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Gilbert Kalish

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  • September 08, 2014

    The Brooklyn Academy of Music's wide-ranging series of concerts and events Nonesuch Records at BAM: Celebrating a Label Without Labels, celebrating the 50th anniversary of Nonesuch Records, kicks off Tuesday night with the first of three consecutive nights of concerts from Philip Glass and Steve Reich plus a separate solo set from Brad Mehldau and continues through September 28. The New York Times says the series "reflects the broad curiosity and high standard of a label that has had notable successes ... with no guiding criteria other than instinct and taste." In conjunction with these events, BAMcinématek presents Nonesuch Records on Film, a salute to the label’s rich catalogue of movie soundtracks.

  • May 13, 2014

    In honor of the 50th anniversary of Nonesuch Records, the Brooklyn Academy of Music (BAM) presents a wide-ranging series of concerts, September 9–28. Part of the 2014 Next Wave Festival, these diverse engagements—featuring 23 evenings of music—underscore the longstanding relationship between Nonesuch artists and BAM. Performs include Philip Glass, Steve Reich, Timo Andres, Brad Mehldau, Chris Thile, Dawn Upshaw, Alarm Will Sound performing works by John Adams, Youssou N'Dour, Rhiannon Giddens, Devendra Banhart, Stephin Merritt, Iron and Wine, Kronos Quartet, Natalie Merchant, Sam Amidon, Olivia Chaney, Laurie Anderson, Rokia Traoré, Toumani & Sidiki Diabaté, Caetano Veloso, and Robert Plant.

  • about Gilbert Kalish

    Gilbert Kalish leads a musical life of unusual variety and breadth. His profound influence on the musical community as educator and as pianist in myriad performances and recordings has established him as a major figure in American music making.

    A native New Yorker and graduate of Columbia College, Kalish studied with Leonard Shure, Julius Hereford, and Isabella Vengerova. He was the pianist of the Boston Symphony Chamber Players for 30 years and was a founding member of the Contemporary Chamber Ensemble, a group devoted to new music that flourished during the 1960s and 70s. He is a frequent guest artist with many of the world’s most distinguished chamber ensembles. His 30-year partnership with the mezzo-soprano Jan DeGaetani was universally recognized as one of the most remarkable artistic collaborations of our time. He maintains longstanding duos with the cellists Timothy Eddy and Joel Krosnick, and he appears frequently with soprano Dawn Upshaw.

    Kalish is Distinguished Professor and Head of Performance Activities at the State University of New York at Stony Brook. From 1969 to 1997, he was a faculty member of the Tanglewood Music Center and served as the “Chairman of the Faculty” at Tanglewood from 1985 to 1997. He often serves as guest artist at distinguished music institutions such as The Banff Centre, and the Steans Institute at Ravinia, and the Marlboro Festival, and is renowned for his master class presentations.

    Gilbert Kalish’s discography encompasses classical repertory, 20th-century masterworks, and new compositions. Of special note are his solo recordings of Charles Ives’s Concord Sonata and the sonatas of Joseph Haydn, as well as an immense discography of vocal music with Jan DeGaetani and landmarks of the 20th century by such composers as Carter, Crumb, Shapey, and Schoeberg. In 1995, he was presented with the Paul Fromm Award by the University of Chicago Music Department for distinguished service to the music of our time.

on May 29, 2008 - 7:06pm

Gilbert Kalish leads a musical life of unusual variety and breadth. His profound influence on the musical community as educator and as pianist in myriad performances and recordings has established him as a major figure in American music making.

A native New Yorker and graduate of Columbia College, Kalish studied with Leonard Shure, Julius Hereford, and Isabella Vengerova. He was the pianist of the Boston Symphony Chamber Players for 30 years and was a founding member of the Contemporary Chamber Ensemble, a group devoted to new music that flourished during the 1960s and 70s. He is a frequent guest artist with many of the world’s most distinguished chamber ensembles. His 30-year partnership with the mezzo-soprano Jan DeGaetani was universally recognized as one of the most remarkable artistic collaborations of our time. He maintains longstanding duos with the cellists Timothy Eddy and Joel Krosnick, and he appears frequently with soprano Dawn Upshaw.

Kalish is Distinguished Professor and Head of Performance Activities at the State University of New York at Stony Brook. From 1969 to 1997, he was a faculty member of the Tanglewood Music Center and served as the “Chairman of the Faculty” at Tanglewood from 1985 to 1997. He often serves as guest artist at distinguished music institutions such as The Banff Centre, and the Steans Institute at Ravinia, and the Marlboro Festival, and is renowned for his master class presentations.

Gilbert Kalish’s discography encompasses classical repertory, 20th-century masterworks, and new compositions. Of special note are his solo recordings of Charles Ives’s Concord Sonata and the sonatas of Joseph Haydn, as well as an immense discography of vocal music with Jan DeGaetani and landmarks of the 20th century by such composers as Carter, Crumb, Shapey, and Schoeberg. In 1995, he was presented with the Paul Fromm Award by the University of Chicago Music Department for distinguished service to the music of our time.

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Biography (Excerpt): 

Gilbert Kalish leads a musical life of unusual variety and breadth. His profound influence on the musical community as educator and as pianist in myriad performances and recordings has established him as a major figure in American music making. His discography encompasses classical repertory, 20th-century masterworks, and new compositions. Of special note are his solo recordings of Charles Ives’s Concord Sonata and the sonatas of Joseph Haydn, as well as an immense discography of vocal music with Jan DeGaetani and landmarks of the 20th century by such composers as Carter, Crumb, Shapey, and Schoeberg.

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