Steve Reich's "Radio Rewrite" to Receive World Premiere, Broadcast Live on BBC Radio 3 "Live in Concert"

Browse by:
Year
Browse by:
Publish date (field_publish_date)
Submitted by nonesuch on
Article Type
Publish date
Excerpt

Radio Rewrite, Steve Reich’s new ensemble work, which draws inspiration from songs by Radiohead, will be premiered at the Royal Festival Hall in London tonight, travelling with the London Sinfonietta to Birmingham, Brighton, and Glasgow this week. The all-Reich program opens with the composer in Clapping Music, and also includes Electric Counterpoint, 2x5, and Double Sextet. Tonight's concert will be broadcast live on BBC Radio 3's Live in Concert. Alarm Will Sound gives the first US performances of Radio Rewrite at Stanford Live and Sheldon Concert Hall in St. Louis later this month.

Copy

Radio Rewrite, Steve Reich’s new ensemble work, which draws inspiration from songs by Radiohead, will be premiered at the Royal Festival Hall in London tonight, travelling with the London Sinfonietta to Birmingham, Brighton, and Glasgow this week. The all-Reich program opens with the composer in Clapping Music, and also includes Electric Counterpoint and recent works 2x5 and Double Sextet, conducted by Brad Lubman. For those unable to attend tonight's premiere, the concert will be broadcast live on BBC Radio 3's Live in Concert starting at 7:30 PM GMT.

Radio Rewrite is co-commissioned by the London Sinfonietta and Alarm Will Sound, which gives the first US performances at Stanford Live on Saturday, March 16, and at Sheldon Concert Hall in St. Louis on Monday, March 18. The 20-minute work is scored for a classic Reich line-up of paired winds, vibes, and pianos, plus string quartet and electric bass. For additional tour details and ticket links, visit nonesuch.com/on-tour.

Reich describes how in Radio Rewrite he references songs by Radiohead, viewing this in the continuing tradition of composers using “pre-existing music (folk or classical) as material for new pieces of their own,” from Renaissance settings of the L’homme armé song through to reworkings by Stravinsky. “It was not my intention to make anything like ‘variations’ on these songs, but rather to draw on their harmonies and sometimes melodic fragments and work them into my own piece. As to actually hearing the original songs, the truth is—sometimes you hear them and sometimes you don’t.”

Reich encountered the music of Radiohead following a performance by Jonny Greenwood of Electric Counterpoint at the Sacrum Profanum festival in Krakow: “It was a great performance and we began talking. I found his background as a violist and his present active role as a composer extremely interesting ... When I returned home I made it a point to go on line and listen to Radiohead’s music and two songs stuck in my head ... The first, third and fifth movements of Radio Rewrite are fast and based on Jigsaw Falling into Place and the second and fourth are slow and based on Everything in Its Right Place.”

In advance of this week's concerts, Steve Reich spoke with the Guardian, Independent, and Herald Scotland for feature articles about the new piece and its place in the larger context of his extensive career. You can read the articles, respectively, at guardian.co.uk, independent.co.uk, and heraldscotland.com.

Reich continues to be a central composer for contemporary dance. Rosas performs Anne Teresa De Keersmaeker’s choreography of Drumming more than 30 times this season including future dates in Berlin, Amsterdam, Paris and London with musicians from Ictus. Reich is composer in residence with the Dutch National Youth Orchestra this summer with repertoire including Music for 18 Musicians, Three Movements, and Tehillim.

featuredimage
Steve Reich by Jay Blakesberg
  • Tuesday, March 5, 2013
    Steve Reich's "Radio Rewrite" to Receive World Premiere, Broadcast Live on BBC Radio 3 "Live in Concert"
    Jay Blakesberg

    Radio Rewrite, Steve Reich’s new ensemble work, which draws inspiration from songs by Radiohead, will be premiered at the Royal Festival Hall in London tonight, travelling with the London Sinfonietta to Birmingham, Brighton, and Glasgow this week. The all-Reich program opens with the composer in Clapping Music, and also includes Electric Counterpoint and recent works 2x5 and Double Sextet, conducted by Brad Lubman. For those unable to attend tonight's premiere, the concert will be broadcast live on BBC Radio 3's Live in Concert starting at 7:30 PM GMT.

    Radio Rewrite is co-commissioned by the London Sinfonietta and Alarm Will Sound, which gives the first US performances at Stanford Live on Saturday, March 16, and at Sheldon Concert Hall in St. Louis on Monday, March 18. The 20-minute work is scored for a classic Reich line-up of paired winds, vibes, and pianos, plus string quartet and electric bass. For additional tour details and ticket links, visit nonesuch.com/on-tour.

    Reich describes how in Radio Rewrite he references songs by Radiohead, viewing this in the continuing tradition of composers using “pre-existing music (folk or classical) as material for new pieces of their own,” from Renaissance settings of the L’homme armé song through to reworkings by Stravinsky. “It was not my intention to make anything like ‘variations’ on these songs, but rather to draw on their harmonies and sometimes melodic fragments and work them into my own piece. As to actually hearing the original songs, the truth is—sometimes you hear them and sometimes you don’t.”

    Reich encountered the music of Radiohead following a performance by Jonny Greenwood of Electric Counterpoint at the Sacrum Profanum festival in Krakow: “It was a great performance and we began talking. I found his background as a violist and his present active role as a composer extremely interesting ... When I returned home I made it a point to go on line and listen to Radiohead’s music and two songs stuck in my head ... The first, third and fifth movements of Radio Rewrite are fast and based on Jigsaw Falling into Place and the second and fourth are slow and based on Everything in Its Right Place.”

    In advance of this week's concerts, Steve Reich spoke with the Guardian, Independent, and Herald Scotland for feature articles about the new piece and its place in the larger context of his extensive career. You can read the articles, respectively, at guardian.co.uk, independent.co.uk, and heraldscotland.com.

    Reich continues to be a central composer for contemporary dance. Rosas performs Anne Teresa De Keersmaeker’s choreography of Drumming more than 30 times this season including future dates in Berlin, Amsterdam, Paris and London with musicians from Ictus. Reich is composer in residence with the Dutch National Youth Orchestra this summer with repertoire including Music for 18 Musicians, Three Movements, and Tehillim.

    Journal Articles:Artist NewsRadio

Enjoy This Post?

Get weekly updates right in your inbox.
Thank you!
x

Welcome to Nonesuch's mailing list!

Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!

Related Posts

  • Monday, November 10, 2025
    Monday, November 10, 2025

    Grammy Award winner Molly Tuttle, who has just been nominated for Grammy Awards for Best Americana Album for her critically acclaimed album So Long Little Miss Sunshine and Best Americana Performance for the track “That’s Gonna Leave A Mark,” has announced a new tour for February: Molly x Marty: Guitars on Fire—The Cosmic Twang Tour, featuring the Molly Tuttle Trio with Marty Stuart & His Famous Superlatives, with shows in Kentucky, Georgia, Alabama, New York, Pennsylvania, and Connecticut. Tuttle's “The Highway Knows Tour,” supporting the Grammy-nominated So Long Little Miss Sunshine. The run concludes December 13 in San Francisco, with a stop at The Fonda in Los Angeles just before, on December 11.

    Journal Topics: Artist NewsOn Tour
  • Friday, November 7, 2025
    Friday, November 7, 2025

    Congratulations to all of the Nonesuch nominees for the 68th Grammy Awards: Molly Tuttle for Best Americana Album for So Long Little Miss Sunshine and Best Americana Performance for the album track "That's Gonna Leave a Mark," Alarm Will Sound for Best Chamber Music/Small Ensemble Performance for Donnacha Dennehy's Land of Winter, Donnacha Dennehy for Best Contemporary Classical Composition for Land of Winter, Rhiannon Giddens and Justin Robinson for Best Folk Album for What Did the Blackbird Say to the Crow, Ambrose Akinmusire for Best Alternative Jazz Album for honey from a winter stone, Brad Mehldau for Alternative Jazz Album for Ride into the Sun, and Bob Mehr for Best Album Notes for Wilco's A Ghost Is Born (20th Anniversary Deluxe Edition).

    Journal Topics: Artist News