Leonardo da Vinci (Original Score)

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The original score for Ken Burns’s two-part documentary LEONARDO da VINCI, with new compositions by Caroline Shaw, features performances by the composer’s longtime collaborators Attacca Quartet, Sō Percussion, and Roomful of Teeth as well as John Patitucci. Shaw wrote and recorded new music for LEONARDO da VINCI, marking the first time a Ken Burns film has featured an entirely original score. The film is directed by Ken Burns, Sarah Burns, and David McMahon, who says: “Caroline’s existing body of music—joyful, daring, at times transcendent, and wholly unique—seemed to speak directly to Leonardo, a seeking soul who, 500 years after his death, can come across as strikingly modern ... The music Caroline created is dynamic, enthralling and filled with wonder."

Description

The original score for Ken Burns’s new two-part documentary, LEONARDO da VINCI, with new compositions by Caroline Shaw, was released via Nonesuch Records on October 25, 2024; the documentary airs on November 18 and 19 at 8pm ET (check local listings) on PBS, PBS.org, and the PBS App. The album features performances by the composer’s longtime collaborators Attacca Quartet, Sō Percussion, and Roomful of Teeth as well as John Patitucci. Shaw wrote and recorded new music for LEONARDO da VINCI, marking the first time a Ken Burns film has featured an entirely original score. 

LEONARDO da VINCI is directed by Ken Burns, Sarah Burns, and David McMahon. The film, which explores the life and work of the fifteenth century polymath LEONARDO da VINCI, is Burns’s first non-American subject. It also marks a significant change in the team’s filmmaking style, which includes using split screens with images, video, and sound from different periods to further contextualize Leonardo’s art and scientific explorations. LEONARDO da VINCI looks at how the artist influenced and inspired future generations, and it finds in his soaring imagination and profound intellect the foundation for a conversation we are still having today: what is our relationship with nature and what does it mean to be human?

“No single person can speak to our collective effort to understand the world and ourselves,” said Ken Burns. “But Leonardo had a unique genius for inquiry, aided by his extraordinary skills as an artist and scientist, that helps us better understand the natural world that we are part of and to appreciate more fully what it means to be alive and human.”

“To help give depth and dimension to Leonardo’s inner life, and to carry our viewers on his personal journey, we enlisted the composer Caroline Shaw,” McMahon says in the album’s liner note. “Caroline’s existing body of music—joyful, daring, at times transcendent, and wholly unique—seemed to speak directly to Leonardo, a seeking soul who, 500 years after his death, can come across as strikingly modern. A fully original score, we believed, would add crucial connective tissue to areas where the record of Leonardo’s life is thin and it’s possible to briefly lose his trail. The music Caroline created is dynamic, enthralling and filled with wonder.

“This soundtrack is a testament to the inspired efforts of Jennifer Dunnington, who marshaled it into being, the brilliant musicians and vocalists who, with the help of Alex Venguer, Neal Shaw, Colton Dodd and Tim Marchiafava, made it soar, and most of all Caroline Shaw, who might be Leonardo’s soulmate from across time,” he continues. “With her help, the Leonardo who emerges is no wizard shrouded in mystery, but a prideful, obsessive, at times lonely or flustered, occasionally ecstatic, and, in the end, content man who is in ways both modern and thoroughly of his time.”

“As we set out to explore Leonardo’s life, we realized that while he was very much a man of his time, he was also interested in something more universal,” said Sarah Burns. “Leonardo was uniquely focused on finding connections throughout nature, something that strikes us as very modern today, but which of course has a long history.”

Caroline Shaw is a musician who moves among roles, genres, and mediums, trying to imagine a world of sound that has never been heard before but has always existed. She is the recipient of the 2013 Pulitzer Prize in Music, several Grammy awards, an honorary doctorate from Yale, and a Thomas J. Watson Fellowship. She has worked with a range of artists including Rosalía, Renée Fleming, and Yo-Yo Ma, and she has contributed music to films and TV series including Fleishman Is in Trouble, Bombshell, Yellowjackets, Maid, Dark, and Beyoncé’s Homecoming. In addition to three albums with Sō Percussion, Narrow Sea, Let the Soil Play Its Simple Part, and Rectangles and Circumstance, Nonesuch has released her two Grammy-winning albums Orange and Evergreen, both of which feature Attacca Quartet. “Two-Step” and “Ghost,” Shaw’s songs with Ringdown, her duo with Danni Lee Parpan, are available now on Nonesuch. Caroline Shaw is Wigmore Hall’s 2024-25 Composer in Residence.

ProductionCredits

PRODUCTION CREDITS
Score Produced by Jennifer Dunnington and Caroline Shaw
Soundtrack Producers: Jennifer Dunnington, David McMahon, Caroline Shaw
Music Supervisor: Jennifer Dunnington
Music Orchestrated by Caroline Shaw and Colton Dodd
Music Contractor: Sandra Park
Recording Engineer: Alex Venguer
Recorded at Power Station Studios in New York City (December 2023, February and March 2024), Hyde Street Studios in San Francisco and EastWest Studios in Los Angeles (January 2024)
Recordist: Neal Shaw
Assistant Recordists: Henry Reinach (Power Station), Eric Glauser (Hyde Street), Chaz Sexton (EastWest)
Music Editors: Jennifer Dunnington, Tim Marchiafava, Neal Shaw
Mixed by Alex Venguer at Renaissance Recording in New York City and Ootermind Studio in Brooklyn, NY
Mastered by Oscar Zambrano at Zampol Productions in New York City
Assistant Mastering Engineer: Piotr Garbaczonek
Mastered for vinyl by Scott Hull and Garrett Robinson at Masterdisk Studios in Peekskill, NY

Cover © 2024 Public Broadcasting Service
Album Design by Maya Bouvier-Lyons
Production Supervision: Karina Beznicki
Back Cover: A map of Imola - Royal Collection Trust / © His Majesty King Charles III, 2024 / Bridgeman Images
Inner Gatefold: The Annunciation - Le Gallerie degli Uffizi

Album Status
Artist Name
Caroline Shaw
Ken Burns
MusicianDetails

MUSICIANS
Original Score by Caroline Shaw

Performed by:
Attacca Quartet (1-8, 10-20, 22-28)
Amy Schroeder, violin
Domenic Salerni, violin
Nathan Schram, viola
Caleb Burhans, viola
Andrew Yee, cello

Sō Percussion (1, 3-8, 11-16, 18, 19, 21-28)
Eric Cha-Beach
Josh Quillen
Adam Sliwinski
Jason Treuting

Roomful of Teeth (1, 3, 5, 7, 9, 12, 14, 16, 19, 21, 24, 26, 28)
Cameron Beauchamp
Steven Bradshaw
Mingjia Chen
Martha Cluver
Estelí Gomez
Virginia Warnken Kelsey
Raquel Osavito Klein
Jodie Landau
Thann Scoggin
Caroline Shaw

John Patitucci, bass (1-3, 5, 8, 11-17, 19, 25-28)

reissues?
new-release
Cover Art
UPC/Price
Label
2LP+MP3
Price
30.00
UPC
075597898460
Label
CD+MP3
Price
14.00
UPC
075597898477
Label
48/24 HD FLAC
Price
12.00
UPC
075597898439
Label
MP3
Price
11.00
UPC
075597898422

News & Reviews

  • Congratulations to all of the Nonesuch nominees for the 67th Grammy Awards: The Black Keys for Best Rock Performance and Best Rock Song for "Beautiful People (Stay High)," from Ohio Players; Ambrose Akinmusire's Owl Song for Best Jazz Instrumental Album; John Adams's Girls of the Golden West for Best Opera Recording and Best Engineered Album, Classical; Timo Andres's The Blind Banister for Best Engineered Album, Classical; and Caroline Shaw and Sō Percussion's Rectangles and Circumstance for Best Chamber Music / Small Ensemble Performance.

  • "There's a kind of dynamism and movement to it that's just exquisite," Ken Burns says of Leonardo da Vinci's work. "He could feel, I think quite rightfully, that he had lived a fuller life than practically anybody I've ever come across in my study in any period." Burns was on CBS Sunday Morning with his co-directors, Sarah Burns and David McMahon, to talk with correspondent David Pogue about their new two-part documentary, LEONARDO da VINCI, which airs on PBS November 18 and 19 and for which Caroline Shaw wrote an original score. You can watch the piece here.

  • About This Album

    The original score for Ken Burns’s new two-part documentary, LEONARDO da VINCI, with new compositions by Caroline Shaw, was released via Nonesuch Records on October 25, 2024; the documentary airs on November 18 and 19 at 8pm ET (check local listings) on PBS, PBS.org, and the PBS App. The album features performances by the composer’s longtime collaborators Attacca Quartet, Sō Percussion, and Roomful of Teeth as well as John Patitucci. Shaw wrote and recorded new music for LEONARDO da VINCI, marking the first time a Ken Burns film has featured an entirely original score. 

    LEONARDO da VINCI is directed by Ken Burns, Sarah Burns, and David McMahon. The film, which explores the life and work of the fifteenth century polymath LEONARDO da VINCI, is Burns’s first non-American subject. It also marks a significant change in the team’s filmmaking style, which includes using split screens with images, video, and sound from different periods to further contextualize Leonardo’s art and scientific explorations. LEONARDO da VINCI looks at how the artist influenced and inspired future generations, and it finds in his soaring imagination and profound intellect the foundation for a conversation we are still having today: what is our relationship with nature and what does it mean to be human?

    “No single person can speak to our collective effort to understand the world and ourselves,” said Ken Burns. “But Leonardo had a unique genius for inquiry, aided by his extraordinary skills as an artist and scientist, that helps us better understand the natural world that we are part of and to appreciate more fully what it means to be alive and human.”

    “To help give depth and dimension to Leonardo’s inner life, and to carry our viewers on his personal journey, we enlisted the composer Caroline Shaw,” McMahon says in the album’s liner note. “Caroline’s existing body of music—joyful, daring, at times transcendent, and wholly unique—seemed to speak directly to Leonardo, a seeking soul who, 500 years after his death, can come across as strikingly modern. A fully original score, we believed, would add crucial connective tissue to areas where the record of Leonardo’s life is thin and it’s possible to briefly lose his trail. The music Caroline created is dynamic, enthralling and filled with wonder.

    “This soundtrack is a testament to the inspired efforts of Jennifer Dunnington, who marshaled it into being, the brilliant musicians and vocalists who, with the help of Alex Venguer, Neal Shaw, Colton Dodd and Tim Marchiafava, made it soar, and most of all Caroline Shaw, who might be Leonardo’s soulmate from across time,” he continues. “With her help, the Leonardo who emerges is no wizard shrouded in mystery, but a prideful, obsessive, at times lonely or flustered, occasionally ecstatic, and, in the end, content man who is in ways both modern and thoroughly of his time.”

    “As we set out to explore Leonardo’s life, we realized that while he was very much a man of his time, he was also interested in something more universal,” said Sarah Burns. “Leonardo was uniquely focused on finding connections throughout nature, something that strikes us as very modern today, but which of course has a long history.”

    Caroline Shaw is a musician who moves among roles, genres, and mediums, trying to imagine a world of sound that has never been heard before but has always existed. She is the recipient of the 2013 Pulitzer Prize in Music, several Grammy awards, an honorary doctorate from Yale, and a Thomas J. Watson Fellowship. She has worked with a range of artists including Rosalía, Renée Fleming, and Yo-Yo Ma, and she has contributed music to films and TV series including Fleishman Is in Trouble, Bombshell, Yellowjackets, Maid, Dark, and Beyoncé’s Homecoming. In addition to three albums with Sō Percussion, Narrow Sea, Let the Soil Play Its Simple Part, and Rectangles and Circumstance, Nonesuch has released her two Grammy-winning albums Orange and Evergreen, both of which feature Attacca Quartet. “Two-Step” and “Ghost,” Shaw’s songs with Ringdown, her duo with Danni Lee Parpan, are available now on Nonesuch. Caroline Shaw is Wigmore Hall’s 2024-25 Composer in Residence.

    Credits

    MUSICIANS
    Original Score by Caroline Shaw

    Performed by:
    Attacca Quartet (1-8, 10-20, 22-28)
    Amy Schroeder, violin
    Domenic Salerni, violin
    Nathan Schram, viola
    Caleb Burhans, viola
    Andrew Yee, cello

    Sō Percussion (1, 3-8, 11-16, 18, 19, 21-28)
    Eric Cha-Beach
    Josh Quillen
    Adam Sliwinski
    Jason Treuting

    Roomful of Teeth (1, 3, 5, 7, 9, 12, 14, 16, 19, 21, 24, 26, 28)
    Cameron Beauchamp
    Steven Bradshaw
    Mingjia Chen
    Martha Cluver
    Estelí Gomez
    Virginia Warnken Kelsey
    Raquel Osavito Klein
    Jodie Landau
    Thann Scoggin
    Caroline Shaw

    John Patitucci, bass (1-3, 5, 8, 11-17, 19, 25-28)

    PRODUCTION CREDITS
    Score Produced by Jennifer Dunnington and Caroline Shaw
    Soundtrack Producers: Jennifer Dunnington, David McMahon, Caroline Shaw
    Music Supervisor: Jennifer Dunnington
    Music Orchestrated by Caroline Shaw and Colton Dodd
    Music Contractor: Sandra Park
    Recording Engineer: Alex Venguer
    Recorded at Power Station Studios in New York City (December 2023, February and March 2024), Hyde Street Studios in San Francisco and EastWest Studios in Los Angeles (January 2024)
    Recordist: Neal Shaw
    Assistant Recordists: Henry Reinach (Power Station), Eric Glauser (Hyde Street), Chaz Sexton (EastWest)
    Music Editors: Jennifer Dunnington, Tim Marchiafava, Neal Shaw
    Mixed by Alex Venguer at Renaissance Recording in New York City and Ootermind Studio in Brooklyn, NY
    Mastered by Oscar Zambrano at Zampol Productions in New York City
    Assistant Mastering Engineer: Piotr Garbaczonek
    Mastered for vinyl by Scott Hull and Garrett Robinson at Masterdisk Studios in Peekskill, NY

    Cover © 2024 Public Broadcasting Service
    Album Design by Maya Bouvier-Lyons
    Production Supervision: Karina Beznicki
    Back Cover: A map of Imola - Royal Collection Trust / © His Majesty King Charles III, 2024 / Bridgeman Images
    Inner Gatefold: The Annunciation - Le Gallerie degli Uffizi