Let the Soil Play Its Simple Part is an album of songs written and performed by Caroline Shaw and Sō Percussion. With Shaw on vocals and Sō filling out this new band, they developed songs in the studio, with lyrics inspired by their own wide-ranging interests: James Joyce, the Sacred Harp hymnal, a poem by Anne Carson, the Bible’s Book of Ruth, the American roots tune “I’ll Fly Away,” the pop music of ABBA, and more. 

Chris Thile’s Laysongs is his first truly solo album: just Thile, his voice, and his mandolin, on new recordings of six original songs and three covers, all of which contextualize and banter with his ideas about spirituality. Recorded in a converted upstate New York church during the pandemic, Laysongs features the three-part Salt (in the Wounds) of the Earth, which was inspired by C.S. Lewis’s The Screwtape Letters; a song Thile wrote about Dionysus; a selection from Béla Bartók’s Sonata for Solo Violin; “God Is Alive, Magic Is Afoot” based on Buffy Sainte-Marie’s adaptation of a Leonard Cohen poem; and a Hazel Dickens cover. 

The Black Keys' tenth studio album, Delta Kream, celebrates the band’s roots, featuring eleven Mississippi hill country blues standards they've loved since they were teenagers, before they were a band, including songs by R. L. Burnside and Junior Kimbrough, among others. Dan Auerbach and Patrick Carney recorded Delta Kream at Auerbach’s Easy Eye Sound studio in Nashville; they were joined by musicians Kenny Brown and Eric Deaton, long-time members of the bands of blues legends including Burnside and Kimbrough. The album takes its name from William Eggleston’s iconic Mississippi photograph on its cover.