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Orange

  • 587444

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  • New Amsterdam and Nonesuch Records release Pulitzer Prize–winning composer Caroline Shaw’s Orange, performed by Attacca Quartet, on April 19, 2019. Orange, which features six of Shaw’s pieces for string quartet, is the first full-length album to exclusively feature her works and is the first release in a new partnership between the two record labels. The string quartet form "has existed for hundreds of years, but there's something, for me, beautiful and ritualistic about coming back to that form," says Shaw. "This album is a celebration of the simple, immediate, unadorned beauty of a natural, everyday, familiar thing." Nonesuch Store pre-orders include an instant download of the track "Plan & Elevation: IV. The Orangery" (a video for which may be seen here) and an exclusive print of a painting created and signed by Shaw and Attacca Quartet.

  • About This Album

    New Amsterdam and Nonesuch Records release Pulitzer Prize–winning composer Caroline Shaw’s Orange, performed by Attacca Quartet, on April 19, 2019. Orange, which features six of Shaw’s pieces for string quartet, is the first full-length album to exclusively feature works by Shaw. It is also the first release in a new partnership between the two record labels, established with the goal of enabling contemporary American composers to realize creative ambitions that might not otherwise be achievable.

    Nonesuch Store pre-orders of Orange include an instant download of the album track "Plan & Elevation: IV. The Orangery" (a video for which, directed by Tristan Cook at Dumbarton Oaks Garden, can be seen below) an exclusive print of a painting created and hand-signed by Shaw and Attacca Quartet.

    Composer Caroline Shaw is also a singer in the Grammy Award–winning vocal ensemble Roomful of Teeth, for which she wrote the piece that won the Pulitzer Prize: Partita (she was the youngest Pulitzer recipient). She has also played violin since the age of two and been drawn to the string quartet for most of her life. She says, "It has existed for hundreds of years, but there's something kind of, for me, beautiful and ritualistic about coming back to that form. It's something familiar, and yet you can keep on opening these doors and diving down these little rabbit holes. Just the simple changes of harmony and the shape of the bass line, and how that can create a whole world."

    Shaw describes the world she built for Orange as a garden that she and Attacca Quartet are tending. She used the group's centuries-old combination of two violins (Amy Schroeder and Keiko Tokunaga), viola (Nathan Schram), and cello (Andrew Yee) to create a rich environment where traces of what has grown there before—left by Haydn, Mozart, Ravel, Bartok, Bach, Monteverdi, and Josquin—provide nourishment for new life.

    "Hints of past years' growth remain in the soil, and so the new growth has been partially shaped by the old," explains Shaw. "The colors are vivid and familiar, and the shapes of the leaves follow a pattern that you seem to know until you don't." She continues, "This album is a celebration of the simple, immediate, unadorned beauty of a natural, everyday, familiar thing."

    Hailed for "astonishing both the pop and classical music worlds" by the Guardian, Shaw's list of collaborators is vast and varied, including Kanye West, Nas, The National, Sara Bareilles, Ben Folds, Renée Fleming, Inon Barnatan, Dawn Upshaw, Sō Percussion, Gil Kalish, the Orchestra of St. Luke's with John Lithgow, the Dover Quartet, Brooklyn Rider, and more; she has also appeared on Mozart in the Jungle.

    Praised by the Strad as “stunning” and for possessing “a musical maturity far beyond its members’ years,” the internationally acclaimed Attacca Quartet is currently celebrating its sixteenth season as one of America’s premier young performing ensembles. It has served as the Quartet in Residence at the Metropolitan Museum of Art and received numerous awards, including first prize at the seventh Osaka International Chamber Music Competition, top prize and Listeners’ Choice award at the Melbourne International Chamber Music Competition, and Grand Prize Winners of the sixtieth annual Coleman Chamber Ensemble Competition. Current highlights include performing at the New York Philharmonic Nightcap Series curated by John Adams and Nadia Sirota, New York’s Lincoln Center White Lights Festival, Carnegie Hall, Gothenburg Konserthuset, Sociedad Filarmonica de Bilbao, Auditorio Nacional de Música, and Palau de la Musica.

    When describing the power of performing the works on Orange, Attacca Quartet explains that “playing and listening to Caroline Shaw’s music can turn a concert hall into your own peaceful living room. Between rehearsals and performances, we found ourselves marveling in the unassuming honesty of every passage and the profound effect it has on ourselves and our audiences.”

    Credits

    MUSICIANS
    Attacca Quartet:
    Amy Schroeder, violin
    Keiko Tokunaga, violin
    Nathan Schram, viola
    Andrew Yee, cello

    PRODUCTION CREDITS
    Produced by Antonio Oliart, Caroline Shaw and Attacca Quartet
    Recorded, mixed, engineered, and mastered by Antonio Oliart at WGBH Studios
    Executive Producer: Anthony Rudel

    Cover photograph by Arthur Moeller
    Design by Ben Tousley
    Art direction by Andrew Yee
    Group photograph by Jorsand Diaz

    All songs written by Caroline Shaw

nonesuch's picture
on January 10, 2019 - 2:19pm
Artist Name: 
Caroline Shaw
Attacca Quartet
genre: 
Release Date: 
Friday, April 19, 2019 (All day)
DescriptionExcerpt: 

On Pulitzer Prize–winning composer Caroline Shaw's album Orange, Attacca Quartet performs six of her pieces for string quartet. The string quartet form "has existed for hundreds of years, but there's something, for me, beautiful and ritualistic about coming back to that form," says Shaw. "It's something familiar, and yet you can keep on opening these doors and diving down these little rabbit holes ... This album is a celebration of the simple, immediate, unadorned beauty of a natural, everyday, familiar thing." Pre-order to download a track now and get an exclusive, limited-edition print of a painting created and signed by Shaw and Attacca Quartet.

Description: 

New Amsterdam and Nonesuch Records release Pulitzer Prize–winning composer Caroline Shaw’s Orange, performed by Attacca Quartet, on April 19, 2019. Orange, which features six of Shaw’s pieces for string quartet, is the first full-length album to exclusively feature works by Shaw. It is also the first release in a new partnership between the two record labels, established with the goal of enabling contemporary American composers to realize creative ambitions that might not otherwise be achievable.

Nonesuch Store pre-orders of Orange include an instant download of the album track "Plan & Elevation: IV. The Orangery" (a video for which, directed by Tristan Cook at Dumbarton Oaks Garden, can be seen below) an exclusive print of a painting created and hand-signed by Shaw and Attacca Quartet.

Composer Caroline Shaw is also a singer in the Grammy Award–winning vocal ensemble Roomful of Teeth, for which she wrote the piece that won the Pulitzer Prize: Partita (she was the youngest Pulitzer recipient). She has also played violin since the age of two and been drawn to the string quartet for most of her life. She says, "It has existed for hundreds of years, but there's something kind of, for me, beautiful and ritualistic about coming back to that form. It's something familiar, and yet you can keep on opening these doors and diving down these little rabbit holes. Just the simple changes of harmony and the shape of the bass line, and how that can create a whole world."

Shaw describes the world she built for Orange as a garden that she and Attacca Quartet are tending. She used the group's centuries-old combination of two violins (Amy Schroeder and Keiko Tokunaga), viola (Nathan Schram), and cello (Andrew Yee) to create a rich environment where traces of what has grown there before—left by Haydn, Mozart, Ravel, Bartok, Bach, Monteverdi, and Josquin—provide nourishment for new life.

"Hints of past years' growth remain in the soil, and so the new growth has been partially shaped by the old," explains Shaw. "The colors are vivid and familiar, and the shapes of the leaves follow a pattern that you seem to know until you don't." She continues, "This album is a celebration of the simple, immediate, unadorned beauty of a natural, everyday, familiar thing."

Hailed for "astonishing both the pop and classical music worlds" by the Guardian, Shaw's list of collaborators is vast and varied, including Kanye West, Nas, The National, Sara Bareilles, Ben Folds, Renée Fleming, Inon Barnatan, Dawn Upshaw, Sō Percussion, Gil Kalish, the Orchestra of St. Luke's with John Lithgow, the Dover Quartet, Brooklyn Rider, and more; she has also appeared on Mozart in the Jungle.

Praised by the Strad as “stunning” and for possessing “a musical maturity far beyond its members’ years,” the internationally acclaimed Attacca Quartet is currently celebrating its sixteenth season as one of America’s premier young performing ensembles. It has served as the Quartet in Residence at the Metropolitan Museum of Art and received numerous awards, including first prize at the seventh Osaka International Chamber Music Competition, top prize and Listeners’ Choice award at the Melbourne International Chamber Music Competition, and Grand Prize Winners of the sixtieth annual Coleman Chamber Ensemble Competition. Current highlights include performing at the New York Philharmonic Nightcap Series curated by John Adams and Nadia Sirota, New York’s Lincoln Center White Lights Festival, Carnegie Hall, Gothenburg Konserthuset, Sociedad Filarmonica de Bilbao, Auditorio Nacional de Música, and Palau de la Musica.

When describing the power of performing the works on Orange, Attacca Quartet explains that “playing and listening to Caroline Shaw’s music can turn a concert hall into your own peaceful living room. Between rehearsals and performances, we found ourselves marveling in the unassuming honesty of every passage and the profound effect it has on ourselves and our audiences.”

ProductionCredits: 

PRODUCTION CREDITS
Produced by Antonio Oliart, Caroline Shaw and Attacca Quartet
Recorded, mixed, engineered, and mastered by Antonio Oliart at WGBH Studios
Executive Producer: Anthony Rudel

Cover photograph by Arthur Moeller
Design by Ben Tousley
Art direction by Andrew Yee
Group photograph by Jorsand Diaz

All songs written by Caroline Shaw

Cover Art: 
Nonesuch Selection Number: 

587444

ns_album_releasedate: 
Thursday, January 10, 2019 - 14:15
Album Status: 
UPC/Price: 
Label: 
CD+MP3+Print
UPC: 
075597926040
Price: 
12.00
MusicianDetails: 

MUSICIANS
Attacca Quartet:
Amy Schroeder, violin
Keiko Tokunaga, violin
Nathan Schram, viola
Andrew Yee, cello

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