Cécile McLorin Salvant’s new album, Oh Snap, is out now. It comprises 12 very personal songs by the singer/composer (plus a cover of a verse from the Commodores’ 1977 hit “Brick House”) mostly recorded outside of a traditional studio environment. The songs showcase her genre-spanning tastes and influences from her 1990s childhood in Miami—from boy bands to grunge to classical to folk—and include party tracks with beats, samba grooves, and quiet folk songs. Salvant wrote the intimate songs as part of a creative quest: To place spontaneity and joy at the center of her writing process. The album features longtime collaborators Sullivan Fortner, Yasushi Nakamura, and Kyle Poole, plus cameos from singers June McDoom and Kate Davis.
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Cécile McLorin Salvant’s new album, Oh Snap, is out now on Nonesuch Records, available here. Oh Snap comprises twelve very personal songs by Salvant—plus a cover of a verse from the Commodores’ 1977 hit “Brick House”—mostly recorded outside of a traditional studio environment and showcasing her genre-spanning tastes and influences. The album features longtime collaborators Sullivan Fortner, Yasushi Nakamura, and Kyle Poole, as well as cameos from singers June McDoom and Kate Davis. Salvant has tour dates throughout the summer and fall; see the full schedule below and at nonesuch.com/on-tour.
The MacArthur Fellow and three-time Grammy-winning singer and composer wrote these short, intimate songs as part of a creative quest: To place spontaneity and joy at the center of her writing process. She originally recorded them alone, at home, never intending for them to be released, using digital tools and effects that she had never played with before, like GarageBand, Logic, AutoTune, Midi plugins, drum loops, vocal effects, reverb, and filters. The songs reflect Salvant’s wide-ranging musical influences from her 1990s childhood in Miami—from boy bands to grunge to classical to folk—and include party tracks with beats, samba grooves, and quiet folk songs.
“I felt I had lost a connection to music because it was something that I felt I should do in a certain way and do well,” she says. “I thought, ‘How can I bring music back in close to me, intimately? ... What would I build if I could just build it alone, based on who I am?’ I was thinking about how free and playful I am with drawing, which I have no training in, but which gives me so much joy ... I thought, ‘How could I approach music this way? How could I use music as a way of journaling?’”
Cécile McLorin Salvant, a 2020 MacArthur Fellow and three-time Grammy Award winner, is a singer and composer bringing historical perspective, a renewed sense of drama, and an enlightened musical understanding to both jazz standards and her own original compositions. Classically trained, steeped in jazz, blues, and folk, and drawing from musical theater and vaudeville, Salvant embraces a wide-ranging repertoire that broadens the possibilities for live performance.
“Cécile McLorin Salvant’s musical vocabulary is a marvel,” says the Associated Press. Mojo says: “Salvant’s imaginative backdrops ... double dare her audience to follow her next flight of fancy.” Slate calls her “one of the greatest singers ... of our time," and Stereogum exclaims: “Salvant is rapidly moving beyond the boundaries of jazz, and I’m gonna follow wherever she leads.”
Salvant’s performances range from spare duets for voice and piano to instrumental trios to orchestral ensembles. Her unreleased work Ogresse is an ambitious long-form musical fable based on oral fairy tales from the nineteenth century that explores the nature of freedom and desire in a racialized, patriarchal world. Salvant studied at the Université Pierre Mendès-France. She has performed at national and international venues and festivals such as the Newport Jazz Festival, the Monterey Jazz Festival, the Village Vanguard, and the Kennedy Center. Salvant is also a visual artist. Her previous Nonesuch albums, Ghost Song (2022) and Mélusine (2023), were both nominated for Grammy Awards, as well as receiving critical accolades.
Cécile McLorin Salvant's New Album, 'Oh Snap,' Out Now on Nonesuch
Cécile McLorin Salvant’s new album, Oh Snap, is out now on Nonesuch Records, available here. Oh Snap comprises twelve very personal songs by Salvant—plus a cover of a verse from the Commodores’ 1977 hit “Brick House”—mostly recorded outside of a traditional studio environment and showcasing her genre-spanning tastes and influences. The album features longtime collaborators Sullivan Fortner, Yasushi Nakamura, and Kyle Poole, as well as cameos from singers June McDoom and Kate Davis. Salvant has tour dates throughout the summer and fall; see the full schedule below and at nonesuch.com/on-tour.
The MacArthur Fellow and three-time Grammy-winning singer and composer wrote these short, intimate songs as part of a creative quest: To place spontaneity and joy at the center of her writing process. She originally recorded them alone, at home, never intending for them to be released, using digital tools and effects that she had never played with before, like GarageBand, Logic, AutoTune, Midi plugins, drum loops, vocal effects, reverb, and filters. The songs reflect Salvant’s wide-ranging musical influences from her 1990s childhood in Miami—from boy bands to grunge to classical to folk—and include party tracks with beats, samba grooves, and quiet folk songs.
“I felt I had lost a connection to music because it was something that I felt I should do in a certain way and do well,” she says. “I thought, ‘How can I bring music back in close to me, intimately? ... What would I build if I could just build it alone, based on who I am?’ I was thinking about how free and playful I am with drawing, which I have no training in, but which gives me so much joy ... I thought, ‘How could I approach music this way? How could I use music as a way of journaling?’”
Cécile McLorin Salvant, a 2020 MacArthur Fellow and three-time Grammy Award winner, is a singer and composer bringing historical perspective, a renewed sense of drama, and an enlightened musical understanding to both jazz standards and her own original compositions. Classically trained, steeped in jazz, blues, and folk, and drawing from musical theater and vaudeville, Salvant embraces a wide-ranging repertoire that broadens the possibilities for live performance.
“Cécile McLorin Salvant’s musical vocabulary is a marvel,” says the Associated Press. Mojo says: “Salvant’s imaginative backdrops ... double dare her audience to follow her next flight of fancy.” Slate calls her “one of the greatest singers ... of our time," and Stereogum exclaims: “Salvant is rapidly moving beyond the boundaries of jazz, and I’m gonna follow wherever she leads.”
Salvant’s performances range from spare duets for voice and piano to instrumental trios to orchestral ensembles. Her unreleased work Ogresse is an ambitious long-form musical fable based on oral fairy tales from the nineteenth century that explores the nature of freedom and desire in a racialized, patriarchal world. Salvant studied at the Université Pierre Mendès-France. She has performed at national and international venues and festivals such as the Newport Jazz Festival, the Monterey Jazz Festival, the Village Vanguard, and the Kennedy Center. Salvant is also a visual artist. Her previous Nonesuch albums, Ghost Song (2022) and Mélusine (2023), were both nominated for Grammy Awards, as well as receiving critical accolades.
Cécile McLorin Salvant's New Album, 'Oh Snap,' Out Now on Nonesuch
Cécile McLorin Salvant’s new album, Oh Snap, is out now on Nonesuch Records, available here. Oh Snap comprises twelve very personal songs by Salvant—plus a cover of a verse from the Commodores’ 1977 hit “Brick House”—mostly recorded outside of a traditional studio environment and showcasing her genre-spanning tastes and influences. The album features longtime collaborators Sullivan Fortner, Yasushi Nakamura, and Kyle Poole, as well as cameos from singers June McDoom and Kate Davis. Salvant has tour dates throughout the summer and fall; see the full schedule below and at nonesuch.com/on-tour.
The MacArthur Fellow and three-time Grammy-winning singer and composer wrote these short, intimate songs as part of a creative quest: To place spontaneity and joy at the center of her writing process. She originally recorded them alone, at home, never intending for them to be released, using digital tools and effects that she had never played with before, like GarageBand, Logic, AutoTune, Midi plugins, drum loops, vocal effects, reverb, and filters. The songs reflect Salvant’s wide-ranging musical influences from her 1990s childhood in Miami—from boy bands to grunge to classical to folk—and include party tracks with beats, samba grooves, and quiet folk songs.
“I felt I had lost a connection to music because it was something that I felt I should do in a certain way and do well,” she says. “I thought, ‘How can I bring music back in close to me, intimately? ... What would I build if I could just build it alone, based on who I am?’ I was thinking about how free and playful I am with drawing, which I have no training in, but which gives me so much joy ... I thought, ‘How could I approach music this way? How could I use music as a way of journaling?’”
Cécile McLorin Salvant, a 2020 MacArthur Fellow and three-time Grammy Award winner, is a singer and composer bringing historical perspective, a renewed sense of drama, and an enlightened musical understanding to both jazz standards and her own original compositions. Classically trained, steeped in jazz, blues, and folk, and drawing from musical theater and vaudeville, Salvant embraces a wide-ranging repertoire that broadens the possibilities for live performance.
“Cécile McLorin Salvant’s musical vocabulary is a marvel,” says the Associated Press. Mojo says: “Salvant’s imaginative backdrops ... double dare her audience to follow her next flight of fancy.” Slate calls her “one of the greatest singers ... of our time," and Stereogum exclaims: “Salvant is rapidly moving beyond the boundaries of jazz, and I’m gonna follow wherever she leads.”
Salvant’s performances range from spare duets for voice and piano to instrumental trios to orchestral ensembles. Her unreleased work Ogresse is an ambitious long-form musical fable based on oral fairy tales from the nineteenth century that explores the nature of freedom and desire in a racialized, patriarchal world. Salvant studied at the Université Pierre Mendès-France. She has performed at national and international venues and festivals such as the Newport Jazz Festival, the Monterey Jazz Festival, the Village Vanguard, and the Kennedy Center. Salvant is also a visual artist. Her previous Nonesuch albums, Ghost Song (2022) and Mélusine (2023), were both nominated for Grammy Awards, as well as receiving critical accolades.
Laurie Anderson with Sexmob's Let X=X is due May 8, 2026, on Nonesuch Records. This triple-LP / double-CD set was recorded live during a 2023 tour by Anderson and the jazz band Sexmob—Steven Bernstein on brass, Kenny Wollesen on drums and percussion, Douglas Wieselman on winds and guitar, Briggan Krauss on saxophone and guitar, and Tony Scherr on bass. The album features 23 songs, including many favorites from throughout Anderson’s career, performed in new arrangements—plus one by Lou Reed and Metallica, “Junior Dad.” Nonesuch Store orders include an exclusive print autographed by Laurie Anderson, while they last. The title track, from Anderson’s landmark 1982 album, Big Science, along with a visualizer, can be seen and heard here. Anderson and Sexmob play more US and international dates this spring and summer.
Composer Sarah Kirkland Snider’s fifth full-length LP, a new, all-orchestral album Forward Into Light, produced by Silas Brown and recorded by Metropolis Ensemble led by artistic director/conductor Andrew Cyr, is out now on New Amsterdam / Nonesuch Records. It features Forward Into Light, inspired by the American women’s suffrage movement; the string orchestra and harp (Noël Wan) version of Drink the Wild Ayre; Eye of Mnemosyne, a work on memory, innovation, and culture; and Something for the Dark, a meditation on resilience. Snider says: “I chose to create an album of these four works because they share themes of perseverance, alliance, and evolution through dark and light—concepts that have been at the forefront of my mind in recent years."
