The New Yorker: Timothy Andres's "Shy and Mighty" "Achieves an Unhurried Grandeur" Rarely Felt Since John Adams
The recent Louis Andriessen-curated concerts at Carnegie Hall show the composer to have "an undiminished capacity for making mischief," says The New Yorker's Alex Ross. Ross looks at other contemporary composers creating outside "a stylistic party line," and calls Timothy Andres’s forthcoming Nonesuch debut, Shy and Mighty, "the kind of sprawling, brazen work that a young composer should write," achieving "an unhurried grandeur that has rarely been felt in American music since John Adams came on the scene."
In the latest issue of The New Yorker, in an article titled "Brazen," the magazine's classical music critic Alex Ross takes a look at the array of concerts presented by Carnegie Hall earlier this month that were curated by Louis Andriessen, "the most influential of Dutch composers," in his role as the Hall's Richard and Barbara Debs Composer’s Chair this season. These concerts, says Ross, showed that the composer has "an undiminished capacity for making mischief ... His pantheon of idols has Bach and Stravinsky at the center, but also makes room for Count Basie, Charlie Parker, and the Motown greats. At the age of seventy, he remains a bit of a badass."
Andriessen's own compositional and curatorial brazenness led Ross to examine the work of other contemporary composers willing to create independent of "a stylistic party line," who "have extended Andriessen’s governing idea that classical composition is not a distinct language but, rather, a musical matrix, able to subsume any sound."
Ross closes the piece with a look at 24-year-old composer Timothy Andres’s forthcoming Nonesuch debut album, the first recording of the piece Shy and Mighty, due out May 18. "Shy and Mighty is the kind of sprawling, brazen work that a young composer should write," Ross asserts. "For long stretches," he says, "the music achieves an unhurried grandeur that has rarely been felt in American music since John Adams came on the scene. The language is essentially Romantic, but progressions such as you might find in Chopin and Brahms are slowed down and elongated ... Nothing is harder for a young composer than to find an individual voice. Andres is on his way: more mighty than shy, he sounds like himself."
Read the complete article in the current issue of The New Yorker or online at newyorker.com.
Shy and Mighty is now available for pre-order in the Nonesuch Store, where you'll find Louis Andriessen's complete Nonesuch catalog as well.
Thursday, February 23, 2017Thursday, February 23, 2017
Lake Street Dive was the guest on PBS's Charlie Rose on Tuesday. The quartet spoke with guest host Anthony Mason about how they formed the band, the trust and chemistry within the group, philosophies of success and artistic integrity, and more. They also perform their song “Rental Love” and offer their take on Prince’s “When You Were Mine.” You can watch it here.
Tuesday, February 21, 2017Tuesday, February 21, 2017
Conor Oberst has shared the music video for "Till St. Dymphna Kicks Us Out," from his forthcoming album, Salutations. The video, directed by Greg Marinaccio, was filmed at the very same bar in Manhattan's East Village that inspired the song. You can watch it here and download the track (and three others) now when you pre-order Salutations. Oberst, with The Felice Brothers as his backing band, will tour in support of Salutations beginning March 9 in his hometown of Omaha, including several just-announced new dates.