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The Knee Plays

  • 303228

News & Reviews

  • The David Byrne–curated Meltdown festival gets under way at the Southbank Centre in London tonight, continuing through Sunday, August 30. Among Meltdown's many special events, Byrne and band celebrate African funk master William Onyeabor, he joins Young Jean Lee for the London debut of We’re Gonna Die, and Jonny Greenwood and LCO perform his score to There Will Be Blood at a screening of the film. BBC Radio 6 Music celebrates with a series of programs featuring Byrne, including his debut as a 6 Music presenter. "It’s a lot of fun when you do these kind of things you can introduce music," says Byrne, "and people will give you the benefit of the doubt and give it a listen which is a little bit of what’s it’s about."

  • David Byrne is the guest on the latest episode of WTF with Marc Maron. "For many people, including Marc, David Byrne has served as a tour guide through a new frontier of creativity," says the show. "The frontman for Talking Heads sits down with Marc to talk about forming the preeminent new wave band of the 20th century and then branching out on his own to create work in theater, film, ballet, opera and, most recently, the world of competitive color guard performances."

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  • About This Album

    This re-mastered album was first recorded in 1985 and has never before been released on CD. The release includes the 12 original tracks, eight bonus tracks, previously unseen visual materials, and a full-length DVD slideshow with music featuring 400 black-and-white photographs by JoAnn Verburg of the original staging.

    The Knee Plays grew out of a relationship between David Byrne and avant-garde stage director and playwright Robert Wilson. In 1983, while preparing a piece entitled the CIVIL WarS to be performed at the 1984 Olympic Games in Los Angeles, Wilson invited Byrne to score the “knee plays”—or entr’actes—that would come in between each of the plays that would make up the days-long theatrical epic. Inspired by Wilson’s experimental creative process and the Dirty Dozen Brass band, whom he had heard on a trip to New Orleans, Byrne created a score in twelve parts that showcased the traditional harmonies of the brass ensemble. “I thought … their funky riffing and incredible feel would be an unexpected yet mesmerizing juxtaposition to Bob’s usually cool stage pictures,” Byrne writes. Taken together, the twelve knee plays would tell the story of a group of people “as they make a boat out of a tree and travel to strange and foreign lands,” according to Byrne.

    Adding spoken-word text to the musical mix, Byrne took further inspiration from the Surrealists and John Cage. “None of [this] related to Bob’s story,” Byrne explains. “When you look up at the clouds in the city, and the sound you hear is hip hop and traffic noises, well, that’s the score for the cloud image—you just accept it. So why not accept similar connections on stage?”

    In 1985, Byrne recorded the score in Los Angeles and the album was released later that year on ECM Records. “It’s a strange musical mélange,” Byrne says of the recording. “The swinging brass and percussion sometimes become mesmerizing and trancelike.”

    While the longer theatrical epic was never performed, Byrne and Wilson’s The Knee Plays was staged at Lincoln Center in 1986 and toured worldwide. The music was performed in concert in 2007. The New York Times called the 1986 performance “one of Mr. Wilson’s most sheerly enjoyable and accessible works” and described Byrne’s contributions as “integral to the piece.”

    Visit kneeplays.com for more info.

    Credits

    MUSICIANS
    David Byrne, voice
    Trumpets: (1-4, 11) Chuck Findley, Nolan Smith, Ray Brown, Rich Cooper; (5-11) Harry Kim, Nolan Smith, Ray Brown, Rich Cooper
    Saxophones: (1-4, 11) Peter Christlieb, Ernie Watts, Don Myric; (5-10, 12) Peter Christlieb, Jackie Kelso
    Baritones: Ernie Fields, Bill Green
    Trombones: Phil Teil, David Stout, Fred Wesley, Garnett Brown, Dana Hughes
    Drums: Paul Humphrey
    Percussion: Bobbye Hall, Chuck Findley, Ernie Watts
    Instruments on Kabuki bonus tracks 16-20: ookawa, oodaiko, bells, emu ii, Rhodes, fue, taiko, tsuzumi, vocals, bowed cymbals

    PRODUCTION CREDITS
    Produced by David Byrne
    Recorded at One on One Studio & Studio Sound Recorders, North Hollywood, 1984
    Engineered by Joel Moss and Mark Wolfson
    Mixed by David Byrne and Dominick Maita at RPM Studio, 1984, assisted by Mike Krowiak
    Arranged by David Byrne and David Blumberg
    Conducted by David Blumberg
    Kabuki bonus tracks 16-20 recorded by A.T. Takagi at JAK Recording Studio, Tokyo, 1983, assisted by Nakamura; mixed by Pat Dillett at Kampo Studio, NYC, 2007
    All tracks originally mastered 1984 & remastered 2007 by Greg Calbi at Sterling Sound, NYC
    CD music production by Frank Hendler
    Chuck Findley and Ernie Watts appear courtesy of Monterey Records

    All compositions by David Byrne, except track 2 Trad., arr. by The Baptist Methodist Choir Church of God/Byrne/Blumberg; track 5 Trad., arr. by Clara Hudman "The Georgia Peach" / Byrne / Blumberg; track 6 Trad., arr. by Ensemble of the Bulgarian Republic/Byrne/Blumberg; track 8 Trad., arr. by the Pindar Family / Byrne / Blumberg; track 9 Trad., arr. by Swans Silvertone Singers / Byrne / Blumberg.

    Graphic Design by David Byrne and Danielle Spencer
    All drawings by David Byrne

nonesuch's picture
on May 29, 2008 - 7:14pm
Artist Name: 
David Byrne
Release Date: 
Wednesday, November 7, 2007 - 05:00
DescriptionExcerpt: 

Originally conceived as part of Robert Wilson's epic 1984 play the CIVIL warS, David Byrne’s The Knee Plays is “a strangely timeless set that echoes everything from early New Orleans jazz to brassy atmospheric passages or the quirky charm of a great Talking Heads song” (Guardian, UK). Now on CD for the first time, it includes eight previously unavailable bonus tracks plus a full-length DVD slideshow with music featuring 400 photographs of the original staging.

Description: 

This re-mastered album was first recorded in 1985 and has never before been released on CD. The release includes the 12 original tracks, eight bonus tracks, previously unseen visual materials, and a full-length DVD slideshow with music featuring 400 black-and-white photographs by JoAnn Verburg of the original staging.

The Knee Plays grew out of a relationship between David Byrne and avant-garde stage director and playwright Robert Wilson. In 1983, while preparing a piece entitled the CIVIL WarS to be performed at the 1984 Olympic Games in Los Angeles, Wilson invited Byrne to score the “knee plays”—or entr’actes—that would come in between each of the plays that would make up the days-long theatrical epic. Inspired by Wilson’s experimental creative process and the Dirty Dozen Brass band, whom he had heard on a trip to New Orleans, Byrne created a score in twelve parts that showcased the traditional harmonies of the brass ensemble. “I thought … their funky riffing and incredible feel would be an unexpected yet mesmerizing juxtaposition to Bob’s usually cool stage pictures,” Byrne writes. Taken together, the twelve knee plays would tell the story of a group of people “as they make a boat out of a tree and travel to strange and foreign lands,” according to Byrne.

Adding spoken-word text to the musical mix, Byrne took further inspiration from the Surrealists and John Cage. “None of [this] related to Bob’s story,” Byrne explains. “When you look up at the clouds in the city, and the sound you hear is hip hop and traffic noises, well, that’s the score for the cloud image—you just accept it. So why not accept similar connections on stage?”

In 1985, Byrne recorded the score in Los Angeles and the album was released later that year on ECM Records. “It’s a strange musical mélange,” Byrne says of the recording. “The swinging brass and percussion sometimes become mesmerizing and trancelike.”

While the longer theatrical epic was never performed, Byrne and Wilson’s The Knee Plays was staged at Lincoln Center in 1986 and toured worldwide. The music was performed in concert in 2007. The New York Times called the 1986 performance “one of Mr. Wilson’s most sheerly enjoyable and accessible works” and described Byrne’s contributions as “integral to the piece.”

Visit kneeplays.com for more info.

ProductionCredits: 

PRODUCTION CREDITS
Produced by David Byrne
Recorded at One on One Studio & Studio Sound Recorders, North Hollywood, 1984
Engineered by Joel Moss and Mark Wolfson
Mixed by David Byrne and Dominick Maita at RPM Studio, 1984, assisted by Mike Krowiak
Arranged by David Byrne and David Blumberg
Conducted by David Blumberg
Kabuki bonus tracks 16-20 recorded by A.T. Takagi at JAK Recording Studio, Tokyo, 1983, assisted by Nakamura; mixed by Pat Dillett at Kampo Studio, NYC, 2007
All tracks originally mastered 1984 & remastered 2007 by Greg Calbi at Sterling Sound, NYC
CD music production by Frank Hendler
Chuck Findley and Ernie Watts appear courtesy of Monterey Records

All compositions by David Byrne, except track 2 Trad., arr. by The Baptist Methodist Choir Church of God/Byrne/Blumberg; track 5 Trad., arr. by Clara Hudman "The Georgia Peach" / Byrne / Blumberg; track 6 Trad., arr. by Ensemble of the Bulgarian Republic/Byrne/Blumberg; track 8 Trad., arr. by the Pindar Family / Byrne / Blumberg; track 9 Trad., arr. by Swans Silvertone Singers / Byrne / Blumberg.

Graphic Design by David Byrne and Danielle Spencer
All drawings by David Byrne

Cover Art: 
Nonesuch Selection Number: 

303228

Number of Discs in Set: 
1disc
ns_album_artistid: 
203
ns_album_id: 
680
ns_album_releasedate: 
Wednesday, November 7, 2007 - 05:00
ns_genre_1: 
0
ns_genre_2: 
0
Album Status: 
UPC/Price: 
Label: 
CD+MP3
UPC: 
075597996784BUN
Price: 
0.00
Label: 
MP3
UPC: 
075597994810
Price: 
10.00
MusicianDetails: 

MUSICIANS
David Byrne, voice
Trumpets: (1-4, 11) Chuck Findley, Nolan Smith, Ray Brown, Rich Cooper; (5-11) Harry Kim, Nolan Smith, Ray Brown, Rich Cooper
Saxophones: (1-4, 11) Peter Christlieb, Ernie Watts, Don Myric; (5-10, 12) Peter Christlieb, Jackie Kelso
Baritones: Ernie Fields, Bill Green
Trombones: Phil Teil, David Stout, Fred Wesley, Garnett Brown, Dana Hughes
Drums: Paul Humphrey
Percussion: Bobbye Hall, Chuck Findley, Ernie Watts
Instruments on Kabuki bonus tracks 16-20: ookawa, oodaiko, bells, emu ii, Rhodes, fue, taiko, tsuzumi, vocals, bowed cymbals

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