Amadou & Mariam are good at what they do, says NPR music critic Robert Christgau in an All Things Considered album review, and "never better than on their brand-new Welcome to Mali." He says the Damon Albarn–produced opening track, "Sabali," is "terrific" and shows that "Amadou and Mariam absorb ideas from anywhere and sound like they're having a ball." Entertainment Weekly says Albarn's "splendidly atmospheric keyboards and production" move the couple "beyond their comfort zone—much as globalist rocker Manu Chao did for the duo's 2005 breakthrough, Dimanche à Bamako." The Chicago Tribune says the new album "is bolder still" than their last, calling Welcome to Mali "an album that throws its arms around the world, and invites everyone to dance. It succeeds joyously." Flaunt says Amadou & Mariam "capture a feeling absent from many releases in the early 2000s: genuineness."

Dan Auerbach performed three songs off his Nonesuch solo debut, Keep It Hid—"Trouble Weighs a Ton," "When the Night Comes," and "Goin' Home"—in his appearance on today's episode of NPR's World Café. He also spoke with the show's host, David Dye, about the new record, on which, says Dye, Dan has "expanded stylistically ... its songs conceal a melancholy and introspective side ... Driven by reverb and riffs, Auerbach's solo work sounds authentic, blunt and powerful." In other news, Justin Timberlake has made it known he's a fan of The Black Keys. "I really love their Attack and Release," he says. "I thought that was a really great record."

"Composer, pianist and living legend Allen Toussaint has helped shape the sound of R&B, soul and funk while infusing a little bit of New Orleans into it," says KCRW in naming as yesterday's Top Tune the Thelonius Monk–penned title track of Toussaint's forthcoming Nonesuch solo debut, The Bright Mississippi. Toussaint will perform during both weeks of the 40th anniversary New Orleans Jazz & Heritage Festival, which runs April 24–30 and May 1–3. Given his prominent place in the festival and the city's musical history, it's no surprise that Toussaint has made his way onto the official JazzFest 2009 poster, by artist James Michalopoulos.

Dan Auerbach was the featured guest on yesterday's episode of KCRW's Morning Becomes Eclectic. Dan and band perform more than half the songs off his recent Nonesuch solo debut, Keep It Hid, live in the KCRW studios. At the end of the set, the show's host, Jason Bentley, sighs, "Man, you got some soul, brother." His favorite album tracks, he says, "really caught my attention as just soulful blues-rock of the highest order."

Dan Auerbach's US tour, featuring music from Keep It Hid, his recent Nonesuch solo debut, continues tonight at Wonder Ballroom in Portland, Oregon. The Portland Mercury says Dan's new record "uncovers new corners of his talents. It's an instant classic ..." and expects he'll "give us a rock 'n' roll show of the highest order." Willamette Week says the album "emits sincerity and genuineness" and says "Auerbach’s poignant, emotionally charged lyrics and precise guitar work shine ...'" Dan's recent interview and performance at Minnesota Public Radio's The Current is now available online.

Dan Auerbach appeared on today's episode of NPR's newsmagazine Day to Day to discuss his new album, Keep It Hid, including the process of setting his father's lyrics to music, and the development of his singing voice. "The only thing I've ever tried to do is be myself," says Dan. "Never put on a voice, sing naturally. And that always seems to work best for me."

John Adams's 1985 piece The Chairman Dances is this week's selection for The NPR Classical 50, a series naming 50 essential recordings for everyone from first-time listeners to fanatics. "The idea here is that a foxtrot is being danced, but there's more than just the dance-like quality of the music that we hear," says critic Ted Libbey. "I find it very rich that Adams can pull all of these elements all together, and that you can hear this wonderful, exuberant and lush melody come out of this texture. It shows his ability to bring disparate pieces together in a way that does say something."

Allen Toussaint, fresh off his celebratory weekend at the Grammys, during which he was awarded the Trustees Award and performed on the live CBS telecast, is in the New York City studios of WNYC to talk with Soundcheck this afternoon about his forthcoming Nonesuch debut, The Bright Mississippi, and perform songs from the album. It is Toussaint's first solo record in more than a decade. Fans in New York City this weekend can also catch Toussaint perform live at Joe's Pub on Sunday.

Dan Auerbach's solo debut, Keep It Hid, is out tomorrow. To mark the occasion, Nonesuch has launched a new Nonesuch Radio station titled "First Listen," where you can hear all the tracks from the album shuffled and streaming through release date. Dan's hometown paper, the Akron Beacon Journal, says that following "the revelation" that was The Black Keys' Attack & Release, Keep It Hid shows "other sides of Auerbach's abilities, such as how he can smooth out his primal, bluesy wail and still imbue his songs with emotion and passion, and can trade blunt force for pastoral melodies without losing the music's power."

Rokia Traoré's two-week US tour with music from her latest Nonesuch release, Tchamantché, continues tonight at the Cedar Cultural Center in Minneapolis. That city's Star Tribune describes Traoré's work as "fearless, sophisticated, genre-bending music" and says her "gorgeous vocals ... express the nuances of intimacy and emotion with the refinement of a calligrapher." The Washington Post describes Rokia's voice as "dramatic and entrancing" but concludes, "The album's real allure is its blend of traditional and contemporary elements ..."

Rokia Traoré's recently released album Tchamantché is lauded as the Malian singer/songwriter's "best and most daring work" in a review for NPR's All Things Considered by Banning Eyre. "Traoré's meld of African and rock aesthetics is understated and as comfortable as it is cool," says Eyre. "The world's less-developed societies have produced many singers who seek to balance musical style and cultural perspective, and to address the larger world. Few manage it with the grace and style of Rokia Traoré."

Dan Auerbach's forthcoming solo debut album, Keep It Hid, is featured in the latest episode of NPR's All Songs Considered. The show's host, Bob Boilen, explains that, though it's been a while since he's been a fan of electric guitar–based blues, other than Led Zeppelin, "I may change my mind after hearing a new record by Dan Auerbach." Keep It Hid, says Boilen, has "a good variety of songs that are tinged by psychedelia, at times a bit of gospel, country, and blues."