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  • Buena Vista Social Club’s Lost and Found is a collection of previously unreleased tracks from the Buena Vista all-star cast of Ibrahim Ferrer, Rubén González, Cachaíto López, Guajiro Mirabal, Eliades Ochoa, Omara Portuondo, and Compay Segundo—some recorded during the original album’s sessions in Havana, others from the years that followed. The studio tracks were recorded at the 1996 Egrem studio sessions in Havana and during a period of rich and prolific creativity stretching into the early 2000s. Lost and Found also features live recordings from the world tours of Buena Vista’s legendary veterans. Pre-orders include an instant download of the album track "Macusa."

  • Buena Vista Social Club’s Lost and Found is a collection of previously unreleased tracks from the Buena Vista all-star cast of Ibrahim Ferrer, Rubén González, Cachaíto López, Guajiro Mirabal, Eliades Ochoa, Omara Portuondo, and Compay Segundo—some recorded during the original album’s sessions in Havana, others from the years that followed. The studio tracks were recorded at the 1996 Egrem studio sessions in Havana and during a period of rich and prolific creativity stretching into the early 2000s. Lost and Found also features live recordings from the world tours of Buena Vista’s legendary veterans. Pre-orders include an instant download of the album track "Macusa."

  • The recordings made by Abelardo Barroso with Orquesta Sensación in Havana during the 1950s represent one of the pinnacles of the golden age of Cuban music. On Cha Cha Cha, World Circuit, the label behind Buena Vista Social Club, releases a re-mastered selection of 14 of their most irresistible recordings from one of Cuba's all-time great singers. The Guardian gives Cha Cha Cha four stars, calling it both "another reminder of Cuba’s extraordinary musical history" and "almost uncannily contemporary."

  • This five-track digital EP features music from the recording sessions for the album Toumani & Sidiki, a rare father-and-son collaboration between kora master Toumani Diabaté and his son Sidiki, the instrument’s emerging star. The EP extends the collection and explores further what happens "when two geniuses bridge generations" (Los Angeles Times).

  • Toumani Diabaté, widely recognized as the greatest living kora player, and his eldest son Sidiki, release the recording Toumani & Sidiki on World Circuit. The album is a set of unaccompanied kora duets, featuring both obscure, almost forgotten kora pieces and a new look at some Mandé classics from Mali. The Evening Standard calls it "a rare treat, one of the albums of the year." The Guardian calls it "the finest Toumani collaboration since his classic work with Ali Farka Touré ... gently exquisite."

  • On her debut album, singer/songwriter Fatoumata Diawara—whom the Telegraph calls “the most beguiling talent to hit the world music scene in some time” and Mojo calls a "spell-weaving new voice"—uses elements of jazz, pop, and funk along with her ancestral Wassoulou tradition. John Paul Jones, Toumani Diabate, and Tony Allen all make guest appearances. Uncut gives Fatou four stars; Pitchfork calls it "beguiling." The Washington Post says "her well-crafted songs are quietly powerful."

  • Inspired by Wassoulou tradition, jazz, and blues, Fatoumata Diawara has created her own unique contemporary folk sound, giving a distinctly African spin to the concept of the female singer-songwriter. "Like her mentor [Oumou] Sangaré," says the Financial Times, "Diawara combines feminist social conscience with effortless melodic charm." The Daily Telegraph calls her "the most beguiling talent to hit the world music scene in some time." Kanou, her debut EP, is available digitally and includes four tracks plus the video for the song "Bissa."

  • On Jamm, which means “peace” in Wolof, Lô’s mbalax rhythms and signature blend of semi-acoustic flavors—West and Central African, funk, Cuban, flamenco—support his husky vocals, sung in four different languages, with help from his regular band, along with Tony Allen on drums and Pee Wee Ellis on sax. The Guardian says, “Cheikh Lô is back with an album that reconfirms his position as one of the finest, one of the most soulful singers in West Africa.” In a four-star review, Q calls it “true global music to make anyone feel better.”

  • AfroCubism is the long-awaited collaboration between Cuban and Malian musicians meant to take place when the Buena Vista Social Club was born, a "collaboration well worth the wait," says The New Yorker. The New York Times describes it as "a rich yet subtle fusion of African and Cuban sounds." The Guardian calls it "an elegant, gently exquisite album"; the Observer says it's "a delight." Includes the exclusive Nonesuch Store bonus track "Keme Bourama."

  • For fans of hip-hop, funk, and jazz, Tony Allen, holder of the Afrobeat flame following the death of pioneer Fela Kuti, is revered as the genre's leading living figure. NPR exclaims: "Tony Allen is easily one of the most gifted and influential percussionists of all time." Secret Agent, finds him "continuing his late career high," says Pitchfork, "never more confident." 

  • The second and last album pairing guitar virtuoso Ali Farka Touré and kora master Toumani Diabaté, Ali and Toumani won the Grammy Award for Best Traditional World Music Album. Recorded in 2005, with contributions from Cachaíto López on bass, the album is the successor to the Grammy-winning In the Heart of the Moon and is the last recorded by both Touré and López. Pitchfork says it's "uncommonly beautiful." NPR calls it "breathtaking."

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