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The Magnetic Fields’ 50 Song Memoir, chronicling the 50 years of songwriter Stephin Merritt’s life with one song per year, is out now. It's "quite an achievement," says NPR Music. "Some of its wordplay is truly remarkable ... More importantly, Memoir is a tour-de-farce of melody and arrangement." Pitchfork calls it "an immersive, incisive listen," with "his catalog 50 songs richer as a result." It's "a highly entertaining summary of pop culture of the past half-century," says the Wall Street Journal. "50 Song Memoir is a treat." Exclaim! exclaims: "Stephin Merritt is a genius." The video for the album track "'68 A Cat Called Dionysus" premiered today and can be seen here.
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The Magnetic Fields’50 Song Memoir is out now on Nonesuch Records. The five-CD / five-LP set chronicles the 50 years of songwriter Stephin Merritt’s life with one song per year; it was produced by Stephin Merritt with additional production by Thomas Bartlett and Charles Newman. 50 Song Memoir is available in five-LP and five-CD editions including an extensive interview by Daniel Handler and facsimile handwritten lyrics by Merritt. To pick up a copy, head to iTunes, Amazon, or the Nonesuch Store, where it is also available as a standalone bound book with a full-album download card. You can also hear selections from the album on Spotify, Apple Music, and YouTube.
The video for the album track "'68 A Cat Called Dionysus" premiered today and can be seen below. Directed by José Zayas & Alex Basco Koch, the video features illustrations by Alexander Petrowsky and animation by John Erickson and was produced by Ghost Corporeal. It was originally created for the Magnetic Fields' 50 Song Memoir concert tour directed by Zayas. The tour, featuring the songs of the album over two nights per city in a stage extravaganza, gets into full swing on March 15; full schedule below and at nonesuch.com/on-tour.
It's "quite an achievement," says NPR Music. "Some of its wordplay is truly remarkable ... More importantly, Memoir is a tour-de-farce of melody and arrangement." Merritt spoke with NPR's Morning Edition about the project, his love for ABBA, and more; you can hear what he had to say at npr.org.
"[T]he story of his life sounds a lot like a Magnetic Fields album, and a very good one at that," writes Pitchfork's Sam Sodomsky. "50 Song Memoir is an immersive, incisive listen ... It suggests that our deepest wisdom can be located in our most personal thoughts." The review concludes that Merritt's creating this new collection has left "his catalog 50 songs richer as a result."
The new collection is "a highly entertaining summary of pop culture of the past half-century," says the Wall Street Journal's Jim Fusilli. "50 Song Memoir is a treat ... The album is a generous gift to those who seek to know more about its composer or simply share a journey through a half-century with a wry but ultimately amiable guide."
"Really, it is a celebration of Merritt’s sky-high range as a writer and a player, through the exploration of the circumstances that helped cultivate it," writes New York magazine's Vulture reviewer Craig Jenkins. "50 Song Memoir is a chance for Merritt to nail his memories down in an indelible document, a delightful flip through the untold back pages of one of rock’s most singular voices, and, all in all, the best damned Magnetic Fields album in the last ten years."
"Stephin Merritt is a genius," exclaims Exclaim! reviewer Sarah Greene, who gives the album a nine. "[W]hat lingers, along with the musical brilliance and uncharacteristic openness of his 50 Song Memoir, is Merritt's humour; his distinctive baritone delivering countless witty sardonic kernels, sometimes assisted by a well-timed dramatic pause, all wrapped up in catchy, unforgettable songs."
The Independent's i gives the album a perfect five stars, naming it Album of the Week. "Growing up smart, inquisitive and gay through a time of turbulent social change," writes the Independent's Andy Gill, "Merritt’s refracted reminiscences frequently offer thoughtful and incisive insights into bigger issues, and with deceptive sleight of story."
The Guardian gives the album four stars, with reviewer Dave Simpson saying that "the music evolves from a solitary ukulele to richly observed baroque new wave and operatic synthpop, all with terrific tunes. It’s an album worthy of Merritt’s grand half-century."
The Evening Standard gives four stars to this "extraordinary achievement." The Scotsman made 50 Song Memoir its Album of the Week, giving it four stars as well. It's "50 witty and wide-ranging vignettes," writes reviewer Fiona Shepherd, "[a] delightful chronicle of a life lived imaginatively." The Irish Times gives it four stars too, declaring it a "triumph."
Loud and Quiet gives the album a nine out of ten, exclaiming: "50 Song Memoir is a true triumph."
"Merritt's skill of finding the exact turn of phrase to underscore a feeling is one that few achieve," says Consequence of Sound's David Sackllah, "and watching him turn that inward is illuminating."
Merritt began recording on his 50th birthday: February 9, 2015. Unlike his previous work, the lyrics on 50 Song Memoir are nonfiction—in Merritt’s words, “a mix of autobiography (bedbugs, Buddhism, buggery) and documentary (hippies, Hollywood, hyperacusis).” As he says in the album’s liner note interview with his friend, the author Daniel Handler, “I am the least autobiographical person you are likely to meet. I will probably not write any more true songs after this than I did before, but it’s been interesting working on it.”
In addition to his vocals on all 50 songs, Merritt plays more than 100 instruments on 50 Song Memoir, ranging from ukulele to piano to drum machine to abacus. In concert, the music will be played and sung by a newly expanded Magnetic Fields septet in a stage set featuring 50 years of artifacts both musical (vintage computers, reel-to-reel tape decks, newly invented instruments), and decorative (tiki bar, shag carpet, vintage magazines for the perusal of idle musicians). The seven performers each play seven different instruments, either traditional (cello, charango, clavichord) or invented in the last 50 years (Slinky guitar, Swarmatron, synthesizer).
To date, Stephin Merritt has written and recorded 12 Magnetic Fields albums, including the popular and critically acclaimed 69 Love Songs. A song from that record, “The Book of Love,” has been covered by Peter Gabriel and has appeared in numerous TV shows and films; notably, the Nairobi Chamber Orchestra performed the song at an official state dinner in Kenya, before Presidents Barack Obama and Uhuru Kenyatta delivered their toasts. Merritt has also composed original music and lyrics for several music theater pieces, including an off-Broadway stage musical of Neil Gaiman's novel Coraline, for which he received an Obie Award. In 2014, Merritt composed songs and background music for the first musical episode of public radio’s This American Life. Stephin Merritt also releases albums under the band names the 6ths, the Gothic Archies, and Future Bible Heroes.
The Magnetic Fields’ "50 Song Memoir," Musical Exploration of Composer Stephin Merritt’s Life, Out Now
The Magnetic Fields’50 Song Memoir is out now on Nonesuch Records. The five-CD / five-LP set chronicles the 50 years of songwriter Stephin Merritt’s life with one song per year; it was produced by Stephin Merritt with additional production by Thomas Bartlett and Charles Newman. 50 Song Memoir is available in five-LP and five-CD editions including an extensive interview by Daniel Handler and facsimile handwritten lyrics by Merritt. To pick up a copy, head to iTunes, Amazon, or the Nonesuch Store, where it is also available as a standalone bound book with a full-album download card. You can also hear selections from the album on Spotify, Apple Music, and YouTube.
The video for the album track "'68 A Cat Called Dionysus" premiered today and can be seen below. Directed by José Zayas & Alex Basco Koch, the video features illustrations by Alexander Petrowsky and animation by John Erickson and was produced by Ghost Corporeal. It was originally created for the Magnetic Fields' 50 Song Memoir concert tour directed by Zayas. The tour, featuring the songs of the album over two nights per city in a stage extravaganza, gets into full swing on March 15; full schedule below and at nonesuch.com/on-tour.
It's "quite an achievement," says NPR Music. "Some of its wordplay is truly remarkable ... More importantly, Memoir is a tour-de-farce of melody and arrangement." Merritt spoke with NPR's Morning Edition about the project, his love for ABBA, and more; you can hear what he had to say at npr.org.
"[T]he story of his life sounds a lot like a Magnetic Fields album, and a very good one at that," writes Pitchfork's Sam Sodomsky. "50 Song Memoir is an immersive, incisive listen ... It suggests that our deepest wisdom can be located in our most personal thoughts." The review concludes that Merritt's creating this new collection has left "his catalog 50 songs richer as a result."
The new collection is "a highly entertaining summary of pop culture of the past half-century," says the Wall Street Journal's Jim Fusilli. "50 Song Memoir is a treat ... The album is a generous gift to those who seek to know more about its composer or simply share a journey through a half-century with a wry but ultimately amiable guide."
"Really, it is a celebration of Merritt’s sky-high range as a writer and a player, through the exploration of the circumstances that helped cultivate it," writes New York magazine's Vulture reviewer Craig Jenkins. "50 Song Memoir is a chance for Merritt to nail his memories down in an indelible document, a delightful flip through the untold back pages of one of rock’s most singular voices, and, all in all, the best damned Magnetic Fields album in the last ten years."
"Stephin Merritt is a genius," exclaims Exclaim! reviewer Sarah Greene, who gives the album a nine. "[W]hat lingers, along with the musical brilliance and uncharacteristic openness of his 50 Song Memoir, is Merritt's humour; his distinctive baritone delivering countless witty sardonic kernels, sometimes assisted by a well-timed dramatic pause, all wrapped up in catchy, unforgettable songs."
The Independent's i gives the album a perfect five stars, naming it Album of the Week. "Growing up smart, inquisitive and gay through a time of turbulent social change," writes the Independent's Andy Gill, "Merritt’s refracted reminiscences frequently offer thoughtful and incisive insights into bigger issues, and with deceptive sleight of story."
The Guardian gives the album four stars, with reviewer Dave Simpson saying that "the music evolves from a solitary ukulele to richly observed baroque new wave and operatic synthpop, all with terrific tunes. It’s an album worthy of Merritt’s grand half-century."
The Evening Standard gives four stars to this "extraordinary achievement." The Scotsman made 50 Song Memoir its Album of the Week, giving it four stars as well. It's "50 witty and wide-ranging vignettes," writes reviewer Fiona Shepherd, "[a] delightful chronicle of a life lived imaginatively." The Irish Times gives it four stars too, declaring it a "triumph."
Loud and Quiet gives the album a nine out of ten, exclaiming: "50 Song Memoir is a true triumph."
"Merritt's skill of finding the exact turn of phrase to underscore a feeling is one that few achieve," says Consequence of Sound's David Sackllah, "and watching him turn that inward is illuminating."
Merritt began recording on his 50th birthday: February 9, 2015. Unlike his previous work, the lyrics on 50 Song Memoir are nonfiction—in Merritt’s words, “a mix of autobiography (bedbugs, Buddhism, buggery) and documentary (hippies, Hollywood, hyperacusis).” As he says in the album’s liner note interview with his friend, the author Daniel Handler, “I am the least autobiographical person you are likely to meet. I will probably not write any more true songs after this than I did before, but it’s been interesting working on it.”
In addition to his vocals on all 50 songs, Merritt plays more than 100 instruments on 50 Song Memoir, ranging from ukulele to piano to drum machine to abacus. In concert, the music will be played and sung by a newly expanded Magnetic Fields septet in a stage set featuring 50 years of artifacts both musical (vintage computers, reel-to-reel tape decks, newly invented instruments), and decorative (tiki bar, shag carpet, vintage magazines for the perusal of idle musicians). The seven performers each play seven different instruments, either traditional (cello, charango, clavichord) or invented in the last 50 years (Slinky guitar, Swarmatron, synthesizer).
To date, Stephin Merritt has written and recorded 12 Magnetic Fields albums, including the popular and critically acclaimed 69 Love Songs. A song from that record, “The Book of Love,” has been covered by Peter Gabriel and has appeared in numerous TV shows and films; notably, the Nairobi Chamber Orchestra performed the song at an official state dinner in Kenya, before Presidents Barack Obama and Uhuru Kenyatta delivered their toasts. Merritt has also composed original music and lyrics for several music theater pieces, including an off-Broadway stage musical of Neil Gaiman's novel Coraline, for which he received an Obie Award. In 2014, Merritt composed songs and background music for the first musical episode of public radio’s This American Life. Stephin Merritt also releases albums under the band names the 6ths, the Gothic Archies, and Future Bible Heroes.
X
By submitting my information, I agree to receive personalized updates and
marketing messages about Nonesuch based on my information, interests,
activities, website visits and device data and in accordance with the
Privacy Policy. I understand that I can opt-out at any time by emailing
privacypolicy@wmg.com.
Thank you!
x
Welcome to Nonesuch's mailing list!
Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
The Magnetic Fields’ "50 Song Memoir," Musical Exploration of Composer Stephin Merritt’s Life, Out Now
The Magnetic Fields’50 Song Memoir is out now on Nonesuch Records. The five-CD / five-LP set chronicles the 50 years of songwriter Stephin Merritt’s life with one song per year; it was produced by Stephin Merritt with additional production by Thomas Bartlett and Charles Newman. 50 Song Memoir is available in five-LP and five-CD editions including an extensive interview by Daniel Handler and facsimile handwritten lyrics by Merritt. To pick up a copy, head to iTunes, Amazon, or the Nonesuch Store, where it is also available as a standalone bound book with a full-album download card. You can also hear selections from the album on Spotify, Apple Music, and YouTube.
The video for the album track "'68 A Cat Called Dionysus" premiered today and can be seen below. Directed by José Zayas & Alex Basco Koch, the video features illustrations by Alexander Petrowsky and animation by John Erickson and was produced by Ghost Corporeal. It was originally created for the Magnetic Fields' 50 Song Memoir concert tour directed by Zayas. The tour, featuring the songs of the album over two nights per city in a stage extravaganza, gets into full swing on March 15; full schedule below and at nonesuch.com/on-tour.
It's "quite an achievement," says NPR Music. "Some of its wordplay is truly remarkable ... More importantly, Memoir is a tour-de-farce of melody and arrangement." Merritt spoke with NPR's Morning Edition about the project, his love for ABBA, and more; you can hear what he had to say at npr.org.
"[T]he story of his life sounds a lot like a Magnetic Fields album, and a very good one at that," writes Pitchfork's Sam Sodomsky. "50 Song Memoir is an immersive, incisive listen ... It suggests that our deepest wisdom can be located in our most personal thoughts." The review concludes that Merritt's creating this new collection has left "his catalog 50 songs richer as a result."
The new collection is "a highly entertaining summary of pop culture of the past half-century," says the Wall Street Journal's Jim Fusilli. "50 Song Memoir is a treat ... The album is a generous gift to those who seek to know more about its composer or simply share a journey through a half-century with a wry but ultimately amiable guide."
"Really, it is a celebration of Merritt’s sky-high range as a writer and a player, through the exploration of the circumstances that helped cultivate it," writes New York magazine's Vulture reviewer Craig Jenkins. "50 Song Memoir is a chance for Merritt to nail his memories down in an indelible document, a delightful flip through the untold back pages of one of rock’s most singular voices, and, all in all, the best damned Magnetic Fields album in the last ten years."
"Stephin Merritt is a genius," exclaims Exclaim! reviewer Sarah Greene, who gives the album a nine. "[W]hat lingers, along with the musical brilliance and uncharacteristic openness of his 50 Song Memoir, is Merritt's humour; his distinctive baritone delivering countless witty sardonic kernels, sometimes assisted by a well-timed dramatic pause, all wrapped up in catchy, unforgettable songs."
The Independent's i gives the album a perfect five stars, naming it Album of the Week. "Growing up smart, inquisitive and gay through a time of turbulent social change," writes the Independent's Andy Gill, "Merritt’s refracted reminiscences frequently offer thoughtful and incisive insights into bigger issues, and with deceptive sleight of story."
The Guardian gives the album four stars, with reviewer Dave Simpson saying that "the music evolves from a solitary ukulele to richly observed baroque new wave and operatic synthpop, all with terrific tunes. It’s an album worthy of Merritt’s grand half-century."
The Evening Standard gives four stars to this "extraordinary achievement." The Scotsman made 50 Song Memoir its Album of the Week, giving it four stars as well. It's "50 witty and wide-ranging vignettes," writes reviewer Fiona Shepherd, "[a] delightful chronicle of a life lived imaginatively." The Irish Times gives it four stars too, declaring it a "triumph."
Loud and Quiet gives the album a nine out of ten, exclaiming: "50 Song Memoir is a true triumph."
"Merritt's skill of finding the exact turn of phrase to underscore a feeling is one that few achieve," says Consequence of Sound's David Sackllah, "and watching him turn that inward is illuminating."
Merritt began recording on his 50th birthday: February 9, 2015. Unlike his previous work, the lyrics on 50 Song Memoir are nonfiction—in Merritt’s words, “a mix of autobiography (bedbugs, Buddhism, buggery) and documentary (hippies, Hollywood, hyperacusis).” As he says in the album’s liner note interview with his friend, the author Daniel Handler, “I am the least autobiographical person you are likely to meet. I will probably not write any more true songs after this than I did before, but it’s been interesting working on it.”
In addition to his vocals on all 50 songs, Merritt plays more than 100 instruments on 50 Song Memoir, ranging from ukulele to piano to drum machine to abacus. In concert, the music will be played and sung by a newly expanded Magnetic Fields septet in a stage set featuring 50 years of artifacts both musical (vintage computers, reel-to-reel tape decks, newly invented instruments), and decorative (tiki bar, shag carpet, vintage magazines for the perusal of idle musicians). The seven performers each play seven different instruments, either traditional (cello, charango, clavichord) or invented in the last 50 years (Slinky guitar, Swarmatron, synthesizer).
To date, Stephin Merritt has written and recorded 12 Magnetic Fields albums, including the popular and critically acclaimed 69 Love Songs. A song from that record, “The Book of Love,” has been covered by Peter Gabriel and has appeared in numerous TV shows and films; notably, the Nairobi Chamber Orchestra performed the song at an official state dinner in Kenya, before Presidents Barack Obama and Uhuru Kenyatta delivered their toasts. Merritt has also composed original music and lyrics for several music theater pieces, including an off-Broadway stage musical of Neil Gaiman's novel Coraline, for which he received an Obie Award. In 2014, Merritt composed songs and background music for the first musical episode of public radio’s This American Life. Stephin Merritt also releases albums under the band names the 6ths, the Gothic Archies, and Future Bible Heroes.
The Black Keys have secured the No. 1 Current Rock Album and No. 1 Current Alternative Album in US sales following the release of their new album, Ohio Players, last week. The album also is the highest debut of the week on Billboard’s Top Rock Albums Chart and Top Alternative Albums Chart, at No. 5 on both charts, and has reached No. 4 on Overall Current Album sales and No. 26 on the Billboard 200. Internationally, Ohio Players is the band’s sixth consecutive top 20 album in the UK, as well as top 20 in Austria, Belgium, France, Germany, Netherlands, New Zealand, and Switzerland, among others.
The Black Keys' twelfth studio album, Ohio Players, is out now. The album features several collaborations between band mates Dan Auerbach and Patrick Carney with various friends and colleagues, like Dan “The Automator” Nakamura, Beck, Noel Gallagher, Greg Kurstin, and others. Also out now: a video for the album track “On The Game,” co-written with Noel Gallagher. The video checks in on Derrick Tuggle, star of the band's 2011 "Lonely Boy" video, and includes a special appearance by skateboarding legend Tony Hawk. Tickets are on sale now for The Black Keys' North American tour.
