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The Magnetic Fields have brought their 50 Song Memoir tour—which chronicles the 50 years of songwriter Stephin Merritt's life with one song per year—to the UK and Ireland. The tour, performed over two nights in each city (songs 1–25 on night one, songs 26–50 on night two), begins with two nights at the Edinburgh International Festival this Friday and Saturday, followed by dates in Dublin, Bristol, Liverpool, and Brighton, culminating at London’s Barbican Hall on September 9 and 10.
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The Magnetic Fields have brought their 50 Song Memoir tour—which chronicles the 50 years of songwriter Stephin Merritt's life with one song per year—to the UK and Ireland. The tour, performed over two nights in each city (songs 1–25 on night one, songs 26–50 on night two), begins with two nights at the Edinburgh International Festival this Friday and Saturday, followed by dates in Dublin, Bristol, Liverpool, and Brighton, culminating at London’s Barbican Hall on September 9 and 10. The group will give the exclusive Australian presentation of the show at the Melbourne Festival in October. See below for details or visit nonesuch.com/on-tour.
In addition to his vocals on all 50 songs, Merritt plays more than 100 instruments on 50 Song Memoir, ranging from ukulele to piano to drum machine to abacus. In concert, the music is played and sung by a newly expanded Magnetic Fields septet in a stage set featuring 50 years of artifacts both musical (vintage computers, reel-to-reel tape decks, newly invented instruments), and decorative (tiki bar, shag carpet, vintage magazines for the perusal of idle musicians). The seven performers each play seven different instruments, either traditional (cello, charango, clavichord) or invented in the last 50 years (Slinky guitar, Swarmatron, synthesizer). The stage extravaganza is directed by the award-winning José Zayas.
The five-disc 50 Song Memoir was released on Nonesuch Records earlier this year to critical acclaim. It's "quite an achievement," says NPR Music. "Some of its wordplay is truly remarkable ... More importantly, Memoir is a tour-de-farce of melody and arrangement." Pitchfork calls 50 Song Memoir “an immersive, incisive listen ... It suggests that our deepest wisdom can be located in our most personal thoughts." The Wall Street Journal calls it "a highly entertaining summary of pop culture of the past half-century … 50 Song Memoir is a treat.”
To pick up a copy of 50 Song Memoir, head to iTunes, Amazon, or the Nonesuch Store, where CD and vinyl orders include a download of the complete set at checkout.
The Magnetic Fields Bring “50 Song Memoir” to UK, Ireland
Marcelo Krasilcic
The Magnetic Fields have brought their 50 Song Memoir tour—which chronicles the 50 years of songwriter Stephin Merritt's life with one song per year—to the UK and Ireland. The tour, performed over two nights in each city (songs 1–25 on night one, songs 26–50 on night two), begins with two nights at the Edinburgh International Festival this Friday and Saturday, followed by dates in Dublin, Bristol, Liverpool, and Brighton, culminating at London’s Barbican Hall on September 9 and 10. The group will give the exclusive Australian presentation of the show at the Melbourne Festival in October. See below for details or visit nonesuch.com/on-tour.
In addition to his vocals on all 50 songs, Merritt plays more than 100 instruments on 50 Song Memoir, ranging from ukulele to piano to drum machine to abacus. In concert, the music is played and sung by a newly expanded Magnetic Fields septet in a stage set featuring 50 years of artifacts both musical (vintage computers, reel-to-reel tape decks, newly invented instruments), and decorative (tiki bar, shag carpet, vintage magazines for the perusal of idle musicians). The seven performers each play seven different instruments, either traditional (cello, charango, clavichord) or invented in the last 50 years (Slinky guitar, Swarmatron, synthesizer). The stage extravaganza is directed by the award-winning José Zayas.
The five-disc 50 Song Memoir was released on Nonesuch Records earlier this year to critical acclaim. It's "quite an achievement," says NPR Music. "Some of its wordplay is truly remarkable ... More importantly, Memoir is a tour-de-farce of melody and arrangement." Pitchfork calls 50 Song Memoir “an immersive, incisive listen ... It suggests that our deepest wisdom can be located in our most personal thoughts." The Wall Street Journal calls it "a highly entertaining summary of pop culture of the past half-century … 50 Song Memoir is a treat.”
To pick up a copy of 50 Song Memoir, head to iTunes, Amazon, or the Nonesuch Store, where CD and vinyl orders include a download of the complete set at checkout.
X
By submitting my information, I agree to receive personalized updates and
marketing messages about Nonesuch based on my information, interests,
activities, website visits and device data and in accordance with the
Privacy Policy. I understand that I can opt-out at any time by emailing
privacypolicy@wmg.com.
Thank you!
x
Welcome to Nonesuch's mailing list!
Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
The Magnetic Fields Bring “50 Song Memoir” to UK, Ireland
The Magnetic Fields have brought their 50 Song Memoir tour—which chronicles the 50 years of songwriter Stephin Merritt's life with one song per year—to the UK and Ireland. The tour, performed over two nights in each city (songs 1–25 on night one, songs 26–50 on night two), begins with two nights at the Edinburgh International Festival this Friday and Saturday, followed by dates in Dublin, Bristol, Liverpool, and Brighton, culminating at London’s Barbican Hall on September 9 and 10. The group will give the exclusive Australian presentation of the show at the Melbourne Festival in October. See below for details or visit nonesuch.com/on-tour.
In addition to his vocals on all 50 songs, Merritt plays more than 100 instruments on 50 Song Memoir, ranging from ukulele to piano to drum machine to abacus. In concert, the music is played and sung by a newly expanded Magnetic Fields septet in a stage set featuring 50 years of artifacts both musical (vintage computers, reel-to-reel tape decks, newly invented instruments), and decorative (tiki bar, shag carpet, vintage magazines for the perusal of idle musicians). The seven performers each play seven different instruments, either traditional (cello, charango, clavichord) or invented in the last 50 years (Slinky guitar, Swarmatron, synthesizer). The stage extravaganza is directed by the award-winning José Zayas.
The five-disc 50 Song Memoir was released on Nonesuch Records earlier this year to critical acclaim. It's "quite an achievement," says NPR Music. "Some of its wordplay is truly remarkable ... More importantly, Memoir is a tour-de-farce of melody and arrangement." Pitchfork calls 50 Song Memoir “an immersive, incisive listen ... It suggests that our deepest wisdom can be located in our most personal thoughts." The Wall Street Journal calls it "a highly entertaining summary of pop culture of the past half-century … 50 Song Memoir is a treat.”
To pick up a copy of 50 Song Memoir, head to iTunes, Amazon, or the Nonesuch Store, where CD and vinyl orders include a download of the complete set at checkout.
Cécile McLorin Salvant's acclaimed 2023 album, Mélusine, was released one year ago this week. To mark the occasion, we're sharing live performances of four songs from the album made at Oberlin College and Conservatory, starting with "Dites moi que je suis belle," featuring Weedie Braimah on djembe, followed by "Le temps est assassin" with Sullivan Fortner on piano and "Fenestra" and "Dame Iseut" with both Fortner and Braimah. You can watch it here.
"The beauty of song is you can spread information, you can make people feel not alone. And you can also create a time capsule for people in the future to know what we’re dealing with now," Hurray for the Riff Raff (aka Alynda Segarra) tells KCRW's Press Play. You can hear it here. "The Troubadour: How Alynda Segarra, a former train-hopping punk from the Bronx, became one of America’s best songwriters," titles an extensive profile in New York magazine's Vulture on Segarra and their new album, The Past Is Still Alive, written by Jenn Pelly.