Natalie Merchant’s Cabinet of Wonder—a digital collection of seventeen songs and accompanying videos from the acclaimed singer-songwriter’s collaboration with the Chicago Symphony Orchestra (CSO) and Chicago Children’s Theatre (CCT)—is due August 21, 2026, on Nonesuch Records. The seventeen songs on Cabinet of Wonder reimagine Mother Goose and her rhymes for a new generation of young children through modern interpretations of the classic children’s canon and three originals by Merchant—performed by Merchant, musicians from the CSO and special guests—in orchestral arrangements by Megan Gould. Two songs from the album, “Little Miss Muffet” and “Peter Pumpkin Eater,” along with their videos, are available today.

All of the music was recorded at Chicago’s Electrical Audio with Grammy-winning chief audio engineer Ryan Freeland. Over the seventeen-track collection, myriad musical styles and instruments are introduced to young ears, from the elegant chamber arrangement of “Little Nut Tree” to the brassy Dixieland jazz of “Little Miss Muffet,” the Calypso swing of “Humpty Dumpty” to the Celtic rollick of “Hickory Dickory Dock” and the danceable “The Queen of Hearts.” Music videos highlight performances by Merchant, musicians from the CSO, shadow puppetry by the Chicago-based theater group Manual Cinema, and a cast of twenty-four Chicago children recruited from Chicago Children’s Theatre’s education program.

Designed as a free enrichment program that introduces music, poetry, and the dramatic arts to young children, Cabinet of Wonder represents three years of behind-the-scenes work among the project’s collaborators and the culmination of Merchant's four decades of involvement in children’s arts and education. Merchant has been drawn to working with children since she was in high school and has continued to work with them throughout her life. But the seed for Cabinet of Wonder began germinating eight years ago, during Merchant’s time as artist-in-residence at an upstate New York Head Start preschool program. During her three years there, she began writing songs based on the classic nursery rhymes she had learned from her mother and had passed on to her daughter. Realizing the centuries-old verses could become powerful teaching tools, she built lessons around their delightful language and absurd imagery.

“I wanted to find a way to share all that joyful learning I was witnessing,” she says. “I found wonderful partners in the CSO and Chicago Children’s Theatre. They assembled a remarkable team of creative collaborators, and together, we devised a way to do just that.

“I’ve reached the point in my life where I’m considering what I’ll leave behind. I believe Cabinet of Wonder will be my legacy; every skill that I've acquired over the last forty-five years has gone into this project,” says Merchant—who not only composed, sang, and acted (a dual role as Mother Goose and a librarian-teacher figure named Miss Natalie) but also designed and stitched the costumes, wrote teaching guides, edited the videos with post-production company Abstrakt, and oversaw creative direction for its content-rich website. The site makes available to all, at no charge, all the rhymes, music, photographs, videos, sheet music, teaching guides, and other resources.

After a year of successful pilot programs in Chicago Public Schools (which culminated in concerts with Merchant for 3,000 children at Symphony Center in Chicago), the model is now ready for other school systems and orchestras to replicate.

Releasing in late summer, the digital album brings this unprecedented public arts project to a wider audience. In support, Merchant will spend the 2026-27 school year in partnership with the National Head Start Association, leading teacher training sessions, conducting site visits, attending educational conferences, and collaborating with early childhood education divisions of public and private schools, as the program launches nationwide.