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  • Cécile McLorin Salvant

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  • May 12, 2022

    Cécile McLorin Salvant has released a video of her performing Harold Arlen, Yip Harburg, and Herbert Stothart's "Optimistic Voices" and Gregory Porter's "No Love Dying," from her Nonesuch debut album, Ghost Song, with Sullivan Fortner on piano, Marvin Sewell on guitar, Alexa Tarantino on flute, and Keita Ogawa on percussion. You can watch it below. Salvant and the band will give the New York premiere performance of Ghost Song in two shows at Jazz at Lincoln Center's Rose Theater tonight and on Friday. Tonight's performance will also stream live and will be available on demand through May 18. 

  • May 3, 2022

    Congratulations to Cécile McLorin Salvant and Mary Halvorson, who have won the Jazz Journalists Association's 2022 JJA Jazz Awards: Salvant as Female Vocalist of the Year and Halvorson as Guitarist of the Year. Kudos also to Christian McBride, who has been named Bassist of the Year.

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About Cécile McLorin Salvant

  • Singer/songwriter Cécile McLorin Salvant makes her Nonesuch Records debut with the release of Ghost Song on March 4, 2022. The new album features a diverse mix of seven originals and five interpretations on the themes of ghosts, nostalgia, and yearning. Salvant says, “It’s unlike anything I’ve done before—it’s getting closer to reflecting my personality as an eclectic curator. I’m embracing my weirdness!” A video for the album track “Ghost Song,” written by Salvant, can be seen below. Nonesuch Store pre-orders of Ghost Song include an exclusive, limited edition signed artwork by Salvant while they last.

    Salvant says of the title track, out now, “What if the love has gone, the love has left you and you have the emotions around that, and you’re still going through them, still engaging with the ghost of that love?” She continues, “Some songs are so painful to come out but this one came out pretty quickly. I’ve had some loss the last couple of years: my grandmother, the drummer in my band [Lawrence Leathers].”

    Ghost Song opens and ends with a sean-nós (traditional Irish unaccompanied vocal style) performance by Salvant, recorded in a church. On track one, she transitions into Kate Bush’s 1978 classic “Wuthering Heights.” Salvant says of the song, “Wuthering Heights is a book that really struck me to my core as I was making this album, during the pandemic. And the best interpretation of the novel is Kate Bush’s song.”

    She continues, “It’s the most classic ghost story. I decided I wanted to do an album called Ghost Song, and I knew that one had to be on it. Then I had the idea to mix it in with the sean-nós ‘Cúirt Bhaile Nua,’ which binds it to the traditional ‘Unquiet Grave,’ the last track on the album. The ghost is not haunting me; now I am haunting the ghost. They parallel each other so well and they’re such different time periods. I wanted the album to be a circle, with the sean-nós reference at the beginning and at the end. So it is the first track but it’s also the last track and it’s also the middle track, which is how I listen to music, walking around my neighborhood, on a plane, travelling somewhere, putting stuff on repeat.”

    “All the songs on the album kind of mirror each other. I tried to create this strange symmetry. So as you go in from both ends, the songs are sort of matched together,” Salvant says. “‘I Lost my Mind’ is the center of the Russian doll. I wrote that in the middle of the pandemic. There were nights when I wanted to just scream. It was this deeper part of me saying, ‘It’s OK if this sounds completely crazy, OK to just go with the completely crazy thing and not worry if people think you have lost your mind for doing it.’

    “The bands also mirror each other from top to bottom. In terms of the instrumentation, everything,” Salvant explains. “That’s why the songs are there in that relationship: they match each other, they’re like fraternal twins, or one is the evil twin of the other. I, as the living, am visited by the ghost, and then I go visit the ghost in turn. I am haunting the ghost and annoying the ghost, which is saying, ‘Get out of here and go live.’”

    Of the sonic variety on Ghost Song, Salvant says, “Texture is a big part of how I sing, having multiple textures in one song. It’s almost a compulsion. I can’t allow myself to stay in one texture. The instrumentation creates that but the recording process as well. It’s something I like, even when I’m eating. You want the creamy and chewy and crunchy at the same time. Warm and cold.”

    Cécile McLorin Salvant, a 2020 MacArthur Fellow and three-time Grammy Award winner, is a singer and composer bringing historical perspective, a renewed sense of drama, and an enlightened musical understanding to both jazz standards and her own original compositions. Classically trained, steeped in jazz, blues, and folk, and drawing from musical theater and vaudeville, Salvant embraces a wide-ranging repertoire that broadens the possibilities for live performance.

    Salvant’s performances range from spare duets for voice and piano to instrumental trios to orchestral ensembles. Her unreleased work Ogresse is an ambitious long-form song cycle based on oral fairy tales from the nineteenth century that explores the nature of freedom and desire in a racialized, patriarchal world. Salvant studied at the Université Pierre Mendès-France. She has performed at national and international venues and festivals such as the Newport Jazz Festival, the Monterey Jazz Festival, the Village Vanguard, and the Kennedy Center. Salvant is also a visual artist.

Cécile McLorin Salvant

Tour

Mon, May 23
New York, NY
Stern Auditorium, Carnegie Hall
Mon, May 23
New York, NY
Stern Auditorium, Carnegie Hall
Thu, Jun 2
Minneapolis, MN
Dakota
Thu, Jun 2
Minneapolis, MN
Dakota
Thu, Jun 2
Minneapolis, MN
Dakota
Thu, Jun 2
Minneapolis, MN
Dakota
Fri, Jun 3
Chicago, IL
Symphony Center
Fri, Jun 3
Chicago, IL
Symphony Center
Fri, Jun 10
Charleston, SC
Charleston Gaillard Center
Fri, Jun 10
Charleston, SC
Charleston Gaillard Center
Fri, Jun 24
Ottawa, ON
National Arts Centre Studio
Fri, Jun 24
Ottawa, ON
National Arts Centre Studio
Mon, Jun 27
Vancouver, BC
The Vancouver Playhouse
Mon, Jun 27
Vancouver, BC
The Vancouver Playhouse
Wed, Jun 29
Edmonton, AB
Winspear Centre
Wed, Jun 29
Edmonton, AB
Winspear Centre
Thu, Jun 30
Victoria, BC
Royal Theatre
Thu, Jun 30
Victoria, BC
Royal Theatre
Sat, Jul 2
Montréal, QC
Monument-National
Sat, Jul 2
Montréal, QC
Monument-National
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on October 8, 2020 - 5:24pm
Sort Name: 
Salvant
Artist Position: 
4.00
Artist Genre: 
Biography (Excerpt): 

Singer/songwriter Cécile McLorin Salvant's Nonesuch Records debut album, Ghost Song, features a diverse mix of seven originals and five interpretations on the themes of ghosts, nostalgia, and yearning. Salvant says, “It’s unlike anything I’ve done before—it’s getting closer to reflecting my personality as an eclectic curator. I’m embracing my weirdness!” 

Biography: 

Singer/songwriter Cécile McLorin Salvant makes her Nonesuch Records debut with the release of Ghost Song on March 4, 2022. The new album features a diverse mix of seven originals and five interpretations on the themes of ghosts, nostalgia, and yearning. Salvant says, “It’s unlike anything I’ve done before—it’s getting closer to reflecting my personality as an eclectic curator. I’m embracing my weirdness!” A video for the album track “Ghost Song,” written by Salvant, can be seen below. Nonesuch Store pre-orders of Ghost Song include an exclusive, limited edition signed artwork by Salvant while they last.

Salvant says of the title track, out now, “What if the love has gone, the love has left you and you have the emotions around that, and you’re still going through them, still engaging with the ghost of that love?” She continues, “Some songs are so painful to come out but this one came out pretty quickly. I’ve had some loss the last couple of years: my grandmother, the drummer in my band [Lawrence Leathers].”

Ghost Song opens and ends with a sean-nós (traditional Irish unaccompanied vocal style) performance by Salvant, recorded in a church. On track one, she transitions into Kate Bush’s 1978 classic “Wuthering Heights.” Salvant says of the song, “Wuthering Heights is a book that really struck me to my core as I was making this album, during the pandemic. And the best interpretation of the novel is Kate Bush’s song.”

She continues, “It’s the most classic ghost story. I decided I wanted to do an album called Ghost Song, and I knew that one had to be on it. Then I had the idea to mix it in with the sean-nós ‘Cúirt Bhaile Nua,’ which binds it to the traditional ‘Unquiet Grave,’ the last track on the album. The ghost is not haunting me; now I am haunting the ghost. They parallel each other so well and they’re such different time periods. I wanted the album to be a circle, with the sean-nós reference at the beginning and at the end. So it is the first track but it’s also the last track and it’s also the middle track, which is how I listen to music, walking around my neighborhood, on a plane, travelling somewhere, putting stuff on repeat.”

“All the songs on the album kind of mirror each other. I tried to create this strange symmetry. So as you go in from both ends, the songs are sort of matched together,” Salvant says. “‘I Lost my Mind’ is the center of the Russian doll. I wrote that in the middle of the pandemic. There were nights when I wanted to just scream. It was this deeper part of me saying, ‘It’s OK if this sounds completely crazy, OK to just go with the completely crazy thing and not worry if people think you have lost your mind for doing it.’

“The bands also mirror each other from top to bottom. In terms of the instrumentation, everything,” Salvant explains. “That’s why the songs are there in that relationship: they match each other, they’re like fraternal twins, or one is the evil twin of the other. I, as the living, am visited by the ghost, and then I go visit the ghost in turn. I am haunting the ghost and annoying the ghost, which is saying, ‘Get out of here and go live.’”

Of the sonic variety on Ghost Song, Salvant says, “Texture is a big part of how I sing, having multiple textures in one song. It’s almost a compulsion. I can’t allow myself to stay in one texture. The instrumentation creates that but the recording process as well. It’s something I like, even when I’m eating. You want the creamy and chewy and crunchy at the same time. Warm and cold.”

Cécile McLorin Salvant, a 2020 MacArthur Fellow and three-time Grammy Award winner, is a singer and composer bringing historical perspective, a renewed sense of drama, and an enlightened musical understanding to both jazz standards and her own original compositions. Classically trained, steeped in jazz, blues, and folk, and drawing from musical theater and vaudeville, Salvant embraces a wide-ranging repertoire that broadens the possibilities for live performance.

Salvant’s performances range from spare duets for voice and piano to instrumental trios to orchestral ensembles. Her unreleased work Ogresse is an ambitious long-form song cycle based on oral fairy tales from the nineteenth century that explores the nature of freedom and desire in a racialized, patriarchal world. Salvant studied at the Université Pierre Mendès-France. She has performed at national and international venues and festivals such as the Newport Jazz Festival, the Monterey Jazz Festival, the Village Vanguard, and the Kennedy Center. Salvant is also a visual artist.

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Facebook URL: 
https://www.facebook.com/CecileMcLorinSalvantMusic
Twitter URL: 
https://twitter.com/cecilesalvant
Instagram URL: 
https://www.instagram.com/cecilemclorinsalvant/
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Tour

Mon, May 23
New York, NY
Stern Auditorium, Carnegie Hall
Mon, May 23
New York, NY
Stern Auditorium, Carnegie Hall
Thu, Jun 2
Minneapolis, MN
Dakota
Thu, Jun 2
Minneapolis, MN
Dakota
Thu, Jun 2
Minneapolis, MN
Dakota
Thu, Jun 2
Minneapolis, MN
Dakota
Fri, Jun 3
Chicago, IL
Symphony Center
Fri, Jun 3
Chicago, IL
Symphony Center
Fri, Jun 10
Charleston, SC
Charleston Gaillard Center
Fri, Jun 10
Charleston, SC
Charleston Gaillard Center
Fri, Jun 24
Ottawa, ON
National Arts Centre Studio
Fri, Jun 24
Ottawa, ON
National Arts Centre Studio
Mon, Jun 27
Vancouver, BC
The Vancouver Playhouse
Mon, Jun 27
Vancouver, BC
The Vancouver Playhouse
Wed, Jun 29
Edmonton, AB
Winspear Centre
Wed, Jun 29
Edmonton, AB
Winspear Centre
Thu, Jun 30
Victoria, BC
Royal Theatre
Thu, Jun 30
Victoria, BC
Royal Theatre
Sat, Jul 2
Montréal, QC
Monument-National
Sat, Jul 2
Montréal, QC
Monument-National
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