Gabriel Kahane's Heirloom is out now. The album features a concerto for piano and chamber orchestra by the same name, written by the composer/singer/songwriter for his father, the conductor and pianist Jeffrey Kahane. The orchestral collective The Knights also perform on the record. "Heirloom is an aural family scrapbook," Gabriel Kahane says, "exploring, in its three movements, a series of inheritances." The album also features “Where are the Arms,” the title track from Kahane’s sophomore LP, in a new orchestral arrangement performed by the composer (vocals, guitar, electronics) with The Knights.
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Composer/singer/songwriter Gabriel Kahane's third Nonesuch album, Heirloom, is out now; you can get it and hear it here. The album features a concerto for piano and chamber orchestra by the same name, written by Gabriel Kahane for his father, the conductor and pianist Jeffrey Kahane. The work was commissioned by Linda and (the late) Stuart Nelson, with additional support from the Kansas City Symphony, Oregon Symphony, Aspen Music Festival, Los Angeles Chamber Orchestra, St. Paul Chamber Orchestra, and Brooklyn-based orchestral collective The Knights, who also perform on the record. In Gabriel Kahane's words, “Heirloom is an aural family scrapbook, exploring, in its three movements, a series of inheritances.” The album also features “Where are the Arms,” the title track from Kahane’s sophomore LP, heard here in a new orchestral arrangement performed by Gabriel Kahane (vocals, guitar, electronics) with The Knights.
In his liner notes, Gabriel Kahane talks about his parents’ childhood meeting and youthful performances in folk rock bands: “By the time I was a child, my mom and dad had traded the guitars, flutes, and beaded jackets for careers in clinical psychology and classical music respectively. But they remained devoted listeners of folk music. Growing up, it was routine for dad to put on a Joni Mitchell record when he took a break from practicing a concerto by Mozart or Brahms,” he says. “That collision of musical worlds might help to explain the creative path I’ve followed, in which songs and storytelling share the road with the Austro-German musical tradition.
“That tradition comes to me through the music I heard as a child, but also through ancestry. My paternal grandmother, Hannelore, escaped Germany at the tail end of 1938, arriving in Los Angeles in early 1939 after lengthy stops in Havana and New Orleans. For her, there was an unspeakable tension between, on the one hand, her love of German music and literature, and, on the other, the horror of the Holocaust. In this piece, I ask: ‘How does that complex set of emotions get transmitted across generations? What do we inherit, more broadly, from our forebears? And as a musician caught between two traditions, how do I bring my craft as a songwriter into the more formal setting of the concert hall?’”
Gabriel Kahane is a musician, writer, and storyteller. Highlights of the 2025-26 season include collaborations with Roomful of Teeth, Attacca Quartet, and Jeffrey Kahane; conducting debuts with Santa Fe Pro Music and the San Antonio Philharmonic; composer-in-residence posts with the University of Iowa and the Charlotte Symphony; the world premiere of a new set of songs at the 92nd Street Y; and the Carnegie Hall premiere of If love will not swing wide the gates, a clarinet concerto written for Anthony McGill.
An avid theater artist, Kahane opened last season at Playwrights Horizons with the off-Broadway debut of two solo pieces, Magnificent Bird and Book of Travelers, the latter of which chronicled the composer’s 8,980-mile railway journey in the aftermath of the 2016 presidential election. His album and stage spectacle, The Ambassador, was produced at the BAM Next Wave Festival in 2014, under the direction of Tony-winner John Tiffany. A musical, February House, written with the playwright Seth Bockley, received its New York premiere at the Public Theater in 2012. In 2018, Kahane made his Broadway debut with the score for Kenneth Lonergan’s play The Waverly Gallery, starring Elaine May, Lucas Hedges, and Michael Cera.
Kahane is known for tackling politically thorny subject matter in his work with subtlety and grace, perhaps most notably in his orchestral oratorio, emergency shelter intake form, which addresses economic inequality through the lens of homelessness and housing insecurity, and has been heard from London to New York to Chicago to San Francisco and beyond. He is also increasingly productive as a writer, with prose appearing in the Atlantic, the New Yorker, and the New York Times. Via the newsletter Words and Music, Kahane publishes bi-weekly essays on a variety of topics, all of which can be accessed at gabrielkahane.substack.com.
Kahane’s wide-ranging discography includes five albums as a singer-songwriter, several orchestral projects, and a disc of chamber music (with the string quartet Brooklyn Rider), as well as various other collaborative albums. He has worked with an array of artists spanning the aesthetic gamut, from Phoebe Bridgers, Paul Simon, Sylvan Esso, Chris Thile, and Sufjan Stevens, to the Danish String Quartet, Caroline Shaw, and Pekka Kuusisto, with whom he plays as the duo Council. The recipient of a 2021 Charles Ives Fellowship from the American Academy of Arts and Letters, Kahane relocated to Portland, OR in the spring of 2020, where he lives with his family and serves as Creative Chair of the Oregon Symphony, a post he has held since 2019.
Gabriel Kahane’s Piano Concerto, 'Heirloom,' Written for and Performed by His Father, Jeffrey Kahane, Out Now on Nonesuch
Composer/singer/songwriter Gabriel Kahane's third Nonesuch album, Heirloom, is out now; you can get it and hear it here. The album features a concerto for piano and chamber orchestra by the same name, written by Gabriel Kahane for his father, the conductor and pianist Jeffrey Kahane. The work was commissioned by Linda and (the late) Stuart Nelson, with additional support from the Kansas City Symphony, Oregon Symphony, Aspen Music Festival, Los Angeles Chamber Orchestra, St. Paul Chamber Orchestra, and Brooklyn-based orchestral collective The Knights, who also perform on the record. In Gabriel Kahane's words, “Heirloom is an aural family scrapbook, exploring, in its three movements, a series of inheritances.” The album also features “Where are the Arms,” the title track from Kahane’s sophomore LP, heard here in a new orchestral arrangement performed by Gabriel Kahane (vocals, guitar, electronics) with The Knights.
In his liner notes, Gabriel Kahane talks about his parents’ childhood meeting and youthful performances in folk rock bands: “By the time I was a child, my mom and dad had traded the guitars, flutes, and beaded jackets for careers in clinical psychology and classical music respectively. But they remained devoted listeners of folk music. Growing up, it was routine for dad to put on a Joni Mitchell record when he took a break from practicing a concerto by Mozart or Brahms,” he says. “That collision of musical worlds might help to explain the creative path I’ve followed, in which songs and storytelling share the road with the Austro-German musical tradition.
“That tradition comes to me through the music I heard as a child, but also through ancestry. My paternal grandmother, Hannelore, escaped Germany at the tail end of 1938, arriving in Los Angeles in early 1939 after lengthy stops in Havana and New Orleans. For her, there was an unspeakable tension between, on the one hand, her love of German music and literature, and, on the other, the horror of the Holocaust. In this piece, I ask: ‘How does that complex set of emotions get transmitted across generations? What do we inherit, more broadly, from our forebears? And as a musician caught between two traditions, how do I bring my craft as a songwriter into the more formal setting of the concert hall?’”
Gabriel Kahane is a musician, writer, and storyteller. Highlights of the 2025-26 season include collaborations with Roomful of Teeth, Attacca Quartet, and Jeffrey Kahane; conducting debuts with Santa Fe Pro Music and the San Antonio Philharmonic; composer-in-residence posts with the University of Iowa and the Charlotte Symphony; the world premiere of a new set of songs at the 92nd Street Y; and the Carnegie Hall premiere of If love will not swing wide the gates, a clarinet concerto written for Anthony McGill.
An avid theater artist, Kahane opened last season at Playwrights Horizons with the off-Broadway debut of two solo pieces, Magnificent Bird and Book of Travelers, the latter of which chronicled the composer’s 8,980-mile railway journey in the aftermath of the 2016 presidential election. His album and stage spectacle, The Ambassador, was produced at the BAM Next Wave Festival in 2014, under the direction of Tony-winner John Tiffany. A musical, February House, written with the playwright Seth Bockley, received its New York premiere at the Public Theater in 2012. In 2018, Kahane made his Broadway debut with the score for Kenneth Lonergan’s play The Waverly Gallery, starring Elaine May, Lucas Hedges, and Michael Cera.
Kahane is known for tackling politically thorny subject matter in his work with subtlety and grace, perhaps most notably in his orchestral oratorio, emergency shelter intake form, which addresses economic inequality through the lens of homelessness and housing insecurity, and has been heard from London to New York to Chicago to San Francisco and beyond. He is also increasingly productive as a writer, with prose appearing in the Atlantic, the New Yorker, and the New York Times. Via the newsletter Words and Music, Kahane publishes bi-weekly essays on a variety of topics, all of which can be accessed at gabrielkahane.substack.com.
Kahane’s wide-ranging discography includes five albums as a singer-songwriter, several orchestral projects, and a disc of chamber music (with the string quartet Brooklyn Rider), as well as various other collaborative albums. He has worked with an array of artists spanning the aesthetic gamut, from Phoebe Bridgers, Paul Simon, Sylvan Esso, Chris Thile, and Sufjan Stevens, to the Danish String Quartet, Caroline Shaw, and Pekka Kuusisto, with whom he plays as the duo Council. The recipient of a 2021 Charles Ives Fellowship from the American Academy of Arts and Letters, Kahane relocated to Portland, OR in the spring of 2020, where he lives with his family and serves as Creative Chair of the Oregon Symphony, a post he has held since 2019.
Gabriel Kahane’s Piano Concerto, 'Heirloom,' Written for and Performed by His Father, Jeffrey Kahane, Out Now on Nonesuch
Composer/singer/songwriter Gabriel Kahane's third Nonesuch album, Heirloom, is out now; you can get it and hear it here. The album features a concerto for piano and chamber orchestra by the same name, written by Gabriel Kahane for his father, the conductor and pianist Jeffrey Kahane. The work was commissioned by Linda and (the late) Stuart Nelson, with additional support from the Kansas City Symphony, Oregon Symphony, Aspen Music Festival, Los Angeles Chamber Orchestra, St. Paul Chamber Orchestra, and Brooklyn-based orchestral collective The Knights, who also perform on the record. In Gabriel Kahane's words, “Heirloom is an aural family scrapbook, exploring, in its three movements, a series of inheritances.” The album also features “Where are the Arms,” the title track from Kahane’s sophomore LP, heard here in a new orchestral arrangement performed by Gabriel Kahane (vocals, guitar, electronics) with The Knights.
In his liner notes, Gabriel Kahane talks about his parents’ childhood meeting and youthful performances in folk rock bands: “By the time I was a child, my mom and dad had traded the guitars, flutes, and beaded jackets for careers in clinical psychology and classical music respectively. But they remained devoted listeners of folk music. Growing up, it was routine for dad to put on a Joni Mitchell record when he took a break from practicing a concerto by Mozart or Brahms,” he says. “That collision of musical worlds might help to explain the creative path I’ve followed, in which songs and storytelling share the road with the Austro-German musical tradition.
“That tradition comes to me through the music I heard as a child, but also through ancestry. My paternal grandmother, Hannelore, escaped Germany at the tail end of 1938, arriving in Los Angeles in early 1939 after lengthy stops in Havana and New Orleans. For her, there was an unspeakable tension between, on the one hand, her love of German music and literature, and, on the other, the horror of the Holocaust. In this piece, I ask: ‘How does that complex set of emotions get transmitted across generations? What do we inherit, more broadly, from our forebears? And as a musician caught between two traditions, how do I bring my craft as a songwriter into the more formal setting of the concert hall?’”
Gabriel Kahane is a musician, writer, and storyteller. Highlights of the 2025-26 season include collaborations with Roomful of Teeth, Attacca Quartet, and Jeffrey Kahane; conducting debuts with Santa Fe Pro Music and the San Antonio Philharmonic; composer-in-residence posts with the University of Iowa and the Charlotte Symphony; the world premiere of a new set of songs at the 92nd Street Y; and the Carnegie Hall premiere of If love will not swing wide the gates, a clarinet concerto written for Anthony McGill.
An avid theater artist, Kahane opened last season at Playwrights Horizons with the off-Broadway debut of two solo pieces, Magnificent Bird and Book of Travelers, the latter of which chronicled the composer’s 8,980-mile railway journey in the aftermath of the 2016 presidential election. His album and stage spectacle, The Ambassador, was produced at the BAM Next Wave Festival in 2014, under the direction of Tony-winner John Tiffany. A musical, February House, written with the playwright Seth Bockley, received its New York premiere at the Public Theater in 2012. In 2018, Kahane made his Broadway debut with the score for Kenneth Lonergan’s play The Waverly Gallery, starring Elaine May, Lucas Hedges, and Michael Cera.
Kahane is known for tackling politically thorny subject matter in his work with subtlety and grace, perhaps most notably in his orchestral oratorio, emergency shelter intake form, which addresses economic inequality through the lens of homelessness and housing insecurity, and has been heard from London to New York to Chicago to San Francisco and beyond. He is also increasingly productive as a writer, with prose appearing in the Atlantic, the New Yorker, and the New York Times. Via the newsletter Words and Music, Kahane publishes bi-weekly essays on a variety of topics, all of which can be accessed at gabrielkahane.substack.com.
Kahane’s wide-ranging discography includes five albums as a singer-songwriter, several orchestral projects, and a disc of chamber music (with the string quartet Brooklyn Rider), as well as various other collaborative albums. He has worked with an array of artists spanning the aesthetic gamut, from Phoebe Bridgers, Paul Simon, Sylvan Esso, Chris Thile, and Sufjan Stevens, to the Danish String Quartet, Caroline Shaw, and Pekka Kuusisto, with whom he plays as the duo Council. The recipient of a 2021 Charles Ives Fellowship from the American Academy of Arts and Letters, Kahane relocated to Portland, OR in the spring of 2020, where he lives with his family and serves as Creative Chair of the Oregon Symphony, a post he has held since 2019.
The collective trio of saxophonist and flutist Henry Threadgill, pianist Vijay Iyer, and drummer Dafnis Prieto have shared "Gently Trapped," a Prieto-penned tune from their upcoming album Fifteen, due August 21. You can watch the video, made during the recording session, here. Fifteen is the Nonesuch debut for all three musicians.
Natalie Merchant’s Cabinet of Wonder—a digital collection of 17 songs and accompanying videos from her collaboration with the Chicago Symphony Orchestra (CSO) and Chicago Children’s Theatre (CCT)—is due August 21 on Nonesuch Records. Cabinet of Wonder reimagines Mother Goose and her rhymes for a new generation of young children through modern interpretations of the classic children’s canon and three originals by Merchant—performed by her, musicians from the CSO and special guests—in orchestral arrangements by Megan Gould. Two songs from the album, “Little Miss Muffet” and “Peter Pumpkin Eater,” along with their videos, are available today. Cabinet of Wonder represents three years of behind-the-scenes work among the project’s collaborators and the culmination of Merchant's four decades of involvement in children’s arts and education.
