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Iron and Wine

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  • January 29, 2015

    Singer, songwriter, and multi-instrumentalist Rhiannon Giddens joined Iron & Wine singer, songwriter, and guitarist Sam Beam on NBC tonight for a performance of Bob Dylan's "Forever Young" on the series finale of Parenthood. Dylan's recording, from the 1974 album Planet Waves, has been the show's theme song since it first aired. The new version by Giddens and Iron & Wine, which they played during the episode, is available digitally from Nonesuch Records on iTunes and in the Nonesuch Store. You can hear it here.

  • September 08, 2014

    The Brooklyn Academy of Music's wide-ranging series of concerts and events Nonesuch Records at BAM: Celebrating a Label Without Labels, celebrating the 50th anniversary of Nonesuch Records, kicks off Tuesday night with the first of three consecutive nights of concerts from Philip Glass and Steve Reich plus a separate solo set from Brad Mehldau and continues through September 28. The New York Times says the series "reflects the broad curiosity and high standard of a label that has had notable successes ... with no guiding criteria other than instinct and taste." In conjunction with these events, BAMcinématek presents Nonesuch Records on Film, a salute to the label’s rich catalogue of movie soundtracks.

  • about Iron and Wine

    Iron and Wine makes its Nonesuch Records debut with Ghost on Ghost in the US on April 16, 2013 (April 15 on 4AD in Europe, Japan, Australia and New Zealand). Ghost on Ghost is the fifth release from singer-songwriter Sam Beam, using the pen name Iron and Wine. The album was produced by Beam’s longtime associate Brian Deck (Modest Mouse, Califone, Fruit Bats) and follows 2011’s Kiss Each Other Clean, which debuted at #2 on the Billboard chart to critical acclaim. Iron and Wine will support the new release with tour dates throughout 2013, to be announced soon. A special pre-order at ironandwine.com also will be announced soon.

    Rolling Stone said of Kiss Each Other Clean that “pop music hadn’t seen anything like it since the heyday of Cat Stevens,” while Pitchfork said it “more closely resembles the lush, gold-toned singer songwriter records of the late 60s and early 70s—Astral Weeks, Goodbye Yellow Brick Road.”

    For Ghost on Ghost, Beam sought to move from what he called the “anxious tension” of his two previous records. “This record felt like a reward to myself after the way I went about making the last few,” he says.

    Helping achieve Beam’s vision was a group of stellar musicians including Rob Burger, Steve Bernstein, Brian Blade, Curtis Fowlkes, Tony Garnier, Marika Hughes, Briggan Kraus, Maxim Moston, Tony Scherr, Doug Wieselman, Kenny Wolleson, and Anja Wood. Burger (Tin Hat Trio) has worked with Beam intermittently through the years and handled arrangements for strings and horns on Ghost on Ghost. For the album’s cover, Beam, who is also a visual artist, chose an image from the series “Private Views” by noted photographer Barbara Crane.

    The first three Iron and Wine albums, released on Sub Pop, were The Creek Drank the Cradle (2002), Our Endless Numbered Days (2004), and The Shepherd’s Dog (2007).

on January 15, 2013 - 12:07pm

Iron and Wine makes its Nonesuch Records debut with Ghost on Ghost in the US on April 16, 2013 (April 15 on 4AD in Europe, Japan, Australia and New Zealand). Ghost on Ghost is the fifth release from singer-songwriter Sam Beam, using the pen name Iron and Wine. The album was produced by Beam’s longtime associate Brian Deck (Modest Mouse, Califone, Fruit Bats) and follows 2011’s Kiss Each Other Clean, which debuted at #2 on the Billboard chart to critical acclaim. Iron and Wine will support the new release with tour dates throughout 2013, to be announced soon. A special pre-order at ironandwine.com also will be announced soon.

Rolling Stone said of Kiss Each Other Clean that “pop music hadn’t seen anything like it since the heyday of Cat Stevens,” while Pitchfork said it “more closely resembles the lush, gold-toned singer songwriter records of the late 60s and early 70s—Astral Weeks, Goodbye Yellow Brick Road.”

For Ghost on Ghost, Beam sought to move from what he called the “anxious tension” of his two previous records. “This record felt like a reward to myself after the way I went about making the last few,” he says.

Helping achieve Beam’s vision was a group of stellar musicians including Rob Burger, Steve Bernstein, Brian Blade, Curtis Fowlkes, Tony Garnier, Marika Hughes, Briggan Kraus, Maxim Moston, Tony Scherr, Doug Wieselman, Kenny Wolleson, and Anja Wood. Burger (Tin Hat Trio) has worked with Beam intermittently through the years and handled arrangements for strings and horns on Ghost on Ghost. For the album’s cover, Beam, who is also a visual artist, chose an image from the series “Private Views” by noted photographer Barbara Crane.

The first three Iron and Wine albums, released on Sub Pop, were The Creek Drank the Cradle (2002), Our Endless Numbered Days (2004), and The Shepherd’s Dog (2007).

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Iron and Wine made its Nonesuch Records debut with Ghost on Ghost in the US in 2013 (on 4AD elsewhere). Ghost on Ghost is the fifth release from singer-songwriter Sam Beam, using the pen name Iron and Wine. The album was produced by Beam’s longtime associate Brian Deck (Modest Mouse, Califone, Fruit Bats) and follows 2011’s Kiss Each Other Clean, which debuted at #2 on the Billboard chart to critical acclaim. The first three Iron and Wine albums, released on Sub Pop, were The Creek Drank the Cradle (2002), Our Endless Numbered Days (2004), and The Shepherd’s Dog (2007).

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