Kronos Quartet and Tom Waits "Undisputed Highlight" of Neil Young's Bridge School Show

Browse by:
Year
Browse by:
Publish date (field_publish_date)
Submitted by nonesuch on
Article Type
Publish date
Excerpt

Kronos Quartet and Tom Waits performed last Saturday and Sunday for 40,000+ people at the Shoreline Amphitheater in Mountain View, California, as part of the 21st annual Bridge School Benefit organized by Neil Young and his wife, Pegi. Reports all point to the Waits/Kronos set as "the day's most thrilling" (San Jose Mercury News) and "the undisputed highlight of the concert" (Rolling Stone).

Copy

Kronos Quartet and Tom Waits performed last Saturday and Sunday for 40,000+ people at the Shoreline Amphitheater in Mountain View, California, as part of the 21st annual Bridge School Benefit organized by Neil Young and his wife, Pegi. Reports all point to the Waits/Kronos set as "the day's most thrilling" (San Jose Mercury News) and "the undisputed highlight of the concert" (Rolling Stone).

The Wall Street Journal agrees. In yesterday's Journal, Jim Fusilli writes that "Kronos added a swirling, slashing and altogether thrilling accent to Mr. Waits's singular songs." He points, in particular, to the Quartet's "tender support for Mr. Waits's miraculous ballad 'Day After Tomorrow' and violinist David Harrington's gypsy solos in 'Way Down in the Hole'" for giving Waits's music "the kind of exploration and attention it deserves while accenting the gravitas it already has. He's a national treasure and so is Kronos, as their set illustrated with stunning clarity."

Joel Selvin, the senior pop music critic at the San Francisco Chronicle, also calls attention to the "Way Down in the Hole" performance. It's a song that's gotten a lot of attention over the past few years as the show opener on HBO's acclaimed series The Wire, with a different performer interpreting the song each season. According to Selvin, Waits's own interpretation for the Bridge show was a memorable one in a "sensational set" that embodies what the benefit has come to represent: "The Bridge concert is known for exactly such one-of-a-kind events as Waits, who makes very few public performances in any case, doubling up with Kronos, the celebrated San Francisco classical renegades."

Kronos and Waits have performed together before. In 2003, they joined forces for a benefit concert in support of Richard Gere's Healing the Divide organization. (You can hear the track "God's Away on Business" from that event on the Kronos MySpace page.) Even so, the Contra Costa Times says that last weekend's reunion "felt like we were witnessing a once-in-a-lifetime occasion. The ensemble produced utterly spine-chilling versions of some of Waits's finest compositions."

Brad Kava, writing on Kava's Radio Soup, calls the inspired pairing "a tour de force for the Bridge," and praises Waits for "using an acoustic forum before 20,000 people [each night] to really try something adventurous ... one of the the most artistic moments in 21 years of Bridge School benefit concerts."

----------

Photo courtesy of Sidney Chen.

featuredimage
Kronos Quartet 2007 Bridge School w/ Tom Waits
  • Wednesday, October 31, 2007
    Kronos Quartet and Tom Waits "Undisputed Highlight" of Neil Young's Bridge School Show

    Kronos Quartet and Tom Waits performed last Saturday and Sunday for 40,000+ people at the Shoreline Amphitheater in Mountain View, California, as part of the 21st annual Bridge School Benefit organized by Neil Young and his wife, Pegi. Reports all point to the Waits/Kronos set as "the day's most thrilling" (San Jose Mercury News) and "the undisputed highlight of the concert" (Rolling Stone).

    The Wall Street Journal agrees. In yesterday's Journal, Jim Fusilli writes that "Kronos added a swirling, slashing and altogether thrilling accent to Mr. Waits's singular songs." He points, in particular, to the Quartet's "tender support for Mr. Waits's miraculous ballad 'Day After Tomorrow' and violinist David Harrington's gypsy solos in 'Way Down in the Hole'" for giving Waits's music "the kind of exploration and attention it deserves while accenting the gravitas it already has. He's a national treasure and so is Kronos, as their set illustrated with stunning clarity."

    Joel Selvin, the senior pop music critic at the San Francisco Chronicle, also calls attention to the "Way Down in the Hole" performance. It's a song that's gotten a lot of attention over the past few years as the show opener on HBO's acclaimed series The Wire, with a different performer interpreting the song each season. According to Selvin, Waits's own interpretation for the Bridge show was a memorable one in a "sensational set" that embodies what the benefit has come to represent: "The Bridge concert is known for exactly such one-of-a-kind events as Waits, who makes very few public performances in any case, doubling up with Kronos, the celebrated San Francisco classical renegades."

    Kronos and Waits have performed together before. In 2003, they joined forces for a benefit concert in support of Richard Gere's Healing the Divide organization. (You can hear the track "God's Away on Business" from that event on the Kronos MySpace page.) Even so, the Contra Costa Times says that last weekend's reunion "felt like we were witnessing a once-in-a-lifetime occasion. The ensemble produced utterly spine-chilling versions of some of Waits's finest compositions."

    Brad Kava, writing on Kava's Radio Soup, calls the inspired pairing "a tour de force for the Bridge," and praises Waits for "using an acoustic forum before 20,000 people [each night] to really try something adventurous ... one of the the most artistic moments in 21 years of Bridge School benefit concerts."

    ----------

    Photo courtesy of Sidney Chen.

    Journal Articles:On TourNews

Enjoy This Post?

Get weekly updates right in your inbox.
terms

X By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Thank you!
x

Welcome to Nonesuch's mailing list!

Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
terms

By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Related Posts

  • Thursday, April 18, 2024
    Thursday, April 18, 2024

    Following more than a dozen sold-out shows across the US this spring, Hurray for the Riff Raff (aka Alynda Segarra) has announced a US summer tour. Beginning in early July, a new leg of headline dates will stop in cities that have yet to experience the live show of The Past Is Still Alive, the acclaimed album that has Vulture calling Segarra “one of America’s best songwriters." Upcoming performances also include Hurray for the Riff Raff’s Red Rocks debut and other amphitheater appearances with Norah Jones, as well as a homecoming set at New Orleans Jazz Festival, a return to NYC for a free concert in Battery Park, and more to be announced.

    Journal Topics: Artist NewsOn Tour
  • Monday, April 15, 2024
    Monday, April 15, 2024

    Kronos Quartet has announced its ninth-annual Kronos Festival, to take place at SFJAZZ Center, June 20–23, 2024. The festival marks the ensemble’s milestone 50th Anniversary year and the farewell performances of John Sherba and Hank Dutt, members of Kronos Quartet for more than 45 years. It will feature a slate of world and Bay Area premieres commissioned as part of the KRONOS Five Decades season; several guest artists; and the final performance of A Thousand Thoughts, a live documentary chronicling the quartet’s career, written and directed by Sam Green and Joe Bini.

    Journal Topics: Artist NewsOn Tour