Rectangles and Circumstance

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DescriptionExcerpt

Rectangles and Circumstance comprises ten songs co-written and performed by Caroline Shaw and Sō Percussion. Shaw and Sō's Eric Cha-Beach and Adam Sliwinski "sourced a group of nineteenth-century poems that shaped its expressive mode [and] ended up using verses by Christina Rosetti, Emily Brontë, Emily Dickinson, Gertrude Stein, and William Blake," says Sliwinski. "The lyrics on this album by members of the band contain wordplay that explores the same profound feelings explored by Blake and Dickinson.” Shaw and Sō co-produced the album with Grammy-winning engineer Jonathan Low (The National, Taylor Swift).

Description

Rectangles and Circumstance, an album of ten songs co-written and performed by Caroline Shaw and Sō Percussion, was released via Nonesuch Records on June 14, 2024. The album follows their 2021 Grammy Award–winning Nonesuch debut, Narrow Sea, and their first record as a band, 2021’s Let the Soil Play Its Simple Part, with Shaw on vocals backed by Sō—Eric Cha-Beach, Josh Quillen, Adam Sliwinski, and Jason Treuting. Grammy-winning engineer Jonathan Low (The National, Taylor Swift) co-produced with them on both Let the Soil… and Rectangles and Circumstance

Sliwinski says in the new album’s liner notes, “After a few years of touring Let the Soil Play Its Simple Part together, with a pandemic in between, we came to record our second album, Rectangles and Circumstance, as a road-tested band who knew each other’s strengths, weaknesses, and tendencies intimately.” He continues, “Most of the songs started with instrumental pieces or fragments of pieces from Jason or Eric.

“As both a songwriter and a classical composer, Caroline is accustomed to writing lyrics as well as setting them. Going over texts with her is like working on music: I collect a handful of poems and send them over to her, waiting to see if anything catches her interest, then I modify my search based on her feedback,” Sliwinski says. “For this album, Caroline, Eric, and I sourced a group of nineteenth-century poems that shaped its expressive mode [and] ended up using verses by Christina Rosetti, Emily Brontë, Emily Dickinson, Gertrude Stein, and William Blake … The lyrics on this album by members of the band contain wordplay that explores the same profound feelings explored by Blake and Dickinson.”

Caroline Shaw is a musician who moves among roles, genres, and mediums, trying to imagine a world of sound that has never been heard before but has always existed. She is the recipient of the 2013 Pulitzer Prize in Music, several Grammy awards, an honorary doctorate from Yale, and a Thomas J. Watson Fellowship. She has worked with a range of artists including Rosalía, Renée Fleming, and Yo-Yo Ma, and she has contributed music to films and TV series including Fleishman Is in Trouble, Bombshell, Yellowjackets, Maid, Dark, and Beyoncé’s Homecoming. In addition to her albums with Sō, Nonesuch has released her two Grammy-winning albums Orange (2019) and Evergreen (2022), both of which feature Attacca Quartet. “Two-Step,” the first of Shaw’s songs with Ringdown, her duo with Danni Lee, to be released on Nonesuch is available now.

For twenty years and counting, Sō Percussion has redefined chamber music for the twenty-first century through an “exhilarating blend of precision and anarchy, rigor and bedlam” (New Yorker). Their commitment to the creation and amplification of new work, and their extraordinary powers of perception and communication, have made them trusted partners for composers including David Lang, Julia Wolfe, Nathalie Joachim, Bryce Dessner, Dan Trueman, Kendall K. Williams, Angélica Negrón, Shodekeh Talifero, claire rousay, Leilehua Lanzilotti, Bora Yoon, Olivier Tarpaga, and many others. Sō has recorded more than twenty-five albums, including a performance of Steve Reich’s Mallet Quartet on the Nonesuch record WTC 9/11. Its members are the Edward T. Cone performers-in-residence at Princeton University. Sō Percussion’s educational and community work includes the Sō Laboratories concert series and the Sō Percussion Summer Institute, an intensive two-week chamber music seminar for percussionists and composers.

ProductionCredits

PRODUCTION CREDITS
Produced by Caroline Shaw, Eric Cha-Beach, Jonathan Low, and Sō Percussion
Recorded August 29–September 1, 2023, at Guilford Sound, Guilford, VT
Additional recording October 16–18, 2023, at Figure 8 Recording, Brooklyn, NY; November 6 & 9, December 9, 2023, at Big Mercy Studios, Brooklyn, NY; October 11, November 1, 2023, and January 17, 2024, at Princeton University, Princeton, NJ
Engineered by Jonathan Low
Assistant engineering by Matt Hall and Dave Snyder
Additional engineering by Matt Poirier
Edited and mixed by Jonathan Low
Additional editing and mixing by Matt Poirier
Mastered by Josh Bonati at Bonati Mastering, Brooklyn, NY

Design by Ben Tousley
Cover & insert photo by Daniel Kukla
Group photo and studio photos by Anja Schütz

Album Status
Artist Name
Caroline Shaw
Sō Percussion
MusicianDetails

MUSICIANS
Caroline Shaw, vocals

Sō Percussion:
Eric Cha-Beach
Josh Quillen
Adam Sliwinski
Jason Treuting

reissues?
new-release
Cover Art
UPC/Price
Label
LP+MP3
Price
21.00
UPC
075597899580
Label
CD+MP3
Price
13.00
UPC
075597899597
Label
MP3
Price
9.00
UPC
075597899559
Label
96/24 HD FLAC
Price
10.00
UPC
075597899566

News & Reviews

  • Rectangles and Circumstance, an album of ten songs co-written and performed by Caroline Shaw and Sō Percussion, is out now. Shaw and Sō's Eric Cha-Beach and Adam Sliwinski "sourced a group of nineteenth-century poems that shaped its expressive mode [and] ended up using verses by Christina Rosetti, Emily Brontë, Emily Dickinson, Gertrude Stein, and William Blake," says Sliwinski. "The lyrics on this album by members of the band contain wordplay that explores the same profound feelings explored by Blake and Dickinson.” Shaw and Sō co-produced the album with Grammy-winning engineer Jonathan Low (The National, Taylor Swift). Also out today is a video for the album track "Sing On," which you can watch here.

  • Rectangles and Circumstance, an album of ten songs co-written and performed by Caroline Shaw and Sō Percussion, is out now. Shaw and Sō's Eric Cha-Beach and Adam Sliwinski "sourced a group of nineteenth-century poems that shaped its expressive mode [and] ended up using verses by Christina Rosetti, Emily Brontë, Emily Dickinson, Gertrude Stein, and William Blake," says Sliwinski. "The lyrics on this album by members of the band contain wordplay that explores the same profound feelings explored by Blake and Dickinson.” Shaw and Sō co-produced the album with Grammy-winning engineer Jonathan Low (The National, Taylor Swift). Also out today is a video for the album track "Sing On," which you can watch here.

  • About This Album

    Rectangles and Circumstance, an album of ten songs co-written and performed by Caroline Shaw and Sō Percussion, was released via Nonesuch Records on June 14, 2024. The album follows their 2021 Grammy Award–winning Nonesuch debut, Narrow Sea, and their first record as a band, 2021’s Let the Soil Play Its Simple Part, with Shaw on vocals backed by Sō—Eric Cha-Beach, Josh Quillen, Adam Sliwinski, and Jason Treuting. Grammy-winning engineer Jonathan Low (The National, Taylor Swift) co-produced with them on both Let the Soil… and Rectangles and Circumstance

    Sliwinski says in the new album’s liner notes, “After a few years of touring Let the Soil Play Its Simple Part together, with a pandemic in between, we came to record our second album, Rectangles and Circumstance, as a road-tested band who knew each other’s strengths, weaknesses, and tendencies intimately.” He continues, “Most of the songs started with instrumental pieces or fragments of pieces from Jason or Eric.

    “As both a songwriter and a classical composer, Caroline is accustomed to writing lyrics as well as setting them. Going over texts with her is like working on music: I collect a handful of poems and send them over to her, waiting to see if anything catches her interest, then I modify my search based on her feedback,” Sliwinski says. “For this album, Caroline, Eric, and I sourced a group of nineteenth-century poems that shaped its expressive mode [and] ended up using verses by Christina Rosetti, Emily Brontë, Emily Dickinson, Gertrude Stein, and William Blake … The lyrics on this album by members of the band contain wordplay that explores the same profound feelings explored by Blake and Dickinson.”

    Caroline Shaw is a musician who moves among roles, genres, and mediums, trying to imagine a world of sound that has never been heard before but has always existed. She is the recipient of the 2013 Pulitzer Prize in Music, several Grammy awards, an honorary doctorate from Yale, and a Thomas J. Watson Fellowship. She has worked with a range of artists including Rosalía, Renée Fleming, and Yo-Yo Ma, and she has contributed music to films and TV series including Fleishman Is in Trouble, Bombshell, Yellowjackets, Maid, Dark, and Beyoncé’s Homecoming. In addition to her albums with Sō, Nonesuch has released her two Grammy-winning albums Orange (2019) and Evergreen (2022), both of which feature Attacca Quartet. “Two-Step,” the first of Shaw’s songs with Ringdown, her duo with Danni Lee, to be released on Nonesuch is available now.

    For twenty years and counting, Sō Percussion has redefined chamber music for the twenty-first century through an “exhilarating blend of precision and anarchy, rigor and bedlam” (New Yorker). Their commitment to the creation and amplification of new work, and their extraordinary powers of perception and communication, have made them trusted partners for composers including David Lang, Julia Wolfe, Nathalie Joachim, Bryce Dessner, Dan Trueman, Kendall K. Williams, Angélica Negrón, Shodekeh Talifero, claire rousay, Leilehua Lanzilotti, Bora Yoon, Olivier Tarpaga, and many others. Sō has recorded more than twenty-five albums, including a performance of Steve Reich’s Mallet Quartet on the Nonesuch record WTC 9/11. Its members are the Edward T. Cone performers-in-residence at Princeton University. Sō Percussion’s educational and community work includes the Sō Laboratories concert series and the Sō Percussion Summer Institute, an intensive two-week chamber music seminar for percussionists and composers.

    Credits

    MUSICIANS
    Caroline Shaw, vocals

    Sō Percussion:
    Eric Cha-Beach
    Josh Quillen
    Adam Sliwinski
    Jason Treuting

    PRODUCTION CREDITS
    Produced by Caroline Shaw, Eric Cha-Beach, Jonathan Low, and Sō Percussion
    Recorded August 29–September 1, 2023, at Guilford Sound, Guilford, VT
    Additional recording October 16–18, 2023, at Figure 8 Recording, Brooklyn, NY; November 6 & 9, December 9, 2023, at Big Mercy Studios, Brooklyn, NY; October 11, November 1, 2023, and January 17, 2024, at Princeton University, Princeton, NJ
    Engineered by Jonathan Low
    Assistant engineering by Matt Hall and Dave Snyder
    Additional engineering by Matt Poirier
    Edited and mixed by Jonathan Low
    Additional editing and mixing by Matt Poirier
    Mastered by Josh Bonati at Bonati Mastering, Brooklyn, NY

    Design by Ben Tousley
    Cover & insert photo by Daniel Kukla
    Group photo and studio photos by Anja Schütz