So Long Little Miss Sunshine

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Release Date
DescriptionExcerpt

Grammy Award–winning singer, songwriter, and guitarist Molly Tuttle's new solo album, So Long Little Miss Sunshine, recorded in Nashville with producer Jay Joyce, marks a sonic departure from her recent work. The album of eleven originals and one cover (Icona Pop and Charli xcx’s “I Love It”) is a hybrid of pop, country, rock, and flat-picking, plus a murder ballad. Her virtuoso guitar work takes center stage on this album more than ever, and for the first time, she introduces her banjo playing into two of her recordings. Grammy Award Nominee for Best Americana Album, Best Americana Performance.

Description

Grammy Award Nominee for Best Americana Album, Best Americana Performance

Molly Tuttle, following back-to-back Grammy-winning albums with her band Golden Highway, along with a Best New Artist nomination, releases her new solo album, So Long Little Miss Sunshine, out now on Nonesuch Records. Recorded in Nashville with producer Jay Joyce (Orville Peck, Miranda Lambert, Lainey Wilson), the fifth full album from the singer, songwriter, and virtuoso guitarist marks a sonic departure from her recent work and features twelve new songs—eleven originals and one cover, of Icona Pop and Charli xcx’s “I Love It.”

Tuttle says, “I’ve been wanting to make this record for such a long time. Part of me was scared to do such a big departure, and that went into the album title.” Eventually she decided, “‘You know what? I’m just not going to care what people think. I’m going to do what I want.’”

Tuttle’s career has charted a course between honoring bluegrass and stretching its boundaries. One of the most decorated female guitarist alive, she was the first woman to win the prestigious International Bluegrass Music Award’s Guitar Player of the Year in 2017, at age twenty-four, and won again the following year, with nominations nearly every year since; she has also won Americana Music Association’s Instrumentalist of the Year award.

On her new album—a hybrid of pop, country, rock, and flat-picking, plus one murder ballad—Tuttle goes to a whole new place. Her virtuoso guitar work takes center stage on this album more than ever, and for the first time, she introduces her banjo playing into two of her recordings.“I like to be a bit of a chameleon with my music. Keep people guessing and keep it full of surprises,” she says.

So Long Little Miss Sunshine was recorded with drummer/percussionists Jay Bellerose and Fred Eltringham, bassist Byron House, and Joyce on multiple instruments. Ketch Secor (Old Crow Medicine Show) also plays banjo, fiddle, and harmonica, as well as singing harmony; much of the LP was co-written with Secor, who is also Tuttle’s partner. “We spend so much time together, we live together, and anytime I have a song idea, or he has one, it’s just so easy to transition from whatever we’re doing into writing a song.”

Tuttle also conceived the artwork for So Long Little Miss Sunshine, which features multiple Mollys, each wearing a different wig except for one with nothing on her head at all. Tuttle has been bald since she was three years old due to the autoimmune condition alopecia areata; she acts as a spokesperson for the National Alopecia Areata Foundation.

ProductionCredits

PRODUCTION CREDITS
Produced by Jay Joyce 
Engineered by Jason Hall
Assistant Engineered by Jimmy Mansfield, Bobby Louden
Additional recording by Bobby Louden, Jaxon Hargrove
All songs mixed by Jason Hall and Jay Joyce at Neon Cross Studio, Nashville, TN except “I Love It” which was mixed by Hason Hall, Jay Joyce, and Jimmy Mansfield at Neon Cross Studio, Nashville, TN
Mastered by Andrew Mendelson at Georgetown Masters, Nashville, TN
Immersive Mix Engineered by Alan JS Han at Audible Reality
Immersive Mastering Engineered by Matt Boerum at Audible Reality
Production Coordinator: Court Blankenship

Written by Molly Tuttle (1-4, 6-12), Ketch Secor (1-4, 8-12), Trannie Anderson (4), Paul Sikes (4), Charlotte Emma Aitchison (5), Patrik Jens Berger (5), Linus Eklow (5), Kevin Griffin (6-7, 11)

Design by Jeri Heiden / SMOG Design, Inc.
Photography by Ebru Yildiz 

Album Status
Artist Name
Molly Tuttle
MusicianDetails

MUSICIANS
Molly Tuttle, acoustic guitar (1-12), vocals (1-12), gang vocals (8), banjo (11-12)
Fred Eltringham, drums (1-2, 6, 8), tambourine (1, 6), hand claps (6)
Jay Joyce, programming (1-4, 7-8, 10-12), bass (1-2, 8, 10), acoustic guitar (1-8, 11-12), electric guitar (1, 4-5, 7-8), keys (B3, synth, bass, Jupiter, Rhodes, Farfisa, Juno, piano, misc keys) (1-12), additional drums (1), background vocals (1), Djembe (3), bass drum (4), hand claps (6), drums (7, 10), bongos (7), shaker (7,12), shaker bass (8), gang vocals (8), cymbals (10), drums (11-12), tambourine (12)
Ketch Secor, fiddle (1-5, 9, 12), banjo (3,5), acoustic guitar (4, 6-7, 10), background vocals (4, 12), harmonica (9), mandolin (11)
Byron House, upright bass (2-4, 8, 10-12), bass (6-7, 9), hand claps (6)
Jay Bellerose, drums (3, 9), shaker (6, 9-11, tambourine (10-11)
Jason Hall, gang vocals (8), background vocals (10)

reissues?
new-release
Cover Art
UPC/Price
Label
Marmalade Color LP+MP3
Price
27.00
UPC
075597896282
Slug
so-long-little-miss-sunshine-marmalade-color-lp-mp3-bundle
Label
LP+MP3
Price
21.00
UPC
075597896275
Slug
so-long-little-miss-sunshine-lp-mp3-bundle
Label
CD+MP3
Price
13.00
UPC
075597896268
Slug
so-long-little-miss-sunshine-cd-mp3-bundle
Label
48/24 FLAC
Price
10.00
Slug
so-long-little-miss-sunshine-hd-flac-album-48khz-24bit
Label
MP3
Price
9.00
Slug
so-long-little-miss-sunshine-mp3-album

News & Reviews

  • “One might say being an artist who represents mastery and excellence of a time honored genre and simultaneously having an adventurous spirit comes naturally to this week's guest," says Sheroes host Carmel Holt. "Molly Tuttle's journey as a musician has been nothing short of breathtaking.” You can hear their conversation, about Tuttle's Grammy-nominated new album, So Long Little Miss Sunshine, and more, here.

  • Molly Tuttle celebrated Halloweekend this year with a return to Suwannee Hulaween in Live Oak, Florida, where she and her band performed "Thriller." You can watch it here. Tuttle is up for two Grammy Awards: Best Americana Album for So Long Little Miss Sunshine and Best Americana Performance for the album track "That's Gonna Leave a Mark."

     

  • About This Album

    Grammy Award Nominee for Best Americana Album, Best Americana Performance

    Molly Tuttle, following back-to-back Grammy-winning albums with her band Golden Highway, along with a Best New Artist nomination, releases her new solo album, So Long Little Miss Sunshine, out now on Nonesuch Records. Recorded in Nashville with producer Jay Joyce (Orville Peck, Miranda Lambert, Lainey Wilson), the fifth full album from the singer, songwriter, and virtuoso guitarist marks a sonic departure from her recent work and features twelve new songs—eleven originals and one cover, of Icona Pop and Charli xcx’s “I Love It.”

    Tuttle says, “I’ve been wanting to make this record for such a long time. Part of me was scared to do such a big departure, and that went into the album title.” Eventually she decided, “‘You know what? I’m just not going to care what people think. I’m going to do what I want.’”

    Tuttle’s career has charted a course between honoring bluegrass and stretching its boundaries. One of the most decorated female guitarist alive, she was the first woman to win the prestigious International Bluegrass Music Award’s Guitar Player of the Year in 2017, at age twenty-four, and won again the following year, with nominations nearly every year since; she has also won Americana Music Association’s Instrumentalist of the Year award.

    On her new album—a hybrid of pop, country, rock, and flat-picking, plus one murder ballad—Tuttle goes to a whole new place. Her virtuoso guitar work takes center stage on this album more than ever, and for the first time, she introduces her banjo playing into two of her recordings.“I like to be a bit of a chameleon with my music. Keep people guessing and keep it full of surprises,” she says.

    So Long Little Miss Sunshine was recorded with drummer/percussionists Jay Bellerose and Fred Eltringham, bassist Byron House, and Joyce on multiple instruments. Ketch Secor (Old Crow Medicine Show) also plays banjo, fiddle, and harmonica, as well as singing harmony; much of the LP was co-written with Secor, who is also Tuttle’s partner. “We spend so much time together, we live together, and anytime I have a song idea, or he has one, it’s just so easy to transition from whatever we’re doing into writing a song.”

    Tuttle also conceived the artwork for So Long Little Miss Sunshine, which features multiple Mollys, each wearing a different wig except for one with nothing on her head at all. Tuttle has been bald since she was three years old due to the autoimmune condition alopecia areata; she acts as a spokesperson for the National Alopecia Areata Foundation.

    Credits

    MUSICIANS
    Molly Tuttle, acoustic guitar (1-12), vocals (1-12), gang vocals (8), banjo (11-12)
    Fred Eltringham, drums (1-2, 6, 8), tambourine (1, 6), hand claps (6)
    Jay Joyce, programming (1-4, 7-8, 10-12), bass (1-2, 8, 10), acoustic guitar (1-8, 11-12), electric guitar (1, 4-5, 7-8), keys (B3, synth, bass, Jupiter, Rhodes, Farfisa, Juno, piano, misc keys) (1-12), additional drums (1), background vocals (1), Djembe (3), bass drum (4), hand claps (6), drums (7, 10), bongos (7), shaker (7,12), shaker bass (8), gang vocals (8), cymbals (10), drums (11-12), tambourine (12)
    Ketch Secor, fiddle (1-5, 9, 12), banjo (3,5), acoustic guitar (4, 6-7, 10), background vocals (4, 12), harmonica (9), mandolin (11)
    Byron House, upright bass (2-4, 8, 10-12), bass (6-7, 9), hand claps (6)
    Jay Bellerose, drums (3, 9), shaker (6, 9-11, tambourine (10-11)
    Jason Hall, gang vocals (8), background vocals (10)

    PRODUCTION CREDITS
    Produced by Jay Joyce 
    Engineered by Jason Hall
    Assistant Engineered by Jimmy Mansfield, Bobby Louden
    Additional recording by Bobby Louden, Jaxon Hargrove
    All songs mixed by Jason Hall and Jay Joyce at Neon Cross Studio, Nashville, TN except “I Love It” which was mixed by Hason Hall, Jay Joyce, and Jimmy Mansfield at Neon Cross Studio, Nashville, TN
    Mastered by Andrew Mendelson at Georgetown Masters, Nashville, TN
    Immersive Mix Engineered by Alan JS Han at Audible Reality
    Immersive Mastering Engineered by Matt Boerum at Audible Reality
    Production Coordinator: Court Blankenship

    Written by Molly Tuttle (1-4, 6-12), Ketch Secor (1-4, 8-12), Trannie Anderson (4), Paul Sikes (4), Charlotte Emma Aitchison (5), Patrik Jens Berger (5), Linus Eklow (5), Kevin Griffin (6-7, 11)

    Design by Jeri Heiden / SMOG Design, Inc.
    Photography by Ebru Yildiz