Carolina Chocolate Drops

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Carolina Chocolate Drops
Biography (Excerpt)

In early 2012, Grammy award-winning Carolina Chocolate Drops released Leaving Eden produced by Buddy Miller. The traditional African-American string band's album was recorded in Nashville and featured founding members Rhiannon Giddens and Dom Flemons, along with multi-instrumentalist Hubby Jenkins and cellist Leyla McCalla, already a familiar presence at the group's live shows. With Flemons and McCalla now concentrating on solo work, the group's lineup now features two more virtuosic players alongside Giddens and Jenkins—cellist Malcolm Parson and multi-instrumentalist Rowan Corbett—illustrating the expansive, continually exploratory nature of the Chocolate Drops' music. Carolina Chocolate Drops' 2010 Nonesuch Records debut, Genuine Negro Jig, garnered a Grammy Award for Best Traditional Folk Album.

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In early 2012, Grammy award-winning Carolina Chocolate Drops released their studio album Leaving Eden produced by Buddy Miller. The traditional African-American string band's album was recorded in Nashville and featured founding members Rhiannon Giddens and Dom Flemons, along with multi-instrumentalist Hubby Jenkins and cellist Leyla McCalla, already a familiar presence at the group's live shows. With Flemons and McCalla now concentrating on solo work, the group's lineup now features two more virtuosic players alongside Giddens and Jenkins—cellist Malcolm Parson and multi-instrumentalist Rowan Corbett—illustrating the expansive, continually exploratory nature of the Chocolate Drops' music. 

The Chocolate Drops got their start in 2005 with Giddens, Flemons and fiddle player Justin Robinson, who amicably left the group in 2011. The Durham, North Carolina-based trio would travel every Thursday night to the home of old-time fiddler and songster Joe Thompson to learn tunes, listen to stories and, most importantly, to jam. Joe was in his 80s, a black fiddler with a short bowing style that he inherited from generations of family musicians. Now he was passing those same lessons onto a new generation. When the three students decided to form a band, they didn’t have big plans. It was mostly a tribute to Joe, a chance to bring his music back out of the house again and into dancehalls and public places.

With their 2010 Nonesuch Records debut, Genuine Negro Jig—which garnered a Best Traditional Folk Album Grammy—the Carolina Chocolate Drops proved that the old-time, fiddle and banjo-based music they’d so scrupulously researched and passionately performed could be a living, breathing, ever-evolving sound. Starting with material culled from the Piedmont region of the Carolinas, they sought to freshly interpret this work, not merely recreate it, highlighting the central role African-Americans played in shaping our nation’s popular music from its beginnings more than a century ago. The virtuosic trio’s approach was provocative and revelatory. Their concerts, The New York Times declared, were “an end-to-end display of excellence ... They dip into styles of southern black music from the 1920s and ’30s—string- band music, jug-band music, fife and drum, early jazz—and beam their curiosity outward. They make short work of their instructive mission and spend their energy on things that require it: flatfoot dancing, jug playing, shouting.”

Rolling Stone described the Carolina Chocolate Drops’ style as “dirt-floor-dance electricity.” If you ask the band, that is what matters most. Yes, banjos and black string musicians first got here on slave ships, but now this is everyone’s music. It’s okay to mix it up and go where the spirit moves.

“An appealing grab-bag of antique country, blues, jug band hits and gospel hollers," says the Guardian, "all given an agreeably downhome production. The Carolina Chocolate Drops are still the most electrifying acoustic act around.”

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Latest Release

  • February 28, 2012

    On Leaving Eden, the Carolina Chocolate Drops follow their Grammy-winning album Genuine Negro Jig with a record of original compositions, covers, and traditional songs produced by Buddy Miller (Emmylou Harris, Robert Plant, Patty Griffin, Solomon Burke). They “may take their cues from 1920s string- and jug-band music," says USA Today, "but they're simply a great band.” The Observer calls them "the most electrifying acoustic act around." Rolling Stone gives the album four stars. The BBC says: "It's plain terrific."

News

  • October 22, 2024

    Rhiannon Giddens has announced the launch of her first-ever festival, Biscuits & Banjos, a celebration of Black music, art, and culture to take place April 25–27, 2025, in downtown Durham, in her home state of North Carolina. The event commemorates the 20th anniversary of the Black Banjo Gathering, which launched Giddens' career and led to the formation of the Carolina Chocolate Drops, who will reunite to headline the festival. A portion of both ticket sales and merchandise income will go to Hurricane Helene relief efforts.

  • April 1, 2024

    NPR's Fresh Air with Terry Gross gave an encore broadcast to Carolina Chocolate Drops' 2010 interview and performance on the show. Original band members Rhiannon Giddens, Dom Flemons, and Justin Robinson spoke with host Terry Gross about their then newly-released Nonesuch debut album, Genuine Negro Jig, which went on to win the Grammy Award for Best Traditional Folk Album. You can hear the episode here.

Tour

Fri, Apr 25
Durham, NC
Fri, Apr 25
Durham, NC

Photos

About Carolina Chocolate Drops

  • In early 2012, Grammy award-winning Carolina Chocolate Drops released their studio album Leaving Eden produced by Buddy Miller. The traditional African-American string band's album was recorded in Nashville and featured founding members Rhiannon Giddens and Dom Flemons, along with multi-instrumentalist Hubby Jenkins and cellist Leyla McCalla, already a familiar presence at the group's live shows. With Flemons and McCalla now concentrating on solo work, the group's lineup now features two more virtuosic players alongside Giddens and Jenkins—cellist Malcolm Parson and multi-instrumentalist Rowan Corbett—illustrating the expansive, continually exploratory nature of the Chocolate Drops' music. 

    The Chocolate Drops got their start in 2005 with Giddens, Flemons and fiddle player Justin Robinson, who amicably left the group in 2011. The Durham, North Carolina-based trio would travel every Thursday night to the home of old-time fiddler and songster Joe Thompson to learn tunes, listen to stories and, most importantly, to jam. Joe was in his 80s, a black fiddler with a short bowing style that he inherited from generations of family musicians. Now he was passing those same lessons onto a new generation. When the three students decided to form a band, they didn’t have big plans. It was mostly a tribute to Joe, a chance to bring his music back out of the house again and into dancehalls and public places.

    With their 2010 Nonesuch Records debut, Genuine Negro Jig—which garnered a Best Traditional Folk Album Grammy—the Carolina Chocolate Drops proved that the old-time, fiddle and banjo-based music they’d so scrupulously researched and passionately performed could be a living, breathing, ever-evolving sound. Starting with material culled from the Piedmont region of the Carolinas, they sought to freshly interpret this work, not merely recreate it, highlighting the central role African-Americans played in shaping our nation’s popular music from its beginnings more than a century ago. The virtuosic trio’s approach was provocative and revelatory. Their concerts, The New York Times declared, were “an end-to-end display of excellence ... They dip into styles of southern black music from the 1920s and ’30s—string- band music, jug-band music, fife and drum, early jazz—and beam their curiosity outward. They make short work of their instructive mission and spend their energy on things that require it: flatfoot dancing, jug playing, shouting.”

    Rolling Stone described the Carolina Chocolate Drops’ style as “dirt-floor-dance electricity.” If you ask the band, that is what matters most. Yes, banjos and black string musicians first got here on slave ships, but now this is everyone’s music. It’s okay to mix it up and go where the spirit moves.

    “An appealing grab-bag of antique country, blues, jug band hits and gospel hollers," says the Guardian, "all given an agreeably downhome production. The Carolina Chocolate Drops are still the most electrifying acoustic act around.”

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