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Ligeti/Beethoven

News & Reviews

  • Jeremy Denk to Receive 2014 Avery Fisher Prize, Named Saint Paul Chamber Orchestra Artistic Partner

    Pianist Jeremy Denk has been named the 2014 Avery Fisher Prize recipient for his outstanding contributions to the music world and his artistic excellence. As the recipient of this honor, Denk receives a monetary award of $75,000. On a marble plaque in Avery Fisher Hall, his name will join the 21 previous Prize recipients, including Richard Goode and Kronos Quartet. Denk has also been named the Saint Paul Chamber Orchestra's newest Artistic Partner, marking Denk's first appointed position with an orchestra; his tenure will begin in the 2014–15 season.

  • Carnegie Hall 2014–15 Season to Include Jeremy Denk, Richard Goode, Gidon Kremer, Kronos Quartet, Audra McDonald

    Carnegie Hall has announced its 2014–15 concert season, and featured among the performers taking the esteemed hall's stages are a number of artists familiar to readers of the Nonesuch Journal, including Jeremy Denk, Richard Goode, Gidon Kremer, Kronos Quartet, and Audra McDonald, as well as an all–Steve Reich program and the New York premiere of a work by Jonny Greenwood.

About this Album

Click HERE to read Jeremy Denk's Ligeti/Beethoven liner note. 



Nonesuch releases the label debut from acclaimed pianist Jeremy Denk, Ligeti/Beethoven, on May 15, 2012. The solo recording features Ligeti’s Piano Études, Books One and Two, which Denk memorably performed in a series of recitals in 2011. The New York Times said his reading of the works left “audience members grasping for superlatives at intermission.” The sets of études, six from Book One and seven from Book Two, bookend Denk’s recording of Beethoven’s Sonata No. 32 in C Minor, Op. 111, on the album. The Times said of Denk’s 2010 Mostly Mozart Festival performance of the work: “This account, alive to every suggestion and nuance in the score, was an absolute joy to witness. Mr. Denk, clearly, is a pianist you want to hear no matter what he performs, in whatever combination—both for his penetrating intellectual engagement with the music and for the generosity of his playing.”

In his Ligeti/Beethoven liner note, Denk explains his reasons for recording these works together: “One curious connection…is the way both Ligeti and Beethoven relate themselves to jazz (and to syncopation, rhythmic dislocation generally). Many people get disturbed, or confused, by Beethoven’s anachronistic boogie-woogie; but I can’t help thinking that however unlikely, this is an outgrowth, too, of ecstasies latent in the holy theme. There is a sense of ecstasy, too, in the discombobulations of Ligeti …

“But the most significant connection for me is between Beethoven’s vast timeless canvas and Ligeti’s bite-sized bits of infinity. Almost every étude visits the infinite; Ligeti uses it almost as a kind of cadence, a reference point. From simplicity, he ranges into unimaginable complexity; he wanders to the quietest and loudest extremes; he veers off the top and bottom of the keyboard. Always the infinite is lurking around, reminding you that it’s not impossible, that it exists. I think of the way, among other things, Beethoven drifts off at the end of the Arietta, the way he indicates ending without ending, implies an infinite space of silence surrounding the work.”

Jeremy Denk has steadily built a reputation as one of today’s most compelling and persuasive artists with an unusually broad repertoire. He has appeared as soloist with many major orchestras, including the Atlanta, Dallas, Houston, New World, St. Louis, and San Francisco symphonies, The Philadelphia Orchestra, Orchestra of St. Luke’s, Orpheus Chamber Orchestra, and Philharmonia Orchestra in London. He appears often in recital in New York, Washington, Boston, and Philadelphia. Denk maintains working relationships with a number of living composers and has participated in many premieres. Denk’s recording of music by Charles Ives, released on his own Think Denk Media label, made many Best of 2010 lists, including those of the New York Times, Boston Globe, Washington Post, and New York magazine. He also is an avid chamber musician and a respected writer, both on his blog and in such publications as The New Yorker.

Credits

MUSICIANS
Jeremy Denk, piano

PRODUCTION CREDITS
Produced by Adam Abeshouse
Recorded September 2011 by Adam Abeshouse at SUNY Purchase Performing Arts Center Recital Hall, Purchase, NY
Mixed and Mastered by Adam Abeshouse

Design by Evan Gaffney
Photography by Michael Wilson

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