Earlier this month, Youssou N'Dour performed at The Kennedy Center in Washington, DC, as part of the Africa Rising festival, along with John Legend and Jay-Z. Rolling Stone called his "a stirring performance," and the Washington Post says he "turned in the festival's most riveting performance, a 25-minute set filled with deeply soulful vocals sung in multiple languages over insistent, syncopated African rhythmic patterns and the night's funkiest drum breaks."

Orchestra Baobab are currently touring the States with songs from their latest release, Made in Dakar, stopping at the Bonnaroo Festival in Tennessee this past weekend to perform a set that PopMatters calls "the gem of the festival." Tonight they're in Western Massachusetts to play Northampton's Pearl Street Nightclub and head further east at the end of the week for a set at the Somerville Theater, outside Boston, on Saturday. The Boston Globe's Andrew Gilbert says the band is "sounding more soulful than ever" on the new album.

With Orchestra Baobab's new album, Made in Dakar, due out on Tuesday, the group's co-founder Barthélemy Attisso spoke with Time Out New York about the new album, the forthcoming tour, and the joys of bringing their music to the rest of the world. Time Out's K. Leander Williams writes that Attisso has "been singled out as one of the most distinctive guitarist-arrangers the African continent has produced." In 2002, that singular sound met with another iconic musical ambassador when Youssou N'Dour produced what Williams calls the group's "triumphant reunion album," Specialist in All Styles. N'Dour's guest vocals on the new album leads to the "gorgeous update" of the band's classic song "Nijaay" and proves another example of the band's effort to showcase as many of their musical interests as possible.

Youssou N'Dour was in Washington, DC, last Friday for a meeting at the White House with President Bush in honor of Malaria Awareness Day. Reuters reports that the two discussed the recent rise in the cost of food around the world and the resulting political instability, both of which have made the world's poorest all the more susceptible to malaria-causing conditions. Youssou is working to raise both awareness and the funds to eradicate the disease in part through such simple, cheap, and highly effective means as mosquito netting. Following his meetings in Washington during the day, Youssou made his way to New York City for an intimate benefit concert at Joe's Pub Friday night. 

Youssou N'Dour was in London this week to perform with his Super Etoile band at Indig02, and The Independent gives the show four stars. The paper sees Youssou's latest Nonesuch release, Rokku Mi Rokka (Give and Take), as "the weave of percussion, bass lines and quicksilver guitars with N'Dour's extraordinary voice that stands out. His singing is a rhythmic device as much as an emotional force."

Youssou N'Dour, in advance of his upcoming show in London, spoke with The Independent, which calls the singer's latest Nonesuch release, Rokku Mi Rokka, "an infectious, highly rhythmic delight, his voice permeating everything like a snake in a hurry. As ever, he sings almost exclusively in Wolof, but for those of us not fluent in the language, its emotion shines through." Youssou will be among the performers at KCRW's World Festival at the Hollywood Bowl.

In an effort to expand the musical palate of Vampire Weekend fans newly taken to the sounds of Afro-pop, which the band references in its work, the Los Angeles Times offers some "relatively recent gems" from Africa's diverse musical offerings. Included is Amadou & Mariam's Manu Chao-produced album Dimanche à Bamako, which the Times' Ann Powers says "ranks as one of the sunniest musical outings released this century." She writes: "Some tracks boogie like classic rock, others roll along on those gloriously languorous Malian rhythms, some flirt with hip-hop. Every one will make you jump up and dance."

KEXP, 90.3, Seattle, has posted the Top Ten lists from its Specialty Shows DJs. Youssou N'Dour's Rokku Mi Rokka (Give and Take) was among the year's favorites of Jon Kertzer, the station's expert on African and Afro-Caribbean music. Caetano Veloso's Cê and Ibrahim Ferrer's Mi Sueño are on the list from Darek Mazzone, whose show covers Modern Global Music.

Youssou N'Dour's Rokku Mi Rokka (Give and Take) has made the Best of 2007 list from Siddhartha Mitter, a Boston Globe contributor and a reporter for WNYC, New York Public Radio.

Giving Youssou N'Dour's Rokku Mi Rokka (Give and Take) four out of four stars and naming it the CD pick of the week, the Toronto Star says the new album is "another breakthrough" following Youssou's string of groundbreaking records with Nothing's in Vain and Egypt. Writes the Star's John Goddard, Rokku Mi Rokka features "rich, instrumental textures and soaring melodies" and should bring Youssou the "smash, crossover success" he deserves.

The Los Angeles Times has revealed its pop music critics' lists of their favorites for the year. On staff writer Dan Heckman's list for the best in jazz is Joshua Redman's Back East and for the best in world music, Youssou N'Dour's Rokku Mi Rokka (Give and Take). Heckman calls Redman "one of the rare under-40 musicians who are making waves" and says the new album showcases "his ability to star in the difficult saxophone-bass-drums instrumental format." And with Youssou's new record, "The irresistible appeal of N'Dour's emotion-laden voice and irresistibly body-moving music has reached well beyond the arena of African music"