New Releases
-
July 17, 2020Lianne La Havas's self-titled, third album spans the arc of a relationship. "What plays a big role in the album is the idea of the life cycle of plants and nature—equating this journey with a seasonal thing that blooms, thrives, goes away, and comes back even stronger," she says. Its musical references are as varied as Milton Nascimento, Joni Mitchell, Jaco Pastorious, Al Green, and Destiny’s Child. In keeping with the album's intimate feel, everyone who contributed is a trusted collaborator, including longtime songwriting ally Matt Hales, co-producer Beni Giles, and guest co-producer Mura Masa. Pre-order to download three tracks now.
-
Lianne La Havas's self-titled, third album spans the arc of a relationship. "What plays a big role in the album is the idea of the life cycle of plants and nature—equating this journey with a seasonal thing that blooms, thrives, goes away, and comes back even stronger," she says. Its musical references are as varied as Milton Nascimento, Joni Mitchell, Jaco Pastorious, Al Green, and Destiny’s Child. In keeping with the album's intimate feel, everyone who contributed is a trusted collaborator, including longtime songwriting ally Matt Hales, co-producer Beni Giles, and guest co-producer Mura Masa. Pre-order to download three tracks now.
-
The members of the original Joshua Redman Quartet—Redman (saxophone), Brad Mehldau (piano), Christian McBride (bass), and Brian Blade (drums)—reunite with RoundAgain, the group’s first recording since 1994’s MoodSwing. The album features seven newly composed songs: three from Redman, two from Mehldau, and one each from McBride and Blade. Pre-order to download the track "Right Back Round Again" now.
-
The Magnetic Fields’ Quickies five 7" vinyl box set is twenty-eight new short songs by Stephin Merritt, ranging in length from thirteen seconds to two minutes and thirty-five seconds, performed by Merritt and band members Sam Davol, Claudia Gonson, Shirley Simms, and John Woo, along with longtime friends and collaborators Chris Ewen, Daniel Handler, and Pinky Weitzman. "Pop’s pithiest songwriter strikes again," says Uncut; "28 delightfully barbed Merritt miniatures." Now available digitally; vinyl due May 29; CD due June 19. Pre-order vinyl or CD in the Nonesuch Store to get an exclusive, limited-edition print autographed by Merritt.
-
I Still Play is eleven new solo piano compositions by artists who have recorded for Nonesuch Records, written in honor of the label’s longtime President Bob Hurwitz on the occasion of his 2017 shift into the Chairman Emeritus role. The album features works by John Adams, Laurie Anderson, Timo Andres, Louis Andriessen, Donnacha Dennehy, Philip Glass, Nico Muhly, Brad Mehldau, Steve Reich, Pat Metheny, and Randy Newman, performed by Andres, Mehldau, Newman, and Jeremy Denk.
-
“We made this song in a very un-socially distanced time, a few years ago," Rhiannon Giddens says of her take on Bill Withers' "Just the Two of Us" featuring Sxip Shirey. "When Bill Withers passed, we suddenly remembered we had made this and thought it would serve as the perfect backdrop to the reality of where we are now—staying inside so that our healthcare workers have the best chance to fight this virus that cares nothing for the artificial divisions we have put up between us." Proceeds go to Global Giving’s Coronavirus Relief Fund.
-
On Mountain Man Sings Kacey Musgraves, the trio performs “Slow Burn” from Musgraves’ 2018 album, Golden Hour. "We are all huge fans of Kacey Musgraves,” says the band. "'Slow Burn' embodies the magic of the unfolding of life, the power of being present and patient and knowing that sometimes things just take time. Like following a thread—it requires attention and curiosity.”
-
Randy Newman's "Stay Away" is a call for social distancing in the fight against COVID-19. Proceeds support the Ellis Marsalis Center for Music's efforts to broaden opportunities for underserved children and young musicians in New Orleans' Ninth Ward.
-
Early James's debut album, Singing for My Supper (Easy Eye Sound/Nonesuch Records), spans hard-charging blues, wistful folk, and ages-old pop crooning, anchored by the singer's voice that oscillates from gravel-gruff shout to a honey-smooth whisper. James' inspirations run from Fiona Apple and Tom Waits to the Southern gothic poets, as heard in the album's darker themes and in the wry humor with which he writes about them. He "dazzles on his luminous debut," says Mojo, "this astonishingly assured album."