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  • June 15, 2018

    London-based singer, songwriter, and multi-instrumentalist Olivia Chaney, following a long period of life on the road, returned to a family retreat, a rustic, 18th-century cottage in the hills of the North Yorkshire Moors, to write the songs of Shelter. Produced by Thomas Bartlett, the album features eight original songs, plus Chaney's interpretations of Purcell's "O Solitude" and Frank Harford and Tex Ritter's "Long Time Gone," first recorded by the Everly Brothers. "An elegant, luminous album," exclaims the Observer. Uncut calls it "transcendent."

  • Rostam's Half-Light Remixes: EP 1 includes reimagined versions of four tracks from his 2017 debut album, Half-Light, from Tourist, Jim-E Stack, Instupendo, and Matsor Projects. The New Yorker called Half-Light "a wondrous album, full of coy dreams and quiet yearning," and the Daily Beast declared it "one of the more extraordinary albums of the year."

  • Joshua Redman is joined by drummer Brian Blade, bassist Scott Colley, and cornetist Ron Miles for Still Dreaming, an album inspired by his father Dewey Redman's band Old and New Dreams. That band had an all-star lineup of Ornette Coleman collaborators: Don Cherry, Charlie Haden, and Ed Blackwell. Still Dreaming features six new compositions by the new band plus one tune by Haden, one by Coleman. "Consistently riveting," says the Washington Post. Grammy Award Nominee: Best Jazz Instrumental Album.

  • Peter Pears: Balinese Ceremonial Music is nine songs written by Thomas Bartlett (aka Doveman) and Nico Muhly plus three gamelan transcriptions by ethnomusicologist Colin McPhee, which inspired the new songs. Bartlett and Muhly play pianos and keyboards on the album, and Bartlett sings, joined by other musicians on strings and metallic pitched percussion. McPhee recorded a suite of Balinese ceremonial music with Benjamin Britten in 1941. Muhly says: "The project is named after Peter Pears, who was Britten's partner and also an observer and collaborator of a larger community of musicians, writers, and thinkers."

  • On Seymour Reads the Constitution!, Brad Mehldau Trio performs three Mehldau originals combined with interpretations of pop songs (Paul McCartney, Brian Wilson), jazz tunes (Elmo Hope, Sam Rivers), and the American songbook (Frederick Loewe). "This is sumptuous, collective improvisation of the highest order," exclaims The Arts Desk. "It's so good, it sounds effortless ... Gorgeous." Grammy Award Nominee: Best Jazz Instrumental Album, Best Improvised Jazz Solo.

  • Lake Street Dive's Free Yourself Up is, in many ways, the band's most intimate and collaborative record. The band worked as a tightly knit unit to craft the ten songs on Free Yourself Up and self-produced the album in Nashville with engineer Dan Knobler. "Free Yourself Up is about empowering yourself, emboldening yourself," says the band, "no matter what's going wrong."

  • A limited number of Fleet Foxes' "Crack-Up" (Choral Version) / "In the Morning" (Live in Switzerland) vinyl 7" single, first released for Record Store Day 2018, is now available in the Nonesuch Store, and is also available digitally. It features a special recording of the title track to their 2017 album Crack-Up, performed with the Icelandic women's choir Graduale Nobili, at Harpa Concert Hall in Reykjavik, and an intimate version of "In the Morning" recorded live at the 2017 Montreux Jazz Festival in Switzerland.

  • April 27, 2018

    This recording of John Adams's Grawemeyer Award–winning Violin Concerto was made with his frequent collaborators violinist Leila Josefowicz, conductor David Robertson, and the St. Louis Symphony Orchestra at Powell Symphony Hall in St. Louis in 2016. The piece features Adams's usual "intelligence, craftsmanship, and quirkiness," says the Boston Globe, and "mingles virtuoso show with soul." 

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