "captured in furious brass explosions and Adams's vivid orchestration," and the album "rewards repeated listening."

Nonesuch releases Pulitzer Prize–winning composer John Adams’s Doctor Atomic Symphony on July 28, 2009. A purely instrumental work, the piece is drawn from Adams’s opera Doctor Atomic. David Robertson conducts the Saint Louis Symphony Orchestra on this recording. Said the New York Times: "[T]he score invites you to hear the music—driving passages with pounding timpani, quizzically restrained lyrical flights, bursts of skittish fanfares—on its own terms, apart from its dramatic context." Also on the album is Adams’ 2001 piece, Guide to Strange Places.

John Adams led the Los Angeles Philharmonic in two performances, the orchestra's first, of his most recent opera, 2006's A Flowering Tree, at LA's Walt Disney Hall this past weekend. The Los Angeles Times says A Flowering Tree "is a miracle opera based upon an ancient folk tale from India. Magic pervades the work’s atmosphere, and a blissfully beautiful two-hour score enchants from first bar to last ... The sounds are magical." In the LA performances, "the singing was exceptional" and the Los Angeles Master Chorale "nailed everything."