Mandolinist/Singer Chris Thile and Pianist Brad Mehldau Debut Duo Album Out Now

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Chris Thile & Brad Mehldau, the debut duo album from the Nonesuch labelmates, is out now. At the end of 2015, the longtime admirers of each other's work played a two-night stand at NYC's Bowery Ballroom (videos from which you can watch here) before going into the studio to record the double album. "This meeting of two masters of their respective realms is a spine-tingling triumph," raves a five-star Irish Times review. The Guardian gives the album four stars, saying: "Two very different musicians hit a remarkable rapport on this double album." The four-star BBC Music Magazine review says "the vivid dynamic really puts a bright face on this mix of original and old song covers from across the jazz, folk and country spectrum." 

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Chris Thile & Brad Mehldau, the debut duo album from Nonesuch Records labelmates mandolinist/singer Chris Thile and pianist Brad Mehldau, is out now. The album, a mix of covers and original songs on two CDs / LPs, is available on iTunes, Amazon, and the Nonesuch Store, where vinyl and CD orders include a download of the complete album at checkout. It can also be heard on Spotify and Apple Music.

The longtime admirers of each other's work first toured as a duo in 2013. At the end of 2015, they played a two-night stand at New York City's Bowery Ballroom before going into the studio to record the album. You can watch a live performance of the album's opening track, "The Old Shade Tree," penned by Mehldau and Thile, from the Bowery Ballroom concerts, directed by Alex Chaloff, below. The video premiered via NPR Music yesterday. You can watch performances of the album tracks "Independence Day" (Elliott Smith) and "Scarlet Town" (David Rawlings & Gillian Welch) at the bottom of the page.

The Irish Times give Chris Thile & Brad Mehldau a perfect five stars. "This meeting of two masters of their respective realms is a spine-tingling triumph—a honky, gutsy, jaunty, darkly witty new musical alloy that is suitably strange yet strangely familiar," raves reviewer Cormac Larkin. "It takes more than virtuosity to make music send shivers down your spine. You need generosity and vision, impeccable taste and a willingness to take risks. Still, the fact that Thile and Mehldau are as fine a pair of instrumentalists as you’ll hear anywhere doesn’t hurt a bit."

"The album is remarkable for its unusual balance of timbres," says the Guardian, which spoke with Thile about working with Mehldau on the album, calling it "a diverse blend of original compositions, 1940s standards and contemporary chapters of Americana." The Guardian gives the album four stars, with reviewer John Fordham saying: "Two very different musicians hit a remarkable rapport on this double album."

It earns four stars in BBC Music Magazine, whose Garry Booth says "the vivid dynamic really puts a bright face on this mix of original and old song covers from across the jazz, folk and country spectrum."

"Chris Thile and Brad Mehldau come from different worlds but the same species," says the New York Times. Mr. Thile "is a progressive-bluegrass pacesetter; Mr. Mehldau is the most influential jazz pianist of the last 20 years. Both are team players ... Both love Bach and the Beatles, and both have developed fan bases bigger and broader (and younger) than their genre silos can accommodate."

The two musicians first performed together in September 2011 as part of Mehldau's residency at London's Wigmore Hall. The Guardian said of that performance, "Mehldau struck up his signature rocking chord vamp over which lightly struck motifs swell to sensuous extended melodies. Thile kept cajoling him with percussive snaps, flying runs, and chords strummed fast enough to sound as seamless as a purring strings section, inducing Mehldau … to bat back the playful provocation with stinging rejoinders."

MacArthur Fellow and A Prairie Home Companion host Chris Thile is the founding member of Punch Brothers, which a Boston Globe reviewer called "the tightest, most impressive live band I have ever seen." The band has released four albums on Nonesuch beginning in 2008: Punch, Antifogmatic, Who's Feeling Young Now?, and The Phosphorescent Blues. Thile's other releases on the label include Sleep with One Eye Open with Michael Daves; Edgar Meyer & Chris Thile and Bass & Mandolin—the latter of which won a Grammy Award; a solo record of Bach violin sonatas and partitas; and A Dotted Line with his longtime band Nickel Creek. He also recently collaborated with Yo-Yo Ma, Stuart Duncan, and Edgar Meyer on the double Grammy Award–winning album The Goat Rodeo Sessions.

Brad Mehldau's Nonesuch debut was the 2004 solo disc Live in Tokyo and includes six records with his trio: House on Hill, Day Is Done, Brad Mehldau Trio Live, Ode, Where Do You Start, and Blues and Ballads. His collaborative records on the label include Love Sublime, Highway Rider, Metheny Mehldau, Metheny Mehldau Quartet, Modern Music, and Mehliana: Taming the Dragon. Mehldau's additional solo albums on Nonesuch include Live in Marciac and last year's 8-LP/4-CD 10 Years Solo Live, which the New York Times says "contains some of the most impressive pianism he has captured on record." Earlier this year, he released a duo album with Joshua Redman, Nearness, of which the Wall Street Journal said: "Few records released this year better define what jazz sounds like today, even if there isn't a hip noun to describe it."

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Chris Thile & Brad Mehldau [cover]
  • Friday, January 27, 2017
    Mandolinist/Singer Chris Thile and Pianist Brad Mehldau Debut Duo Album Out Now

    Chris Thile & Brad Mehldau, the debut duo album from Nonesuch Records labelmates mandolinist/singer Chris Thile and pianist Brad Mehldau, is out now. The album, a mix of covers and original songs on two CDs / LPs, is available on iTunes, Amazon, and the Nonesuch Store, where vinyl and CD orders include a download of the complete album at checkout. It can also be heard on Spotify and Apple Music.

    The longtime admirers of each other's work first toured as a duo in 2013. At the end of 2015, they played a two-night stand at New York City's Bowery Ballroom before going into the studio to record the album. You can watch a live performance of the album's opening track, "The Old Shade Tree," penned by Mehldau and Thile, from the Bowery Ballroom concerts, directed by Alex Chaloff, below. The video premiered via NPR Music yesterday. You can watch performances of the album tracks "Independence Day" (Elliott Smith) and "Scarlet Town" (David Rawlings & Gillian Welch) at the bottom of the page.

    The Irish Times give Chris Thile & Brad Mehldau a perfect five stars. "This meeting of two masters of their respective realms is a spine-tingling triumph—a honky, gutsy, jaunty, darkly witty new musical alloy that is suitably strange yet strangely familiar," raves reviewer Cormac Larkin. "It takes more than virtuosity to make music send shivers down your spine. You need generosity and vision, impeccable taste and a willingness to take risks. Still, the fact that Thile and Mehldau are as fine a pair of instrumentalists as you’ll hear anywhere doesn’t hurt a bit."

    "The album is remarkable for its unusual balance of timbres," says the Guardian, which spoke with Thile about working with Mehldau on the album, calling it "a diverse blend of original compositions, 1940s standards and contemporary chapters of Americana." The Guardian gives the album four stars, with reviewer John Fordham saying: "Two very different musicians hit a remarkable rapport on this double album."

    It earns four stars in BBC Music Magazine, whose Garry Booth says "the vivid dynamic really puts a bright face on this mix of original and old song covers from across the jazz, folk and country spectrum."

    "Chris Thile and Brad Mehldau come from different worlds but the same species," says the New York Times. Mr. Thile "is a progressive-bluegrass pacesetter; Mr. Mehldau is the most influential jazz pianist of the last 20 years. Both are team players ... Both love Bach and the Beatles, and both have developed fan bases bigger and broader (and younger) than their genre silos can accommodate."

    The two musicians first performed together in September 2011 as part of Mehldau's residency at London's Wigmore Hall. The Guardian said of that performance, "Mehldau struck up his signature rocking chord vamp over which lightly struck motifs swell to sensuous extended melodies. Thile kept cajoling him with percussive snaps, flying runs, and chords strummed fast enough to sound as seamless as a purring strings section, inducing Mehldau … to bat back the playful provocation with stinging rejoinders."

    MacArthur Fellow and A Prairie Home Companion host Chris Thile is the founding member of Punch Brothers, which a Boston Globe reviewer called "the tightest, most impressive live band I have ever seen." The band has released four albums on Nonesuch beginning in 2008: Punch, Antifogmatic, Who's Feeling Young Now?, and The Phosphorescent Blues. Thile's other releases on the label include Sleep with One Eye Open with Michael Daves; Edgar Meyer & Chris Thile and Bass & Mandolin—the latter of which won a Grammy Award; a solo record of Bach violin sonatas and partitas; and A Dotted Line with his longtime band Nickel Creek. He also recently collaborated with Yo-Yo Ma, Stuart Duncan, and Edgar Meyer on the double Grammy Award–winning album The Goat Rodeo Sessions.

    Brad Mehldau's Nonesuch debut was the 2004 solo disc Live in Tokyo and includes six records with his trio: House on Hill, Day Is Done, Brad Mehldau Trio Live, Ode, Where Do You Start, and Blues and Ballads. His collaborative records on the label include Love Sublime, Highway Rider, Metheny Mehldau, Metheny Mehldau Quartet, Modern Music, and Mehliana: Taming the Dragon. Mehldau's additional solo albums on Nonesuch include Live in Marciac and last year's 8-LP/4-CD 10 Years Solo Live, which the New York Times says "contains some of the most impressive pianism he has captured on record." Earlier this year, he released a duo album with Joshua Redman, Nearness, of which the Wall Street Journal said: "Few records released this year better define what jazz sounds like today, even if there isn't a hip noun to describe it."

    Journal Articles:Album ReleaseArtist News

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