Skip directly to content

LIFE ON EARTH + Autographed Print

Track Listing

News & Reviews

  • Hurray for the Riff Raff (aka Alynda Segarra) has released “JUPITER'S DANCE,” a new song from their upcoming Nonesuch debut album, LIFE ON EARTH, due February 18. Segarra says it's "a song in the shape of a guardian angel. Protection prayer for us all as we live in uncertain and violent times. Manifesting blessings into reality. Posing the question that perhaps the future could be joyous as well as terrifying?” The video, directed by Segarra, is a collection of historical footage of the Bomba and Plena traditions in Puerto Rico, clips Segarra shot on a hand-held camcorder during lockdown, recording studio footage captured by Joshua Shoemaker, and visuals of outer space from NASA. You can watch it here.

  • LIFE ON EARTH, the Nonesuch debut of Hurray for the Riff Raff (aka Alynda Segarra), due February 18, is a departure for the Bronx-born, New Orleans-based singer/songwriter. Its eleven new "nature punk" tracks on the theme of survival are music for a world in flux—songs about thriving, not just surviving, while disaster is happening. The album was recorded during the pandemic with producer Brad Cook (Waxahatchee, Bon Iver, Kevin Morby). While making it, Segarra drew inspiration from The Clash, Beverly Glenn-Copeland, Bad Bunny, and the author of Emergent Strategy, adrienne maree brown. "A major step forward for one of today's most vital artists," exclaims Uncut. "The first great album of 2022." Pre-order to download the track "RHODODENDRON" now—you can watch the video here—and get a limited-edition print autographed by Segarra, while they last. Hurray for the Riff Raff tours North America this spring; international dates coming soon.

  • About This Album

    The Nonesuch debut of Hurray for the Riff Raff (aka Alynda Segarra), LIFE ON EARTH, out February 18, 2022, is a departure for the Bronx-born, New Orleans-based singer/songwriter. Its eleven new “nature punk” tracks on the theme of survival are music for a world in flux—songs about thriving, not just surviving, while disaster is happening. Nonesuch Store pre-orders include a limited-edition signed print while they last.

    For her eighth full-length album, Segarra (they/she) drew inspiration from The Clash, Beverly Glenn-Copeland, Bad Bunny, and the author of Emergent Strategy, adrienne maree brown. Recorded during the pandemic, Life on Earth was produced by Brad Cook (Waxahatchee, Bon Iver, Kevin Morby).

    Life on Earth’s first single, “RHODODENDRON,” out today, is about “finding rebellion in plant life. Being called by the natural world and seeing the life that surrounds you in a way you never have. A mind expansion. A psychedelic trip. A spiritual breakthrough. Learning to adapt, and being open to the wisdom of your landscape. Being called to fix things in your own backyard, your own community,” says Segarra.

    Of the “Rhododendron” video, which was directed by New Orleans-based artist Lucia Honey, Segarra says: “It is really far out and fun. I got this bodysuit that just looks like the inside of the human body. It looks like you’re skinless. It’s in a scene where I’m playing to an audience of plants. Just really absurd, but I put that suit on and I was like man, this feels really good. It feels like, ‘This is who I am. Let’s just take the skin off.’

    “It reminds me a little bit of Kids in the Hall,” they continue. “With this ‘Rhododendron’ shoot, something clicked in me where I was like, ‘All I have to do is be myself.’ I had been thinking that I had to be something bigger than myself. I felt like I was just never quite making the mark and then something clicked where I was like, ‘I just gotta be me. I could do that. I could show up and be me. And if people don’t like it, then I don’t know what to fucking tell them.’ It was like a brain shift of, ‘Oh, this can be fun. It doesn’t have to be suffering.’ With so many videos and photo shoots before, it really felt like suffering. I felt so uncomfortable being perceived. I didn’t know who I was.”

    Honey adds: “We wanted to create something surreal, playful, and saturated that indulged heavily in the aesthetic of the early ‘90s. Alynda and I had many overlapping visual and philosophical references which sparked the initial collaboration. We wanted to make this video an homage to Gregg Araki’s Teenage Apocalypse trilogy but as a nature documentary crossover. I came across Araki’s work as a queer teenager, and he’s always been a big inspiration. Sex, blood, punk rock, camp, etc.

    “We live in a moment where the future is bleaker and more unknown than ever, so there becomes a deep comfort in nostalgia and reliving the past. Through our talks, I realized Alynda’s new album touches on many of these same subjects, but perhaps in reverse; running from a past that is always haunting you. Shifting into a more refined self/identity through confronting one’s trauma and baggage. It was easy to reach collaborative synergy for this video project because we’re both interested in tackling similar issues.”

    Alynda Segarra was born and raised in the Bronx, which they left at the age of seventeen, running away from everything and everyone they knew, hopping freight trains or hitchhiking across the country in the company of a band of street urchins. Segarra moved to New Orleans in 2007 and formed two bands: Dead Man’s Street Orchestra and Hurray for the Riff Raff. In 2015, Segarra decamped to Nashville, then to New York, to make her most recent album, 2016’s critically praised The Navigator, an ambitious and fully realized concept album that was her quest to reclaim her Puerto Rican identity. Segarra’s previous records as Hurray for the Riff Raff are Crossing the Rubicon (EP, 2007), It Don’t Mean I Don’t Love You (2008), Young Blood Blues (2010), Hurray for the Riff Raff (2011), Look Out Mama (2012), My Dearest Darkest Neighbor (2013), and Small Town Heroes (2014).

    Credits

    MUSICIANS
    Alynda Segarra, vocals, synth, fretless banjo, electric guitar, drum loop, kalimba, acoustic guitar
    Brad Cook, drum programming, synths, bass guitar, electric guitar, background vocals, organ, acoustic guitars, Op1, keys, baritone guitar
    Phil Cook, organ, piano, keys, marimba
    Matt Mccaughan, drums, drum programming, field recordings
    Brevan Hampton, bongos, triangle
    Kellen Harrison, additional synths
    Adam Mcdaniel, modular synth
    Matt Douglas, saxophone, clarinet
    Al Strong, trumpet
    Evan Ringel, trombones
    Alexandra Sauser-Monnig, background vocals
    Jeremy Iylvasaker, electric guitar

    PRODUCTION CREDITS
    Produced by Brad Cook
    Recorded September—December 2020 at Puff City, Durham, NC
    Engineered by Adam McDaniel & Brad Cook
    Additional Engineering by Alli Rogers & Alex Farrar
    Mixed by Jonathan Low
    Mastered by Emily Lazar & Chris Allgood at The Lodge, NY

    Photography by Akasha Rabut
    Additional art by Pauly Lingerfelt
    Design by Sarah Schmitt

    "nightqueen" features a sample from On Being, ‘A Life Worthy of Our Breath’, with Ocean Vuong
    "KiN" is a field recording by Alynda Segarra of Singing Oak, Wind, and Birds in City Park, New Orleans, Louisiana

nonesuch's picture
on September 28, 2021 - 4:08pm
Release Date: 
Friday, February 18, 2022 (All day)
DescriptionExcerpt: 

LIFE ON EARTH, the Nonesuch debut of Hurray for the Riff Raff (aka Alynda Segarra), is a departure for the Bronx-born, New Orleans-based singer/songwriter. Its eleven new "nature punk" tracks on the theme of survival are music for a world in flux—songs about thriving, not just surviving, while disaster is happening. The album was recorded during the pandemic with producer Brad Cook (Waxahatchee, Bon Iver, Kevin Morby). While making it, Segarra drew inspiration from the Clash, Beverly Glenn-Copeland, Bad Bunny, and the author of Emergent Strategy, adrienne maree brown. "A major step forward for one of today's most vital artists," exclaims Uncut. "The first great album of 2022." Pre-order to download two tracks now and get a limited-edition print autographed by Segarra, while they last.

Description: 

The Nonesuch debut of Hurray for the Riff Raff (aka Alynda Segarra), LIFE ON EARTH, out February 18, 2022, is a departure for the Bronx-born, New Orleans-based singer/songwriter. Its eleven new “nature punk” tracks on the theme of survival are music for a world in flux—songs about thriving, not just surviving, while disaster is happening. Nonesuch Store pre-orders include a limited-edition signed print while they last.

For her eighth full-length album, Segarra (they/she) drew inspiration from The Clash, Beverly Glenn-Copeland, Bad Bunny, and the author of Emergent Strategy, adrienne maree brown. Recorded during the pandemic, Life on Earth was produced by Brad Cook (Waxahatchee, Bon Iver, Kevin Morby).

Life on Earth’s first single, “RHODODENDRON,” out today, is about “finding rebellion in plant life. Being called by the natural world and seeing the life that surrounds you in a way you never have. A mind expansion. A psychedelic trip. A spiritual breakthrough. Learning to adapt, and being open to the wisdom of your landscape. Being called to fix things in your own backyard, your own community,” says Segarra.

Of the “Rhododendron” video, which was directed by New Orleans-based artist Lucia Honey, Segarra says: “It is really far out and fun. I got this bodysuit that just looks like the inside of the human body. It looks like you’re skinless. It’s in a scene where I’m playing to an audience of plants. Just really absurd, but I put that suit on and I was like man, this feels really good. It feels like, ‘This is who I am. Let’s just take the skin off.’

“It reminds me a little bit of Kids in the Hall,” they continue. “With this ‘Rhododendron’ shoot, something clicked in me where I was like, ‘All I have to do is be myself.’ I had been thinking that I had to be something bigger than myself. I felt like I was just never quite making the mark and then something clicked where I was like, ‘I just gotta be me. I could do that. I could show up and be me. And if people don’t like it, then I don’t know what to fucking tell them.’ It was like a brain shift of, ‘Oh, this can be fun. It doesn’t have to be suffering.’ With so many videos and photo shoots before, it really felt like suffering. I felt so uncomfortable being perceived. I didn’t know who I was.”

Honey adds: “We wanted to create something surreal, playful, and saturated that indulged heavily in the aesthetic of the early ‘90s. Alynda and I had many overlapping visual and philosophical references which sparked the initial collaboration. We wanted to make this video an homage to Gregg Araki’s Teenage Apocalypse trilogy but as a nature documentary crossover. I came across Araki’s work as a queer teenager, and he’s always been a big inspiration. Sex, blood, punk rock, camp, etc.

“We live in a moment where the future is bleaker and more unknown than ever, so there becomes a deep comfort in nostalgia and reliving the past. Through our talks, I realized Alynda’s new album touches on many of these same subjects, but perhaps in reverse; running from a past that is always haunting you. Shifting into a more refined self/identity through confronting one’s trauma and baggage. It was easy to reach collaborative synergy for this video project because we’re both interested in tackling similar issues.”

Alynda Segarra was born and raised in the Bronx, which they left at the age of seventeen, running away from everything and everyone they knew, hopping freight trains or hitchhiking across the country in the company of a band of street urchins. Segarra moved to New Orleans in 2007 and formed two bands: Dead Man’s Street Orchestra and Hurray for the Riff Raff. In 2015, Segarra decamped to Nashville, then to New York, to make her most recent album, 2016’s critically praised The Navigator, an ambitious and fully realized concept album that was her quest to reclaim her Puerto Rican identity. Segarra’s previous records as Hurray for the Riff Raff are Crossing the Rubicon (EP, 2007), It Don’t Mean I Don’t Love You (2008), Young Blood Blues (2010), Hurray for the Riff Raff (2011), Look Out Mama (2012), My Dearest Darkest Neighbor (2013), and Small Town Heroes (2014).

ProductionCredits: 

PRODUCTION CREDITS
Produced by Brad Cook
Recorded September—December 2020 at Puff City, Durham, NC
Engineered by Adam McDaniel & Brad Cook
Additional Engineering by Alli Rogers & Alex Farrar
Mixed by Jonathan Low
Mastered by Emily Lazar & Chris Allgood at The Lodge, NY

Photography by Akasha Rabut
Additional art by Pauly Lingerfelt
Design by Sarah Schmitt

"nightqueen" features a sample from On Being, ‘A Life Worthy of Our Breath’, with Ocean Vuong
"KiN" is a field recording by Alynda Segarra of Singing Oak, Wind, and Birds in City Park, New Orleans, Louisiana

Cover Art: 
ns_album_releasedate: 
Tuesday, September 28, 2021 - 16:00
Album Status: 
UPC/Price: 
Label: 
Clear LP+MP3+Print
UPC: 
075597910780
Price: 
21.00
Label: 
LP+MP3+Print
UPC: 
075597912975
Price: 
19.00
Label: 
CD+MP3+Print
UPC: 
075597912982
Price: 
13.00
Artist Name: 
Hurray for the Riff Raff
MusicianDetails: 

MUSICIANS
Alynda Segarra, vocals, synth, fretless banjo, electric guitar, drum loop, kalimba, acoustic guitar
Brad Cook, drum programming, synths, bass guitar, electric guitar, background vocals, organ, acoustic guitars, Op1, keys, baritone guitar
Phil Cook, organ, piano, keys, marimba
Matt Mccaughan, drums, drum programming, field recordings
Brevan Hampton, bongos, triangle
Kellen Harrison, additional synths
Adam Mcdaniel, modular synth
Matt Douglas, saxophone, clarinet
Al Strong, trumpet
Evan Ringel, trombones
Alexandra Sauser-Monnig, background vocals
Jeremy Iylvasaker, electric guitar

reissues?: 
new-release
[{"parent":{"title":"Get on the list !","body":" Get exclusive information about NONESUCH tour dates, video premieres and special announcements ","field_newsletter_id":"14075483","field_label_list_id":"6389157","field_display_rates":"-1","field_preview_mode":"false","field_lbox_height":"","field_lbox_width":"","field_toaster_timeout":"16000","field_toaster_position":"From Bottom","field_turnkey_height":"800"}}]

Performs On