Grammy Award–winning singer, songwriter, and guitarist Molly Tuttle's new solo album, So Long Little Miss Sunshine, is due August 15. Recorded in Nashville with producer Jay Joyce, it marks a sonic departure from her recent work. The album of eleven originals and one cover (Icona Pop and Charli xcx’s “I Love It”) is a hybrid of pop, country, rock, and flat-picking, plus a murder ballad. Her virtuoso guitar work takes center stage on this album more than ever, and for the first time, she introduces her banjo playing into two of her recordings. The album’s first single, “That’s Gonna Leave a Mark,” is out now. After a summer of festival sets and headline shows, Tuttle and her new live band lead The Highway Knows tour this fall.
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Molly Tuttle, following back-to-back Grammy-winning albums with her band Golden Highway, along with a Best New Artist nomination, releases her new solo album, So Long Little Miss Sunshine, August 15, 2025, on Nonesuch Records; you can pre-order the album here. Recorded in Nashville with producer Jay Joyce (Orville Peck, Miranda Lambert, Lainey Wilson), the fifth full album from the singer, songwriter, and virtuoso guitarist marks a sonic departure from her recent work and features twelve new songs—eleven originals and one cover, of Icona Pop and Charli xcx’s “I Love It.” The album’s first single, “That’s Gonna Leave a Mark,” which she co-wrote with Kevin Griffin (Better Than Ezra), is also out today.
After a summer of festival sets and headline shows, Tuttle and her new live band lead The Highway Knows tour, starting at Thalia Hall in Chicago on September 10, with shows in Brooklyn Steel in New York and The Fonda in Los Angeles, among many others, culminating at The Fillmore in San Francisco on December 13. Tickets for newly announced dates are on-sale Friday, June 6; all shows are listed below.
Tuttle says, “I’ve been wanting to make this record for such a long time. Part of me was scared to do such a big departure, and that went into the album title.” Eventually she decided, “‘You know what? I’m just not going to care what people think. I’m going to do what I want.’”
She continues, “I wrote ‘That’s Gonna Leave a Mark’ with my friend Kevin Griffin. He has such a brilliant pop sensibility. We reworked it a little bit last year. It’s fun, sort of sassy, and that guitar part is one of my favorites that I play on the record.”
Tuttle’s career has charted a course between honoring bluegrass and stretching its boundaries. One of the most decorated female guitarist alive, she was the first woman to win the prestigious International Bluegrass Music Award’s Guitar Player of the Year in 2017, at age twenty-four, and won again the following year, with nominations nearly every year since; she has also won Americana Music Association’s Instrumentalist of the Year award.
On her new album—a hybrid of pop, country, rock, and flat-picking, plus one murder ballad—Tuttle goes to a whole new place. Her virtuoso guitar work takes center stage on this album more than ever, and for the first time, she introduces her banjo playing into two of her recordings.“I like to be a bit of a chameleon with my music. Keep people guessing and keep it full of surprises,” she says.
So Long Little Miss Sunshine was recorded with drummer/percussionists Jay Bellerose and Fred Eltringham, bassist Byron House, and Joyce on multiple instruments. Ketch Secor (Old Crow Medicine Show) also plays banjo, fiddle, and harmonica, as well as singing harmony; much of the LP was co-written with Secor, who is also Tuttle’s partner. “We spend so much time together, we live together, and anytime I have a song idea, or he has one, it’s just so easy to transition from whatever we’re doing into writing a song.”
Tuttle also conceived the artwork for So Long Little Miss Sunshine, which features multiple Mollys, each wearing a different wig except for one with nothing on her head at all. Tuttle has been bald since she was three years old due to the autoimmune condition alopecia areata; she acts as a spokesperson for the National Alopecia Areata Foundation.
Molly Tuttle's New Album, 'So Long Little Miss Sunshine,' Due August 15 on Nonesuch
Molly Tuttle, following back-to-back Grammy-winning albums with her band Golden Highway, along with a Best New Artist nomination, releases her new solo album, So Long Little Miss Sunshine, August 15, 2025, on Nonesuch Records; you can pre-order the album here. Recorded in Nashville with producer Jay Joyce (Orville Peck, Miranda Lambert, Lainey Wilson), the fifth full album from the singer, songwriter, and virtuoso guitarist marks a sonic departure from her recent work and features twelve new songs—eleven originals and one cover, of Icona Pop and Charli xcx’s “I Love It.” The album’s first single, “That’s Gonna Leave a Mark,” which she co-wrote with Kevin Griffin (Better Than Ezra), is also out today.
After a summer of festival sets and headline shows, Tuttle and her new live band lead The Highway Knows tour, starting at Thalia Hall in Chicago on September 10, with shows in Brooklyn Steel in New York and The Fonda in Los Angeles, among many others, culminating at The Fillmore in San Francisco on December 13. Tickets for newly announced dates are on-sale Friday, June 6; all shows are listed below.
Tuttle says, “I’ve been wanting to make this record for such a long time. Part of me was scared to do such a big departure, and that went into the album title.” Eventually she decided, “‘You know what? I’m just not going to care what people think. I’m going to do what I want.’”
She continues, “I wrote ‘That’s Gonna Leave a Mark’ with my friend Kevin Griffin. He has such a brilliant pop sensibility. We reworked it a little bit last year. It’s fun, sort of sassy, and that guitar part is one of my favorites that I play on the record.”
Tuttle’s career has charted a course between honoring bluegrass and stretching its boundaries. One of the most decorated female guitarist alive, she was the first woman to win the prestigious International Bluegrass Music Award’s Guitar Player of the Year in 2017, at age twenty-four, and won again the following year, with nominations nearly every year since; she has also won Americana Music Association’s Instrumentalist of the Year award.
On her new album—a hybrid of pop, country, rock, and flat-picking, plus one murder ballad—Tuttle goes to a whole new place. Her virtuoso guitar work takes center stage on this album more than ever, and for the first time, she introduces her banjo playing into two of her recordings.“I like to be a bit of a chameleon with my music. Keep people guessing and keep it full of surprises,” she says.
So Long Little Miss Sunshine was recorded with drummer/percussionists Jay Bellerose and Fred Eltringham, bassist Byron House, and Joyce on multiple instruments. Ketch Secor (Old Crow Medicine Show) also plays banjo, fiddle, and harmonica, as well as singing harmony; much of the LP was co-written with Secor, who is also Tuttle’s partner. “We spend so much time together, we live together, and anytime I have a song idea, or he has one, it’s just so easy to transition from whatever we’re doing into writing a song.”
Tuttle also conceived the artwork for So Long Little Miss Sunshine, which features multiple Mollys, each wearing a different wig except for one with nothing on her head at all. Tuttle has been bald since she was three years old due to the autoimmune condition alopecia areata; she acts as a spokesperson for the National Alopecia Areata Foundation.
Molly Tuttle's New Album, 'So Long Little Miss Sunshine,' Due August 15 on Nonesuch
Molly Tuttle, following back-to-back Grammy-winning albums with her band Golden Highway, along with a Best New Artist nomination, releases her new solo album, So Long Little Miss Sunshine, August 15, 2025, on Nonesuch Records; you can pre-order the album here. Recorded in Nashville with producer Jay Joyce (Orville Peck, Miranda Lambert, Lainey Wilson), the fifth full album from the singer, songwriter, and virtuoso guitarist marks a sonic departure from her recent work and features twelve new songs—eleven originals and one cover, of Icona Pop and Charli xcx’s “I Love It.” The album’s first single, “That’s Gonna Leave a Mark,” which she co-wrote with Kevin Griffin (Better Than Ezra), is also out today.
After a summer of festival sets and headline shows, Tuttle and her new live band lead The Highway Knows tour, starting at Thalia Hall in Chicago on September 10, with shows in Brooklyn Steel in New York and The Fonda in Los Angeles, among many others, culminating at The Fillmore in San Francisco on December 13. Tickets for newly announced dates are on-sale Friday, June 6; all shows are listed below.
Tuttle says, “I’ve been wanting to make this record for such a long time. Part of me was scared to do such a big departure, and that went into the album title.” Eventually she decided, “‘You know what? I’m just not going to care what people think. I’m going to do what I want.’”
She continues, “I wrote ‘That’s Gonna Leave a Mark’ with my friend Kevin Griffin. He has such a brilliant pop sensibility. We reworked it a little bit last year. It’s fun, sort of sassy, and that guitar part is one of my favorites that I play on the record.”
Tuttle’s career has charted a course between honoring bluegrass and stretching its boundaries. One of the most decorated female guitarist alive, she was the first woman to win the prestigious International Bluegrass Music Award’s Guitar Player of the Year in 2017, at age twenty-four, and won again the following year, with nominations nearly every year since; she has also won Americana Music Association’s Instrumentalist of the Year award.
On her new album—a hybrid of pop, country, rock, and flat-picking, plus one murder ballad—Tuttle goes to a whole new place. Her virtuoso guitar work takes center stage on this album more than ever, and for the first time, she introduces her banjo playing into two of her recordings.“I like to be a bit of a chameleon with my music. Keep people guessing and keep it full of surprises,” she says.
So Long Little Miss Sunshine was recorded with drummer/percussionists Jay Bellerose and Fred Eltringham, bassist Byron House, and Joyce on multiple instruments. Ketch Secor (Old Crow Medicine Show) also plays banjo, fiddle, and harmonica, as well as singing harmony; much of the LP was co-written with Secor, who is also Tuttle’s partner. “We spend so much time together, we live together, and anytime I have a song idea, or he has one, it’s just so easy to transition from whatever we’re doing into writing a song.”
Tuttle also conceived the artwork for So Long Little Miss Sunshine, which features multiple Mollys, each wearing a different wig except for one with nothing on her head at all. Tuttle has been bald since she was three years old due to the autoimmune condition alopecia areata; she acts as a spokesperson for the National Alopecia Areata Foundation.
An album comprising the first recordings of Steve Reich’s two latest works—Jacob’s Ladder (2023) and Traveler’s Prayer (2020)—is out now on Nonesuch. Jacob's Ladder, performed by the New York Philharmonic, conducted by Jaap van Zweden, and Synergy Vocals, was made during its October 2023 world premiere at Lincoln Center's David Geffen Hall. “Lovely and refreshing," says the New York Classical Review. "Superb." Traveler's Prayer, performed by Colin Currie Group and Synergy Vocals, was made at Tokyo Opera City Concert Hall in 2023. "The tone of its score, from first note to last, is sustained sublimity," says the Los Angeles Times. The two pieces were first released earlier this year digitally and as part of the 27-disc box set Steve Reich Collected Works.
Cécile McLorin Salvant’s new album, Oh Snap, is due September 19. It comprises 12 very personal songs by the singer/composer (plus a cover of a verse from the Commodores’ 1977 hit “Brick House”) mostly recorded outside of a traditional studio environment. The songs showcase her genre-spanning tastes and influences from her 1990s childhood in Miami—from boy bands to grunge to classical to folk—and include party tracks with beats, samba grooves, and quiet folk songs. Salvant wrote the intimate songs as part of a creative quest: To place spontaneity and joy at the center of her writing process. The album features longtime collaborators Sullivan Fortner, Yasushi Nakamura, and Kyle Poole, plus cameos from singers June McDoom and Kate Davis. You can watch a video for the title track here.
