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Pull Up Some Dust and Sit Down

News & Reviews

  • Watch: Ry Cooder Sings "The Mutt Romney Blues"

    Ry Cooder, having just premiered one new song, “Going to Tampa,” has now lent another new song, “The Mutt Romney Blues,” to a short satirical video by the progressive activists Brave New Films. The song and video tell the now well-known tale of the unusual al fresco car ride of Mitt Romney’s dog, only this time from a decidedly different perspective: that of the trusty pooch himself. This dog’s tune is, of course, a blues. Watch the video here.

  • Hear Ry Cooder's New Song, "Going to Tampa," Following Its Premiere Via The New Yorker

    Ry Cooder has unveiled a new song: "Going to Tampa." The song, which premiered via The New Yorker's News Desk blog, follows in the spirit of his recent song "Wall Street Part of Town" and his album Pull Up Some Dust and Sit Down, and looks ahead to the Republican National Convention, painting a picture of what could come as only Cooder can. Listen to the song here.

About this Album

THERE'S YOU, THE CITIZEN, RUNNING IN CIRCLES LIKE A HEADLESS CHICKEN. AND THERE THEY ARE, THERE THEY ALL ARE, HERDING YOU FASTER AND FASTER THROUGH THE CIRCLE MAZE OF LIES AND DISTRACTION. WHO CAN YOU BELIEVE, WHO WILL THROW OUT THE LIFE LINE?

YOU NEED SIMPLE TOOLS, AND THAT'S WHAT THESE SONGS ARE ALL ABOUT. LEARN HOW JOHN LEE HOOKER WILL FIX THE SUPREME COURT IF ELECTED. LEARN A STIRRING NEW WAR-WITHOUT-END CHRISTMAS SING ALONG. STUDY THE REPORT ON THE NEW-TIME JIM CROW HEAVEN BILL #1070. WHAT DOES THE OUTLAW JESSE JAMES HAVE IN MIND FOR GOLDMAN SACHS? WHY DOES GOD HATE TELEVISION? AND THERE'S MORE...

EVERY SONG A REVELATION, A BEACON OF LIGHT IN THE ENDLESS TUNNEL OF MODERN LIFE, AND IT CAN BE YOURS.

Ry Cooder's new album, Pull Up Some Dust and Sit Down, was released by Nonesuch/Perro Verde Records on August 30, 2011. Uncut calls it "one of his best albums ever ... an impassioned portrait of 21st century America and its injustices" in which Cooder is "remade as a modern-day Woody Guthrie, fearless and funny, for like Guthrie he nails his targets with droll humour while empathising with society's underdogs."

Ry Cooder premiered the album's opening track "No Banker Left Behind" on Truthdig Radio. On the program, Truthdig's Editor-in-Chief Robert Scheer said of the album: "It's right up there with John Lennon's Working Class Hero, which I think trumps just about anything else as far as taking serious, political observations and putting them to music ... It's just a great album."

You can listen to "No Banker Left Behind" here:

Credits

MUSICIANS
Ry Cooder, vocal (1-13), guitar (1, 3-5, 7-13), mandola (1, 5), banjo (1), bass (1-4, 8, 12), bajo sexto (2, 6, 10), marimba (5, 11), keyboards (8), mandolin (12)
Joachim Cooder, drums (1-6, 10-13), bass (5)
Flaco Jimenez, accordion (2, 6, 10)
Arturo Gallardo, clarinet (2), alto sax (10)
Erasto Robles, trombone (2)
Carlos Gonzales, trumpet (2)
Pablo Molina, sousaphone, alto horn (2)
Edgar Castro, percussion (2)
Juliette Commagere, background vocals (4, 11)
Jesus Guzman, Raul Cuellar, Jimmy Cuellar, Ismael Hernandez, violins (4)
Terry Evans, Arnold McCuller, Willie Green, background vocals (5, 8, 13)
Robert Francis, bass (6)
Jim Keltner, drums (8)
Rene Camacho, bass (10, 11)
Robert Francis, bass (13)

PRODUCTION CREDITS
Produced by Ry Cooder
Recorded and mixed by Martin Pradler at Wireland Studios, Chatsworth, CA, Ocean Studios, Burbank, CA, and Drive-By Studios, North Hollywood, CA
Mastered by Bernie Grundman at Grundman Mastering

All songs written by Ry Cooder, Hi-Lo Shag Music, BMI, except for “Lord Tell Me Why,” by Ry Cooder, Hi-Lo Shag Music, BMI / Jim Keltner, OOOEEE Music, ASCAP

Art Direction: Ry Cooder, Al Quattrocchi & Jeff Smith
Design: Tornado Design, Los Angeles

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