Laurie Anderson with Sexmob's Live Album 'Let X=X' Due May 8 on Nonesuch Records

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Laurie Anderson with Sexmob's Let X=X is due May 8, 2026, on Nonesuch Records. This triple-LP / double-CD set was recorded live during a 2023 tour by Anderson and the jazz band Sexmob—Steven Bernstein on brass, Kenny Wollesen on drums and percussion, Douglas Wieselman on winds and guitar, Briggan Krauss on saxophone and guitar, and Tony Scherr on bass. The album features 23 songs, including many favorites from throughout Anderson’s career, performed in new arrangements—plus one by Lou Reed and Metallica, “Junior Dad.” Nonesuch Store orders include an exclusive print autographed by Laurie Anderson, while they last. The title track, from Anderson’s landmark 1982 album, Big Science, along with a visualizer, can be seen and heard here. Anderson and Sexmob play more US and international dates this spring and summer.

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Nonesuch Records releases Let X=X, by Laurie Anderson with Sexmob, on May 8, 2026. This triple-LP / double-CD set was recorded live during a 2023 tour by Anderson and the jazz band Sexmob—Steven Bernstein on brass, Kenny Wollesen on drums and percussion, Douglas Wieselman on winds and guitar, Briggan Krauss on saxophone and guitar, and Tony Scherr on bass. Its cover and interior packaging feature paintings by Anderson. The album features 23 songs, including many favorites from throughout Anderson’s career, performed in new arrangements—plus one by Lou Reed and Metallica, “Junior Dad.” Nonesuch Store orders include an exclusive print autographed by Laurie Anderson, while they last. The title track, from Anderson’s landmark 1982 album, Big Science, along with a visualizer, can be seen below. Anderson and Sexmob play more US and international dates this spring and summer; details below and at nonesuch.com/on-tour.

The New York Times said Anderson and Sexmob’s concert at the Brooklyn Academy of Music (BAM) “wasn’t a historical recreation of past recordings; Sexmob’s sound is a beefier one than on Anderson’s albums. With musicians who can double on electric guitar and bass clarinet, its members offered a rich range of textural variation throughout the evening.”

Laurie Anderson is one of America’s most renowned—and daring—creative pioneers. Her work, which encompasses music, visual art, poetry, film, and photography, has challenged and delighted audiences around the world for more than forty years. In a recent 60 Minutes profile, Anderson Cooper said she “is a pioneer of the avant-garde, but ... that doesn’t begin to describe what she creates ... It’s experienced by audiences who come to see her perform: singing, telling stories, and playing strange violins of her own invention ...  she [blends] the beautiful and the bizarre, challenging audiences with homilies and humor. She blurs boundaries across music, theater, dance, and film.” The Washington Post has said she “doesn’t just tell stories; she draws out every word with a kind of physical pleasure, tasting its flavor as she probes the everyday mysteries of life.”

Anderson released her first album with Nonesuch Records, the critically lauded Life on a String, in 2001. Her subsequent releases on the label include Live in New York (2002); Homeland (2010); the soundtrack to her acclaimed film Heart of a Dog (2015); and her Grammy-winning collaboration with Kronos Quartet, Landfall (2018). Nonesuch released a re-mastered edition of Big Science in 2007 for its twenty-fifth anniversary, followed by a vinyl LP re-issue in 2021; the album includes Anderson’s beloved, surprise hit, song, “O Superman,” which also is featured on Let X=X. Her recent Nonesuch release was 2024’s Amelia, about renowned female aviator Amelia Earhart’s tragic last flight.

Anderson’s virtual-reality film La Camera Insabbiata, with Hsin-Chien Huang, won the 2017 Venice Film Festival Award for Best VR Experience, and, in 2018, Skira Rizzoli published her book All the Things I Lost in the Flood: Essays on Pictures, Language and Code, the most comprehensive collection of her artwork to date. Recent exhibitions and installations of Anderson’s work include Habeas Corpus at New York’s Park Avenue Armory; her largest exhibition to date, The Weather, at Washington, DC’s Smithsonian’s Hirshhorn Museum of Modern Art; and Looking into a Mirror Sideways at Stockholm’s Moderna Museet, which was her largest European exhibition to date. 

Laurie Anderson was awarded the 2024 Stephen Hawking Medal for Science Communication, along with Christopher Nolan and David Attenborough, and the International Astronomical Union named a minor planet in her honor: Asteroid 270588, Laurieanderson. That same year, she was awarded a Grammy Lifetime Achievement Award.

LAURIE ANDERSON WITH SEXMOB ON TOUR

Mar 27–29Big Ears FestivalKnoxville, TN
Apr 5DR KoncerthusetCopenhagen, DENMARK
Apr 7KulttuuritaloHelsinki, FINLAND
Apr 10BozarBrussels, BELGIUM
Apr 12Philharmonie de ParisParis, FRANCE
May 6Brighton Dome Concert HallBrighton, UK
May 26LisinskiZagreb, CROATIA
Jul 7Arena Santa GiulianaPerugia, ITALY
Jul 9Theater HeerlenHeerlen, NETHERLANDS
Jul 11National Concert HallDublin, IRELAND
Jul 13IsarphilharmonieMunich, GERMANY
Aug 13Seiji Ozawa Hall, Tanglewood*Lenox, MA
Aug 15Linde Center for Music and Learning**Lenox, MA
Aug 16Seiji Ozawa Hall, TanglewoodLenox, MA
   

* Amelia w/members of Boston Symphony Orchestra
** in conversation w/Peter Sellars

featuredimage
Laurie Anderson with Sexmob: 'Let X=X' [cover]
  • Wednesday, March 4, 2026
    Laurie Anderson with Sexmob's Live Album 'Let X=X' Due May 8 on Nonesuch Records

    Nonesuch Records releases Let X=X, by Laurie Anderson with Sexmob, on May 8, 2026. This triple-LP / double-CD set was recorded live during a 2023 tour by Anderson and the jazz band Sexmob—Steven Bernstein on brass, Kenny Wollesen on drums and percussion, Douglas Wieselman on winds and guitar, Briggan Krauss on saxophone and guitar, and Tony Scherr on bass. Its cover and interior packaging feature paintings by Anderson. The album features 23 songs, including many favorites from throughout Anderson’s career, performed in new arrangements—plus one by Lou Reed and Metallica, “Junior Dad.” Nonesuch Store orders include an exclusive print autographed by Laurie Anderson, while they last. The title track, from Anderson’s landmark 1982 album, Big Science, along with a visualizer, can be seen below. Anderson and Sexmob play more US and international dates this spring and summer; details below and at nonesuch.com/on-tour.

    The New York Times said Anderson and Sexmob’s concert at the Brooklyn Academy of Music (BAM) “wasn’t a historical recreation of past recordings; Sexmob’s sound is a beefier one than on Anderson’s albums. With musicians who can double on electric guitar and bass clarinet, its members offered a rich range of textural variation throughout the evening.”

    Laurie Anderson is one of America’s most renowned—and daring—creative pioneers. Her work, which encompasses music, visual art, poetry, film, and photography, has challenged and delighted audiences around the world for more than forty years. In a recent 60 Minutes profile, Anderson Cooper said she “is a pioneer of the avant-garde, but ... that doesn’t begin to describe what she creates ... It’s experienced by audiences who come to see her perform: singing, telling stories, and playing strange violins of her own invention ...  she [blends] the beautiful and the bizarre, challenging audiences with homilies and humor. She blurs boundaries across music, theater, dance, and film.” The Washington Post has said she “doesn’t just tell stories; she draws out every word with a kind of physical pleasure, tasting its flavor as she probes the everyday mysteries of life.”

    Anderson released her first album with Nonesuch Records, the critically lauded Life on a String, in 2001. Her subsequent releases on the label include Live in New York (2002); Homeland (2010); the soundtrack to her acclaimed film Heart of a Dog (2015); and her Grammy-winning collaboration with Kronos Quartet, Landfall (2018). Nonesuch released a re-mastered edition of Big Science in 2007 for its twenty-fifth anniversary, followed by a vinyl LP re-issue in 2021; the album includes Anderson’s beloved, surprise hit, song, “O Superman,” which also is featured on Let X=X. Her recent Nonesuch release was 2024’s Amelia, about renowned female aviator Amelia Earhart’s tragic last flight.

    Anderson’s virtual-reality film La Camera Insabbiata, with Hsin-Chien Huang, won the 2017 Venice Film Festival Award for Best VR Experience, and, in 2018, Skira Rizzoli published her book All the Things I Lost in the Flood: Essays on Pictures, Language and Code, the most comprehensive collection of her artwork to date. Recent exhibitions and installations of Anderson’s work include Habeas Corpus at New York’s Park Avenue Armory; her largest exhibition to date, The Weather, at Washington, DC’s Smithsonian’s Hirshhorn Museum of Modern Art; and Looking into a Mirror Sideways at Stockholm’s Moderna Museet, which was her largest European exhibition to date. 

    Laurie Anderson was awarded the 2024 Stephen Hawking Medal for Science Communication, along with Christopher Nolan and David Attenborough, and the International Astronomical Union named a minor planet in her honor: Asteroid 270588, Laurieanderson. That same year, she was awarded a Grammy Lifetime Achievement Award.

    LAURIE ANDERSON WITH SEXMOB ON TOUR

    Mar 27–29Big Ears FestivalKnoxville, TN
    Apr 5DR KoncerthusetCopenhagen, DENMARK
    Apr 7KulttuuritaloHelsinki, FINLAND
    Apr 10BozarBrussels, BELGIUM
    Apr 12Philharmonie de ParisParis, FRANCE
    May 6Brighton Dome Concert HallBrighton, UK
    May 26LisinskiZagreb, CROATIA
    Jul 7Arena Santa GiulianaPerugia, ITALY
    Jul 9Theater HeerlenHeerlen, NETHERLANDS
    Jul 11National Concert HallDublin, IRELAND
    Jul 13IsarphilharmonieMunich, GERMANY
    Aug 13Seiji Ozawa Hall, Tanglewood*Lenox, MA
    Aug 15Linde Center for Music and Learning**Lenox, MA
    Aug 16Seiji Ozawa Hall, TanglewoodLenox, MA
       

    * Amelia w/members of Boston Symphony Orchestra
    ** in conversation w/Peter Sellars

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