Music from "Nixon in China"
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971048
Track Listing
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12:53
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108:32
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113:03
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123:34
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134:48
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142:29
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154:45
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166:30
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22:48
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32:49
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42:23
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51:19
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67:03
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76:37
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82:37
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93:45
News & Reviews
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The Guardian has published a number of lists of the Best Culture of the 21st Century (So Far). Several Nonesuch artists and recordings have made the lists, including works by Rokia Traoré, John Adams, Steve Reich, Louis Andriessen, and more. Also on the lists are films for which Nonesuch released soundtracks by Jonny Greenwood, Clint Mansell, and more.
Congratulations to composer John Adams, whose Doctor Atomic has won the Opus Klassik Award for Best Opera Recording – 20th/21st Century. On this first recording of the piece, the composer leads the BBC Singers and the BBC Symphony Orchestra, with a cast led by Gerald Finley and Julia Bullock. Peter Sellars created the libretto, drawing from original sources to explore the final hours leading up to the first atomic bomb explosion in 1945. The Opus Klassik awards ceremony will take place in Berlin on October 13.
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About This Album
Adams describes this landmark work as “part epic, part satire, part parody of political posturing, and part serious examination of historical, philosophical, and even gender issues.” The Boston Globe called it “a milestone in American operatic history.” This collection contains highlights from the Grammy-winning 1987 recording.
Credits
MUSICIANS
Cast (in order of appearance):
Chou En-Lai: Sanford Sylvan
Richard Nixon: James Maddalena
Henry Kissinger: Thomas Hammons
Nancy T’ang (First Secretary to Mao): Mari Opatz
Second Secretary to Mao: Stephanie Friedman
Third Secretary to Mao: Marion Dry
Mao Tse-Tung: John Duykers
Pat Nixon: Carolann Page
Chiang Ch’in (Madame Mao Tse-Tung): Trudy Ellen Craney
Orchestra of St. Luke’s
Edo de Waart, conductor
Michael Feldman, artistic director
Louise Schulman, associate music director
Howard Jang, production manager
Violin: Mayuki Fukuhara, Amy Hiraga, Mineko Yajima, Anca Nicolau
Viola: Louise Schulman, Jennie Hansen, Stephanie Fricker
Cello: Maxine Neuman, co-principal; Myron Lutzke, Rosalyn Clarke, Karl Bennion
Bass: John T. Kulowitsch, John Feeney
Flute/Piccolo: Timothy Malosh, Sheryl Henze
Oboe: Stephen Taylor
Oboe / English Horn: Melanie Feld
Clarinet / E-Flat Clarinet: William Blount
Clarinet / Bass Clarinet: David Stanton, Gerhardt Koch
Saxophone: Lawrence Feldman, Ted Nash, Albert Regni, Roger Rosenberg
Trumpet: Chris Gekker, Carl Albach, Susan Radcliffe
Trombone: Michael Powell, Kenneth Finn, John Rojak
Percussion: Randall Maz
Yamaha HX-1 Synthesizer: John McGinn
Piano: Edmund Niemann, Martin Goldray
Chorus
Conoley E. Ballard Jr., chorus master
Jacqueline Pierce, chorus contractor
Soprano: Judy Berry, Sharon Daniels, Karen Grahn, Dana Hancard, Lorraine Kelley, Michele McBride
Alto: Patty Davis, Jay Ann Lee, Karen Leigh, Mary Runyan Marathe, Ruth Porter, Barbara Rearick
Tenor: James Bassi, Rodne Brown, Mukund Marathe, Edgar Moore, Martin Pierce
Bass: Roger Andrews, Christopher Arneson, Frank Curtis, Leslie Dorsey, Joseph Shockler, Todd ThomasPRODUCTION CREDITS
The premiere performances of Nixon in China took place at the Houston Grand Opera (October 22–November 7, 1987), the Brooklyn Academy of Music (December 4–17, 1987), The John F. Kennedy Center for the Performing Arts (March 26–April 5, 1988), and The Netherlands Opera (June 2–18, 1988).
Music by John Adams
Libretto by Alice Goodman
Peter Sellars, director
Mark Morris, choreography
Adrianne Lobel, set design
Dunya Ramicova, costume design
James F. Ingalls, lighting design
FIRST RECORDING
Produced by Wilhelm Hellweg
Recorded December 1987 at RCA Studio A, New York City
Balance Engineer: John Newton
Assistant Recording Engineer / Tape Editor: Henk Kooistra
Mixed January 1988 at Soundmirror, Jamaica Plain, MA
Production Assistant: Jennifer Keats
Executive Producer: Robert Hurwitz
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Release Date:
Tuesday, November 22, 1988 (All day)
DescriptionExcerpt:
Adams describes this landmark work as “part epic, part satire, part parody of political posturing, and part serious examination of historical, philosophical, and even gender issues.” The Boston Globe called it “a milestone in American operatic history.” This collection contains highlights from the Grammy-winning 1987 recording.
Description:
Adams describes this landmark work as “part epic, part satire, part parody of political posturing, and part serious examination of historical, philosophical, and even gender issues.” The Boston Globe called it “a milestone in American operatic history.” This collection contains highlights from the Grammy-winning 1987 recording.
ProductionCredits:
PRODUCTION CREDITS
The premiere performances of Nixon in China took place at the Houston Grand Opera (October 22–November 7, 1987), the Brooklyn Academy of Music (December 4–17, 1987), The John F. Kennedy Center for the Performing Arts (March 26–April 5, 1988), and The Netherlands Opera (June 2–18, 1988).
Music by John Adams
Libretto by Alice Goodman
Peter Sellars, director
Mark Morris, choreography
Adrianne Lobel, set design
Dunya Ramicova, costume design
James F. Ingalls, lighting design
FIRST RECORDING
Produced by Wilhelm Hellweg
Recorded December 1987 at RCA Studio A, New York City
Balance Engineer: John Newton
Assistant Recording Engineer / Tape Editor: Henk Kooistra
Mixed January 1988 at Soundmirror, Jamaica Plain, MA
Production Assistant: Jennifer Keats
Executive Producer: Robert Hurwitz
Cover Art:
Nonesuch Selection Number:
971048
Number of Discs in Set:
1disc
Album Status:
UPC/Price:
Label:
MP3
UPC:
603497104864
Price:
9.00
Artist Name:
John Adams
MusicianDetails:
MUSICIANS
Cast (in order of appearance):
Chou En-Lai: Sanford Sylvan
Richard Nixon: James Maddalena
Henry Kissinger: Thomas Hammons
Nancy T’ang (First Secretary to Mao): Mari Opatz
Second Secretary to Mao: Stephanie Friedman
Third Secretary to Mao: Marion Dry
Mao Tse-Tung: John Duykers
Pat Nixon: Carolann Page
Chiang Ch’in (Madame Mao Tse-Tung): Trudy Ellen Craney
Orchestra of St. Luke’s
Edo de Waart, conductor
Michael Feldman, artistic director
Louise Schulman, associate music director
Howard Jang, production manager
Violin: Mayuki Fukuhara, Amy Hiraga, Mineko Yajima, Anca Nicolau
Viola: Louise Schulman, Jennie Hansen, Stephanie Fricker
Cello: Maxine Neuman, co-principal; Myron Lutzke, Rosalyn Clarke, Karl Bennion
Bass: John T. Kulowitsch, John Feeney
Flute/Piccolo: Timothy Malosh, Sheryl Henze
Oboe: Stephen Taylor
Oboe / English Horn: Melanie Feld
Clarinet / E-Flat Clarinet: William Blount
Clarinet / Bass Clarinet: David Stanton, Gerhardt Koch
Saxophone: Lawrence Feldman, Ted Nash, Albert Regni, Roger Rosenberg
Trumpet: Chris Gekker, Carl Albach, Susan Radcliffe
Trombone: Michael Powell, Kenneth Finn, John Rojak
Percussion: Randall Maz
Yamaha HX-1 Synthesizer: John McGinn
Piano: Edmund Niemann, Martin Goldray
Chorus
Conoley E. Ballard Jr., chorus master
Jacqueline Pierce, chorus contractor
Soprano: Judy Berry, Sharon Daniels, Karen Grahn, Dana Hancard, Lorraine Kelley, Michele McBride
Alto: Patty Davis, Jay Ann Lee, Karen Leigh, Mary Runyan Marathe, Ruth Porter, Barbara Rearick
Tenor: James Bassi, Rodne Brown, Mukund Marathe, Edgar Moore, Martin Pierce
Bass: Roger Andrews, Christopher Arneson, Frank Curtis, Leslie Dorsey, Joseph Shockler, Todd Thomas
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