Hurray for the Riff Raff

Submitted by nonesuch on Tue, 09/28/2021 - 16:03
Sort Name
Hurray for the Riff Raff
Artist Position
5.00
Artist Genre
Biography (Excerpt)

LIFE ON EARTH, the Nonesuch debut of Hurray for the Riff Raff (aka Alynda Segarra), is a departure for the Bronx-born, New Orleans-based singer/songwriter. Its eleven new "nature punk" tracks on the theme of survival are music for a world in flux—songs about thriving, not just surviving, while disaster is happening. The album was recorded during the pandemic with producer Brad Cook. While making it, Segarra drew inspiration from the Clash, Beverly Glenn-Copeland, Bad Bunny, and the author of Emergent Strategy, adrienne maree brown. "A major step forward for one of today's most vital artists," exclaims Uncut. "The first great album of 2022." 

Weight
10
Active Artist
No
Facebook URL
https://www.facebook.com/hurrayfortheriffraff
Twitter URL
https://twitter.com/hftrr
Instagram URL
https://www.instagram.com/hurrayfortheriffraff/
Youtube URL
https://www.youtube.com/user/hurrayfortheriffraff

The Nonesuch debut of Hurray for the Riff Raff (aka Alynda Segarra), LIFE ON EARTH, out February 18, 2022, is a departure for the Bronx-born, New Orleans-based singer/songwriter. Its eleven new “nature punk” tracks on the theme of survival are music for a world in flux—songs about thriving, not just surviving, while disaster is happening. Nonesuch Store pre-orders include a limited-edition signed print while they last.

For her eighth full-length album, Segarra (they/she) drew inspiration from The Clash, Beverly Glenn-Copeland, Bad Bunny, and the author of Emergent Strategy, adrienne maree brown. Recorded during the pandemic, Life on Earth was produced by Brad Cook (Waxahatchee, Bon Iver, Kevin Morby).

Life on Earth’s first single, “RHODODENDRON,” out today, is about “finding rebellion in plant life. Being called by the natural world and seeing the life that surrounds you in a way you never have. A mind expansion. A psychedelic trip. A spiritual breakthrough. Learning to adapt, and being open to the wisdom of your landscape. Being called to fix things in your own backyard, your own community,” says Segarra.

Of the “Rhododendron” video, which was directed by New Orleans-based artist Lucia Honey, Segarra says: “It is really far out and fun. I got this bodysuit that just looks like the inside of the human body. It looks like you’re skinless. It’s in a scene where I’m playing to an audience of plants. Just really absurd, but I put that suit on and I was like man, this feels really good. It feels like, ‘This is who I am. Let’s just take the skin off.’

“It reminds me a little bit of Kids in the Hall,” they continue. “With this ‘Rhododendron’ shoot, something clicked in me where I was like, ‘All I have to do is be myself.’ I had been thinking that I had to be something bigger than myself. I felt like I was just never quite making the mark and then something clicked where I was like, ‘I just gotta be me. I could do that. I could show up and be me. And if people don’t like it, then I don’t know what to fucking tell them.’ It was like a brain shift of, ‘Oh, this can be fun. It doesn’t have to be suffering.’ With so many videos and photo shoots before, it really felt like suffering. I felt so uncomfortable being perceived. I didn’t know who I was.”

Honey adds: “We wanted to create something surreal, playful, and saturated that indulged heavily in the aesthetic of the early ‘90s. Alynda and I had many overlapping visual and philosophical references which sparked the initial collaboration. We wanted to make this video an homage to Gregg Araki’s Teenage Apocalypse trilogy but as a nature documentary crossover. I came across Araki’s work as a queer teenager, and he’s always been a big inspiration. Sex, blood, punk rock, camp, etc.

“We live in a moment where the future is bleaker and more unknown than ever, so there becomes a deep comfort in nostalgia and reliving the past. Through our talks, I realized Alynda’s new album touches on many of these same subjects, but perhaps in reverse; running from a past that is always haunting you. Shifting into a more refined self/identity through confronting one’s trauma and baggage. It was easy to reach collaborative synergy for this video project because we’re both interested in tackling similar issues.”

Alynda Segarra was born and raised in the Bronx, which they left at the age of seventeen, running away from everything and everyone they knew, hopping freight trains or hitchhiking across the country in the company of a band of street urchins. Segarra moved to New Orleans in 2007 and formed two bands: Dead Man’s Street Orchestra and Hurray for the Riff Raff. In 2015, Segarra decamped to Nashville, then to New York, to make her most recent album, 2016’s critically praised The Navigator, an ambitious and fully realized concept album that was her quest to reclaim her Puerto Rican identity. Segarra’s previous records as Hurray for the Riff Raff are Crossing the Rubicon (EP, 2007), It Don’t Mean I Don’t Love You (2008), Young Blood Blues (2010), Hurray for the Riff Raff (2011), Look Out Mama (2012), My Dearest Darkest Neighbor (2013), and Small Town Heroes (2014).

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Latest Release

  • February 18, 2022

    LIFE ON EARTH, the Nonesuch debut of Hurray for the Riff Raff (aka Alynda Segarra), is a departure for the Bronx-born, New Orleans-based singer/songwriter. Its eleven new "nature punk" tracks on the theme of survival are music for a world in flux—songs about thriving, not just surviving, while disaster is happening. The album was recorded during the pandemic with producer Brad Cook (Waxahatchee, Bon Iver, Kevin Morby). While making it, Segarra drew inspiration from the Clash, Beverly Glenn-Copeland, Bad Bunny, and the author of Emergent Strategy, adrienne maree brown. "A major step forward for one of today's most vital artists," exclaims Uncut. "The first great album of 2022." Nonesuch Store LP and CD orders include a limited-edition print autographed by Segarra, while they last.

Releases

News

  • November 17, 2022

    Hurray for the Riff, aka Alynda Segarra, has released a cover of Eurythmics’ “Sweet Dreams” as part of an Amazon Original series of covers of songs by the 2022 Rock & Roll Hall of Fame Inductees available only on Amazon Music. “What can you do with a classic song like this but dive in and explore the depths?” Segarra says. “My whole life I watched Annie Lennox sing it and she was so strong—superhero to me, with her suit and cropped hair. I vowed, as a kid, to one day be that unshakeable. But life happens to us all. So, I sing it today from a tender place, weary from the brutality of our world but not broken. As Annie told us all—hold your head up, keep your head up.” 

  • November 7, 2022

    Hurray for the Riff Raff, who is currently touring North America as special guest of Bright Eyes, will join First Aid Kit on their West Coast tour in May 2023. The shows kick off at the Fox Theater in Oakland on May 15, followed by the Hollywood Palladium and stops in Phoenix, Denver, Salt Lake City, Portland, and Vancouver, culminating at the Paramount Theatre in Seattle on May 24.

Tour

Mon, May 15
Oakland, CA
Fox Theater
Mon, May 15
Oakland, CA
Fox Theater
Tue, May 16
Hollywood, CA
Hollywood Palladium
Tue, May 16
Hollywood, CA
Hollywood Palladium
Wed, May 17
Phoenix, AZ
The Van Buren
Wed, May 17
Phoenix, AZ
The Van Buren
Fri, May 19
Denver, CO
Fillmore Auditorium
Fri, May 19
Denver, CO
Fillmore Auditorium
Sat, May 20
Salt Lake City, UT
The Union
Sat, May 20
Salt Lake City, UT
The Union
Mon, May 22
Portland, OR
Keller Auditorium
Mon, May 22
Portland, OR
Keller Auditorium
Tue, May 23
Vancouver, BC
Malkin Bowl
Tue, May 23
Vancouver, BC
Malkin Bowl
Wed, May 24
Seattle, WA
Paramount Theatre
Wed, May 24
Seattle, WA
Paramount Theatre

Photos

About Hurray for the Riff Raff

  • The Nonesuch debut of Hurray for the Riff Raff (aka Alynda Segarra), LIFE ON EARTH, out February 18, 2022, is a departure for the Bronx-born, New Orleans-based singer/songwriter. Its eleven new “nature punk” tracks on the theme of survival are music for a world in flux—songs about thriving, not just surviving, while disaster is happening. Nonesuch Store pre-orders include a limited-edition signed print while they last.

    For her eighth full-length album, Segarra (they/she) drew inspiration from The Clash, Beverly Glenn-Copeland, Bad Bunny, and the author of Emergent Strategy, adrienne maree brown. Recorded during the pandemic, Life on Earth was produced by Brad Cook (Waxahatchee, Bon Iver, Kevin Morby).

    Life on Earth’s first single, “RHODODENDRON,” out today, is about “finding rebellion in plant life. Being called by the natural world and seeing the life that surrounds you in a way you never have. A mind expansion. A psychedelic trip. A spiritual breakthrough. Learning to adapt, and being open to the wisdom of your landscape. Being called to fix things in your own backyard, your own community,” says Segarra.

    Of the “Rhododendron” video, which was directed by New Orleans-based artist Lucia Honey, Segarra says: “It is really far out and fun. I got this bodysuit that just looks like the inside of the human body. It looks like you’re skinless. It’s in a scene where I’m playing to an audience of plants. Just really absurd, but I put that suit on and I was like man, this feels really good. It feels like, ‘This is who I am. Let’s just take the skin off.’

    “It reminds me a little bit of Kids in the Hall,” they continue. “With this ‘Rhododendron’ shoot, something clicked in me where I was like, ‘All I have to do is be myself.’ I had been thinking that I had to be something bigger than myself. I felt like I was just never quite making the mark and then something clicked where I was like, ‘I just gotta be me. I could do that. I could show up and be me. And if people don’t like it, then I don’t know what to fucking tell them.’ It was like a brain shift of, ‘Oh, this can be fun. It doesn’t have to be suffering.’ With so many videos and photo shoots before, it really felt like suffering. I felt so uncomfortable being perceived. I didn’t know who I was.”

    Honey adds: “We wanted to create something surreal, playful, and saturated that indulged heavily in the aesthetic of the early ‘90s. Alynda and I had many overlapping visual and philosophical references which sparked the initial collaboration. We wanted to make this video an homage to Gregg Araki’s Teenage Apocalypse trilogy but as a nature documentary crossover. I came across Araki’s work as a queer teenager, and he’s always been a big inspiration. Sex, blood, punk rock, camp, etc.

    “We live in a moment where the future is bleaker and more unknown than ever, so there becomes a deep comfort in nostalgia and reliving the past. Through our talks, I realized Alynda’s new album touches on many of these same subjects, but perhaps in reverse; running from a past that is always haunting you. Shifting into a more refined self/identity through confronting one’s trauma and baggage. It was easy to reach collaborative synergy for this video project because we’re both interested in tackling similar issues.”

    Alynda Segarra was born and raised in the Bronx, which they left at the age of seventeen, running away from everything and everyone they knew, hopping freight trains or hitchhiking across the country in the company of a band of street urchins. Segarra moved to New Orleans in 2007 and formed two bands: Dead Man’s Street Orchestra and Hurray for the Riff Raff. In 2015, Segarra decamped to Nashville, then to New York, to make her most recent album, 2016’s critically praised The Navigator, an ambitious and fully realized concept album that was her quest to reclaim her Puerto Rican identity. Segarra’s previous records as Hurray for the Riff Raff are Crossing the Rubicon (EP, 2007), It Don’t Mean I Don’t Love You (2008), Young Blood Blues (2010), Hurray for the Riff Raff (2011), Look Out Mama (2012), My Dearest Darkest Neighbor (2013), and Small Town Heroes (2014).

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