This 8-CD Super Deluxe Edition of Yankee Hotel Foxtrot, Wilco’s 2002 Nonesuch debut, comprises the original album, remastered for its 20th anniversary in 2022, plus 82 previously unreleased tracks. Includes demos, drafts, and instrumentals, charting the making of the album; a live 2002 concert recording; and a September 2001 radio performance and interview. The set also includes a new book featuring an interview with Jeff Tweedy, Glenn Kotche, and Jim O’Rourke; an in-depth essay by journalist/author Bob Mehr; and previously unseen photos of the band making the album in their Chicago studio. On Yankee Hotel Foxtrot, the band delivers a thrillingly experimental work that scored a perfect 10 on Pitchfork, which hailed the album as “complex and dangerously catchy, lyrically sophisticated and provocative, noisy and somehow serene … simply a masterpiece.” Uncut called it “a stone-cold classic.”

This 2-CD Expanded Edition of Yankee Hotel Foxtrot, Wilco’s 2002 Nonesuch debut, includes the original album, remastered for its 20th anniversary in 2022, plus 18 previously unreleased tracks—“The Unified Theory of Everything” alternate album versions plus bonus tracks. On Yankee Hotel Foxtrot, the band delivers a thrillingly experimental work that scored a perfect 10 on Pitchfork, which hailed the album as “complex and dangerously catchy, lyrically sophisticated and provocative, noisy and somehow serene … simply a masterpiece.” Uncut called it “a stone-cold classic.”

The forty-disc box set John Adams Collected Works features recordings spanning more than four decades of the composer’s career with the label, plus two extensive booklets with new essays and notes by Timo Andres, Julia Bullock, Robert Hurwitz, Nico Muhly, and Jake Wilder-Smith. Nonesuch made its first record with John Adams in 1985; he was signed exclusively to the label that year, and since then the company has released forty-two first recordings and thirty-one all-Adams albums. “John Adams coming to the label was one of the central events in our company’s history,” says Robert Hurwitz, Nonesuch’s longtime President and current Chairman Emeritus. “The recordings were done in real time, mostly within a few months of a piece’s first performance. Every recording was either conducted by John, or made under close supervision of the composer, who was in the control booth for every album—when he wasn’t on the podium.” Collected Works includes thirty-five discs of Nonesuch recordings and five from other labels.